Mısra OzelによるAltered Heritage Benchは、文化遺産・文化産業デザインコンペティションカテゴリーにおける非常に権威ある2026 A' Design Award 銀賞の優れた受賞作品です。

銀文化遺産· 2026

Altered Heritage Bench

デザイナー： Mısra Ozel

クライアント: Glif

文化遺産カテゴリーのA' Design Award 銀賞受賞者

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デザイン

Altered Heritage Bench について

This sculptural bench originates from parts of a damaged Italian console dating back to the early 20th century. Rather than restoring the missing sections, the design reinterprets the fragmented form through bold material interventions. Hand-carved beechwood is combined with Rosso Levanto marble and satin stainless steel to create a hybrid composition. The result is a functional seat that retains traces of its historical origin while presenting itself as a contemporary collectible object.

受賞

A' Design Award 銀賞について

Altered Heritage Benchは、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Altered Heritage Benchは、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Altered Heritage Benchは、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: “Altered Heritage” reinterprets parts of a damaged and incomplete Italian console from the early 20th century (1900–1950s). Instead of restoring it to its original condition, the design embraces its fragmented state and reimagines it into a sculptural bench. Combining hand-carved beechwood with Rosso Levanto marble and satin stainless steel, the piece balances historical integrity with bold material contrasts. The result is a hybrid form that functions as a bench while asserting itself as a collectible, gallery-level design object.
寸法とパッケージ: Width: 150 cm

Seat Height: 52 cm

Backrest Height: 85 cm

Materials: Beechwood (reclaimed), stainless steel (satin finish), Rosso Levanto marble

Techniques: CNC metal processing, TIG welding, manual wood restoration, stone carving
タグ: Altered heritage, collectible design, sculptural bench, vintage revival, stainless steel furniture, reinterpreted furniture, contemporary heritage, one of a kind design, design art object
製造技術: The bench operates as a seating unit but is also intended to be experienced as a sculptural centerpiece. While the user interacts by sitting, the piece transcends ordinary use through its dramatic silhouette, contrasting materials, and curated material composition. It invites users to engage visually and spatially, establishing a contemplative interaction with heritage and contemporary form.
デザインの課題: The greatest challenge was balancing respect for the object’s historical integrity while applying radical material and formal interventions. Technically, reconciling aged wood with heavy contemporary elements without compromising structure required extensive prototyping and creative engineering. Conceptually, transforming memory into bold expression without pastiche was key.
リサーチ: Type of Research: Practice-based design experimentation

Objectives: To explore how fragmented antique elements can be redefined through contemporary materials

Methodology: Archival analysis, prototyping, hands-on material testing

Data Tools: Mid-century furniture catalogues, material resistance tests

Participants: Design team, woodworkers, metal and stone artisans

Results: A one-of-a-kind collectible bench bridging historical memory with bold formal intervention

Insights: Respecting heritage doesn't require restoration—it can mean transformation

Impact: Promotes reinterpretation of cultural artifacts through design rather than conservation
インスピレーション: Inspired by the concept of Altered Heritage, this collectible bench reimagines how memory and material can merge into a sculptural and functional object. It originated from the idea of building a dialogue between historical fragments and contemporary interventions. The design invites reflection on how inherited objects can be reborn through bold gestures, new materials, and precise craftsmanship—bridging past and present in one unique edition.
プロジェクト期間: The project started in May 2025 in Istanbul and finished in July 2025 in Istanbul.
オペレーションフロー: The bench is designed to be used as a functional seating object while also serving as a sculptural centerpiece. The user engages with it by sitting, but its bold form and contrasting materials invite visual exploration as much as physical use. It does not transform mechanically, but redefines the act of sitting through its expressive presence and curated material story.
チームメンバー: Mısra Özel
Aslıhan Öztürkoğlu
Doğancan Uysal