Dance Anatomy Nchịkọta Ọla Mma nke Ksenia Zagaynova

Ihe emepụtara bụ Dance Anatomy Nchịkọta Ọla Mma nke Ksenia Zagaynova bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Platinum na Udi Asọmpi Nhazi Ọla Ịchọ Mma.

PlatinumỌla Ịchọ Mma· 2020

Dance Anatomy Nchịkọta Ọla Mma

nke Ksenia Zagaynova

Onye Ahịa: Xenia Gai

Onye Meriri Ihe Nrite A' Design Award nke Platinum na Udi Ọla Ịchọ Mma

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #92713

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Dance Anatomy Nchịkọta Ọla Mma

Dance Anatomy bụ nchịkọta ọla mma sitere na mkpali egwu ọgbara ọhụrụ. Ihe atọ ahụ, nke a rụpụtara n'agba abụọ, na-akọwagharị ahụ mmadụ site n'ahịrị na ọdịdị bionic. A mụrụ ọnọdụ egwu ndị kwụsiri ike, ma tụgharịa esemokwu akwara, ntụsara ahụ na ịgbatị n'ime asụsụ eserese dị mfe. E ji nylon bipụta ọdịdị ndị ahụ na 3D, nke na-eme ka ihe ndị ahụ nwee mgbanwe ma guzogide mmebi. Enwere ike iyi abụọ n'ime ihe atọ ahụ dị ka ọla ntị ma ọ bụ dị ka ihe nkowe, n'ihi na enwere ike iji eriri ma ọ bụ ụdọ dochie waya ntị ọlaọcha ahụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Platinum

Dance Anatomy Nchịkọta Ọla Mma meriri A' Design Award nke Platinum, nnabata dị oke ugwu e nyere design ndị bụ n'ezie pụrụ iche, mara mma ma dị ebube. Ndị meriri na Platinum bụ ihe ịtụnanya nke imepụta, ihe akaebe nke oke ntụgharị uche imepụta ihe, ma na-egosi ikike ọrụ na ọgụgụ isi na-enweghị ntụnyere nke ndị designer ha. A na-atụ anya na design ndị a ga-abụ ọrụ kacha mara amara nke na-akọwa ịma mma nke oge, na-enye aka na ọdịmma obodo ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Dance Anatomy Nchịkọta Ọla Mma na-egosi ọkwa ịdị mma karịrị oke ma n'enweghị obi abụọ na-eme ka ụwa bụrụ ebe ka mma site na àgwà ya bara uru na dị oke ọnụ ahịa. Dance Anatomy Nchịkọta Ọla Mma bụ ọrụ meriri A' Design Award nke Platinum nke na-akpali ọchịchọ, na-akpali, na-eme ka obi ụtọ jupụta ma na-akpali oke ọṅụ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The Dance Anatomy collection represents a reinterpretation of the human body. The lines and shapes look bionic and could remind any other organic creatures. They are 3D-printed in nylon which makes them flexible and damage-resistant. 2 objects can be worn as earrings or pendants after simple replacement of the earwire with a lace or chain.
Nha & Mkpuchi: Object 1: H - 10 cm W - 5 cm D - 1.5 cm
Object 2: H - 10 cm W - 4.3 cm D - 1.5 cm
Object 3: H - 4 cm W - 7.2 cm D - 1.5 cm
Mkpado: jewelry, design, pendants, earrings, rings, dance
Teknụzụ Mmepụta: 3D-modelling, 3D printing in nylon (polyamide). Silver earwire, textile lace.
The design was visualized in Rhinoceros, using Tsplines plugin.
Ịma Aka Imepụta: The hardest part of the research lied in the detection of the right principle that would allow transferring a dancer position into graphic language. The author studied different aspects of dancing, namely the geometry of different dance positions, the cinesphere of a dancing person but these principles did not lead to a necessary esthetic result. In the end the research of the muscles behavior allowed to achieve the right result.
Secondly, it was hard to create the 3D models of the objects as they consist of many lines that could not intersect.
Nchọpụta: The objective of the research was to analyze the processes occurring in the body of a dancer and to choose a principle that would allow translating them into graphic language and into real objects. The designer took pictures of dancers in captured dance positions and analyzed muscle tension and stretching in different parts of their bodies. In order to detect the state of muscles the author consulted the anatomy book and a former dancer. The designer used a solid color for those muscles that were keeping balance and were the most tense, the waved lines - for muscles being more relaxed and straight lines - in order to show the stretched parts.
Mkpali: The Dance Anatomy collection was inspired by contemporary dance. In this work I studied the fixed positions of dancers and the processes existing in their bodies. For example, some muscles are tense and some are relaxed, others are stretched. I have translated these processes into the simplified graphic language and came up with the forms and silhouettes that further became wearable objects (earrings, pendants, rings).
Oge Ọrụ: The project started in April 2019 in Moscow and finished in the end of June 2019 in Moscow. It was exhibited in Zveno jewelry shop and gallery.
Usoro Ọrụ: There are 3 objects in this collection, represented in 2 colors. The 2 of 3 can be worn as earrings or pendants. The leather lace or silver ear fixture can be easily inserted and removed when needed.