Hönnunarverkið The Land of Rocks Sýningarbás eftir Weixian He and Baoyang Wei er hávirt verðlaunaverk sem hlaut hin virtu 2023 A' Design Award í silfri verðlaun í keppnisflokknum Arkitektúr, innanhússhönnun og sýningarbásar á viðskiptasýningum.
SilfurViðskiptasýning· 2023
The Land of Rocks Sýningarbás
eftir Weixian He and Baoyang Wei
Viðskiptavinur: Wise Space Aesthetics
Handhafi A' Design Award í silfri í flokknum Viðskiptasýning
Staðfestur verðlaunahafi
Staðfesta verðlaunastöðu fyrir #139921Hönnunin
Um The Land of Rocks Sýningarbás
Land Klettanna er tímabundið sýningarrými sem var hannað fyrir vörumerki í sintruðum steini á hönnunarvikunni í Guangzhou árið 2020. Básinn nær yfir 180 fermetra. Hálflokað og hálfopið skipulag leiðir gesti eftir fjölbreyttri leið, en útskorin op í röðuðum veggjum gera kleift að sjá steinmynstrin bæði utan frá og innan frá. Bogadregið mannvirki að nafni Rock Flower stendur í miðju sviðsins. Hönnunin gerir tengslin milli sintraðs steins, búsetu og borgarinnar sýnileg og auðupplifanleg.
Viðurkenningin
Um A' Design Award í silfri
The Land of Rocks Sýningarbás vann A' Design Award í silfri, gífurlega virta viðurkenningu sem veitt er hönnunarverkum í fremstu röð, stórfallegum og áhrifamiklum. Sigurvegarar í silfri eru ákaflega snjöll og afar skapandi verk sem sýna framúrskarandi sérfræðiþekkingu, hæfileika og skarpskyggni hönnuða sinna. Þess er vænst að The Land of Rocks Sýningarbás sé dásamlegt sýningarverk sem er einstaklega fagmannlegt og djúpt nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í silfri er mjög athyglisverð, dáð uppfinning sem gagnast og færir mörk listar, vísinda, hönnunar og tækni fram á við. The Land of Rocks Sýningarbás er mjög öfunduð sköpun sem vekur langanir, færir jákvæðar tilfinningar og kveikir undrun og aðdáun.
Á bak við hönnunina
Fjölmiðlapakki
Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.
- Einstakar eiginleikar
- "Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
- Stærðir og umbúðir
- 180sqm
- Merki
- Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
- Framleiðslutækni
- Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
- Hönnunaráskorun
- The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
- Rannsóknir
- From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
- Innblástur
- What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
- Lengd verkefnis
- The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
- Verkflæði
- To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
- Liðsmenn
- Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang - Myndheimildir
- Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu
Kostað efni
Kannaðu umfram Designers.org
Uppgötvaðu vörur, þjónustu og tækifæri frá auglýsingaaðilum okkar.
Meira til að kanna
Tengd hönnunarverk
Skoðaðu fleiri verðlaunahönnun úr sama flokki, valin eftir gæðum.
