Ceramic Forest Ọfịs nke I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Ihe emepụtara bụ Ceramic Forest Ọfịs nke I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2020

Ceramic Forest Ọfịs

nke I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Onye Ahịa: Merge Interiors

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

8,554

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #92890

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Ceramic Forest Ọfịs

Mgbe ị na-arụ ọrụ na gburugburu ebe obibi dị mma na anya gbara gburugburu, a na-eme ka arụpụta ihe na-arụ ọrụ, ihe ngosi na mpaghara ọrụ ka agbanweela gaa na mbara ọrụ nka. N'ime mpaghara mepere emepe, ekebiela ebe ọrụ nọọrọ onwe ha ebe iko mechiri emechi ka ìhè eke wee banye ma nwetakwuo atụmatụ agba ọcha na imepụta oghere na-arụ ọrụ nke ọma ma na-enwu gbaa iji bulie mbara sara mbara. n'ime ime.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Ceramic Forest Ọfịs meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Ceramic Forest Ọfịs ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Ceramic Forest Ọfịs na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
Nha & Mkpuchi: With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
Mkpado: Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
Teknụzụ Mmepụta: For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
Ịma Aka Imepụta: As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
Nchọpụta: The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
Mkpali: The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
Oge Ọrụ: The project was completed in October 2013 in Taipei, Taiwan.
Usoro Ọrụ: As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
Ndị Otu: I Ju Chan
Hsuan Yi Chen
Su Huang Hung
Asụsụ Foto: Kyle Yu Photo, 2013