Hönnunarverkið The Shape of Old Memory Kvenfatasafn eftir Bingrou Chen er hávirt verðlaunaverk sem hlaut hin virtu 2023 A' Design Award í platínu verðlaun í keppnisflokknum Tísku-, fatnaðar- og flíkjuhönnun.
PlatínaTíska· 2023
The Shape of Old Memory Kvenfatasafn
eftir Bingrou Chen
Handhafi A' Design Award í platínu í flokknum Tíska
Staðfestur verðlaunahafi
Staðfesta verðlaunastöðu fyrir #148885Hönnunin
Um The Shape of Old Memory Kvenfatasafn
Sköpun þessarar verkraðar sprettur af hugsunum hönnuðarins um nýstárlega notkun hefðbundinnar handverksmenningar í samtímahönnun og nýsköpunargildi hennar. Hefðbundin handverksmenning er eins og fjársjóður sökkt í djúphafið. Fólk getur skynjað tilvist hennar og gildi en snertir hana sjaldan. Ef hún er ekki björgð mun hún dofna og hverfa, sem er harmkvæðilegt. Önnur nýjung í þessu verki er notkun epoxýharpiks AB líms, það getur hjálpað verkinu að halda góðu formi sínu eins og höggmynd og gegnir mikilvægu hlutverki í skreytingu.
Viðurkenningin
Um A' Design Award í platínu
The Shape of Old Memory Kvenfatasafn vann A' Design Award í platínu, afar virta viðurkenningu sem veitt er sannarlega einstökum, glæsilegum og stórfenglegum hönnunarverkum. Sigurvegarar í platínu eru undur sköpunarinnar, vitnisburður um mörk vitsmunalegrar sköpunargáfu og sýna óviðjafnanlega fagmennsku og snilld hönnuða sinna. Þess er vænst að þessi hönnunarverk séu þekktustu verkin sem skilgreina fagurfræði tímabils, stuðla að velferð samfélagsins og færa mörk listar, vísinda, hönnunar og tækni fram á við. The Shape of Old Memory Kvenfatasafn sýnir yfirskilvitlegt stig afburða og gerir heiminn tvímælalaust að betri stað með hagstæðum og verðmætum eiginleikum sínum. The Shape of Old Memory Kvenfatasafn er verk sem vann A' Design Award í platínu sem vekur langanir, veitir innblástur, spennir, gleður og kveikir mikla gleði.
Á bak við hönnunina
Fjölmiðlapakki
Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.
- Einstakar eiginleikar
- The innovation of this design is mainly reflected in the application of special materials, the design of apparel structure and the innovative application of traditional Chinese Chaozhou embroidery pattern. The addition of epoxy resin AB glue makes the modeling of this series of clothes become stable like sculpture, more tension, but also more expressive. The application of traditional Chaozhou embroidery pattern makes the works more vibrant.
- Stærðir og umbúðir
- The whole collection is 4 look womenswear, size 4.
- Merki
- Fashion design, New material, Chinese traditional craft culture, Chinese traditional Chaozhou embroidery craft, Creative design, Costume sculpture
- Framleiðslutækni
- The main technology of this series of works is the application of Epoxy resin AB adhesive. On the one hand, the material used in the edge of clothing cut can play an effective role in shaping and supporting, on the other hand, the material can also better fix other decorative materials on the clothing, has a good decorative effect.
- Hönnunaráskorun
- There are two main challenges in the creation process of this series of works. One is about the application of epoxy resin AB glue in costume, and the other is about the application of traditional Chinese Chaozhou embroidery craft culture in this work. In this series, I did not really apply embroidery techniques, but used metal bead chains to represent the extracted embroidery patterns. What I want to discuss is the new possibilities of traditional craft culture in contemporary design.
- Rannsóknir
- This work focuses on the innovative application of new materials and traditional Chinese craft culture in fashion design. Its materials such as epoxy resin AB glue and metal bead chain that I used are relatively rare in the field of fashion design. Their addition not only well decorates the design, but also plays a good shaping role, making the costume more tense
In addition, the patterns in this work are all based on the Chinese traditional Chaozhou embroidery craft works. - Innblástur
- The creation of this series of works comes from the my thinking on the innovative application of traditional craft culture in contemporary design and its innovative application value. Traditional craft culture is like a treasure sunk in the deep sea. We can perceive its existence and value, but rarely touch it. If we do not try to salvage it, we will only see it fade away and disappear, which is regrettable.
- Lengd verkefnis
- The project started in September 2021 in Guangzhou and finished in May 2022 in Guangzhou, and was exhibited in Guangzhou Academy of Fine Arts in June 2022.
- Verkflæði
- This work is not only wearable clothing, but also can be regarded as decorative sculpture. Because of the application of epoxy resin AB glue in the work, the work can maintain a relatively beautiful shape stably even without the support of human body, and has good ornamental value.
- Myndheimildir
- Image #No1:Photographer Akun, 2022
Image #No2:Photographer Akun, 2022
Image #No3:Photographer Akun, 2022
Image #No4:Photographer Akun, 2022
Image #No5:Photographer Akun, 2022
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