Porous Manifold Japanskt Teherbergi eftir Ryumei Fujiki and Yukiko Sato

Hönnunarverkið Porous Manifold Japanskt Teherbergi eftir Ryumei Fujiki and Yukiko Sato er hávirt verðlaunaverk sem hlaut hin virtu 2019 A' Design Award í silfri verðlaun í keppnisflokknum Myndlist og listaverkauppsetningar.

SilfurMyndlist· 2019

Porous Manifold Japanskt Teherbergi

eftir Ryumei Fujiki and Yukiko Sato

Viðskiptavinur: F.A.D.S + Fujiki Studio, KOU::ARC

Handhafi A' Design Award í silfri í flokknum Myndlist

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Litir

Hönnunin

Um Porous Manifold Japanskt Teherbergi

Þetta er tímabundið japanskt teherbergi sem sýnt er í Echigo-tsumari Art Triennale 2018 og hefur hreiðraða uppbyggingu með tveggja tatami rými innbyggt í tíu feta ferning. Á þessari sýningu voru arkitektar beðnir um að bregðast við þemanu um hvernig megi sigrast á hugmyndinni um einsleitt rými sem var allsráðandi á 20. öld. Beinagrindin var hönnuð með því að nota tilviljanakennda mynstrið sem var kallað Voronoi Division til að skekkja einsleitt rými. Og það var lagt til að arkitektúrinn með miklum fjölda hola sem hægt væri að opna og loka eftir þörfum til að hafa samskipti við utan eins og lifandi vera.

Viðurkenningin

Um A' Design Award í silfri

Porous Manifold Japanskt Teherbergi vann A' Design Award í silfri, gífurlega virta viðurkenningu sem veitt er hönnunarverkum í fremstu röð, stórfallegum og áhrifamiklum. Sigurvegarar í silfri eru ákaflega snjöll og afar skapandi verk sem sýna framúrskarandi sérfræðiþekkingu, hæfileika og skarpskyggni hönnuða sinna. Þess er vænst að Porous Manifold Japanskt Teherbergi sé dásamlegt sýningarverk sem er einstaklega fagmannlegt og djúpt nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í silfri er mjög athyglisverð, dáð uppfinning sem gagnast og færir mörk listar, vísinda, hönnunar og tækni fram á við. Porous Manifold Japanskt Teherbergi er mjög öfunduð sköpun sem vekur langanir, færir jákvæðar tilfinningar og kveikir undrun og aðdáun.

Á bak við hönnunina

Fjölmiðlapakki

Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.

Einstakar eiginleikar: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Stærðir og umbúðir: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Merki: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Framleiðslutækni: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Hönnunaráskorun: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Rannsóknir: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Innblástur: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Lengd verkefnis: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Verkflæði: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Einkaleyfi: F.A.D.S + Fujiki Studio, KOU::ARC
Liðsmenn: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Myndheimildir: Masahiro Hoshida, Fujiki Studio, KOU::ARC