Izabela JurczykによるJanuary Uprising 資料カタログ

Izabela JurczykによるJanuary Uprising 資料カタログは、印刷・出版メディアデザインコンペティションカテゴリーにおける非常に権威ある2024 A' Design Award 鉄賞の優れた受賞作品です。

鉄印刷· 2024

January Uprising 資料カタログ

デザイナー： Izabela Jurczyk

クライアント: The National Library of Poland

印刷カテゴリーのA' Design Award 鉄賞受賞者

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デザイン

January Uprising 資料カタログについて

『一月蜂起』は、1863年1月に始まり1864年秋に終結した、ロシア帝国に対するポーランドの民族蜂起の時代における、日常の社会生活を伝える資料を収めたカタログです。本カタログは蜂起勃発160周年を記念して刊行されました。書籍の荘厳な性格は、きらめく一月の雪を想起させる金色、金箔で型押しされたハードカバー、そして図版を絵画のように縁取る金のパネルによって表現されています。こうして、質素な秘密出版物が芸術作品として提示されるのです。

受賞

A' Design Award 鉄賞について

January Uprising 資料カタログは、よく設計された創造物に期待される専門的・産業的要件を満たす優れたデザインに授与される、権威ある評価である A' Design Award 鉄賞の受賞作品です。鉄賞の受賞作品は、制作者の高い技量、高度な専門性、専門家としての理解、創造的な能力を示しています。January Uprising 資料カタログは、高く評価され、称賛され、愛される、実用的で革新的な創造物であることが期待されます。この A' Design Award 鉄賞を受賞したデザインは、業界のベストプラクティスを統合し、ノウハウと才能に結びついた有能な技術的特性を備えています。January Uprising 資料カタログは、その徹底ぶりで尊敬され、世界をより良い場所にするための生活の質の向上をもたらすよう設計されています。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: Book is a catalog of unique documents of everyday social life from the period of the Polish national uprising against the annexation of Poland by the Russian Empire in January 1863. It was the largest and longest national uprising in Poland (as well as in Lithuania and parts of Belarus) – it collapsed in the fall of 1864. The catalog was issued as an anniversary publication on the 160th anniversary of the outbreak of the uprising. The ceremonial nature of the publication was emphasized by the gold color (which is also reminiscent of the shimmering January snow), hardcover and golden panels, making the illustrations look like paintings in a passe-partout or golden frame. Thanks to the large number of illustrations and the way they are displayed, leaflets obtain an unexpected form – modest prints become works of art presented in an art gallery.
寸法とパッケージ: 175 mm x 36 mm x 245 mm
タグ: book, poland, uprising, leaflets
製造技術: Hardcover, embossed with gold foil. CMYK and pantone gold printed
インスピレーション: The inspiration for the choice of colors, which are the main element of the design, was the snow shimmering in the sun, reminiscent of the once snowy January in Poland – crystal clear in places, soiled in others. The golden frames of the illustrations reflect the formal, royal character of the prints, most of which concern the operation of a national institution called the secret Polish state in the Kingdom of Poland under Russian rule. The purpose of displaying everyday documents in this way was to recognize their official, state character – contrast was used to show that the gray prints presented in the catalog had "royal" significance for the Polish nation and were an expression of the still existing state structure. Ceremonial treatment of these prints owed to official documents shows their role in maintaining hope in the nation and the continuity of the state. The handwritten subtitle "Katalog" on the cover emphasizes the personal nature of this collection of prints, in the sense of being close to everyday life and close to the hearts of Poles living under foreign rule.
プロジェクト期間: The project started in September 2023 in Lodz and finished in December 2023 in Warsaw
オペレーションフロー: First of all, the publication is a souvenir of the national uprising that was very difficult for Poles, a commemoration of their efforts, and a reminder of the 160th anniversary of the uprising. This character is immediately visible thanks to the form of the publication – a hard cover and a book block printed with 10 liters of Pantone gold color. This conventionally ceremonial way of celebrating an important national event is balanced by the mundane nature and physical ordinariness of the presented prints, which are not decorative, impressive writings, but documents created in secret printing houses, distributed secretly, transmitting information from the bottom up that, under normal conditions in the country, is communicated from above. This tension between the everyday and the ceremonial, between the pure white and the worn-out gray is the most important sensation the reader is to experience. Moreover, the description of the prints is presented in an extremely clear manner. Some of the descriptions repeat the text visible on the prints, which brings the reader even closer to the content and introduces him to the world of the institutional and social reality of Poles under Russian rule.
画像クレジット: Image #1: Photographer Robert Bobryk
Image #2: Photographer Robert Bobryk
Image #3: Photographer Robert Bobryk
Image #4: Photographer Robert Bobryk
Image #5: Photographer Robert Bobryk