Orbit A Collection Skartgripasafn eftir Suyu Chen

Hönnunarverkið Orbit A Collection Skartgripasafn eftir Suyu Chen er hávirt verðlaunaverk sem hlaut hin virtu 2022 A' Design Award í járni verðlaun í keppnisflokknum Skartgripahönnun.

JárnSkartgripir· 2022

Orbit A Collection Skartgripasafn

eftir Suyu Chen

Viðskiptavinur: Suyu Chen

Handhafi A' Design Award í járni í flokknum Skartgripir

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Litir

Hönnunin

Um Orbit A Collection Skartgripasafn

Orbit A safnið er röð handgerðra skartgripa sem samanstendur af einni nælu og tveimur hálsmenum. Hver gripur er einstakur og sameinar silfur (sterling silver) með plaströrum, resínleir og málningu. Sami plasthlutinn er endurtekinn sem grunneining til að skapa fjölbreytt form, bæði til að klæðast og sem höggmyndalist. Hefðbundnar aðferðir málmsmíði á borð við lóðun, mótun og keðjugerð eru notaðar samhliða plastsuðu, slípun og litun. Safnið endurspeglar sambandið milli hefðbundinnar handverkshefðar og nútíma fjöldaframleiðslu.

Viðurkenningin

Um A' Design Award í járni

Orbit A Collection Skartgripasafn vann A' Design Award í járni, virta viðurkenningu sem veitt er góðum hönnunarverkum sem uppfylla þær faglegu og iðnaðarlegu kröfur sem gerðar eru til vel hannaðra sköpunarverka. Sigurvegarar í járni sýna mikla færni, mikla sérhæfingu, sérfræðiskilning og skapandi getu höfunda sinna. Þess er vænst að Orbit A Collection Skartgripasafn sé mjög metið, dáð og elskað sköpunarverk sem er hagnýtt og nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í járni sameinar bestu starfsvenjur greinarinnar og hefur hæfa tæknilega eiginleika tengda þekkingu og hæfileikum. Orbit A Collection Skartgripasafn er virt fyrir nákvæmni sína og er hannað til að veita lífsgæðabætur sem hjálpa til við að gera heiminn að betri stað.

Á bak við hönnunina

Fjölmiðlapakki

Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.

Einstakar eiginleikar: Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Stærðir og umbúðir: Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Merki: jewelry, necklace, brooch, craft, mixed material, art jewelry
Framleiðslutækni: The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Hönnunaráskorun: Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
Rannsóknir: By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Innblástur: By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Lengd verkefnis: The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Verkflæði: This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Liðsmenn: Suyu Chen
Myndheimildir: Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020