Wei Jingye and Wang ZiyuによるClassic 書斎机は、家具デザインコンペティションカテゴリーにおける非常に権威ある2020 A' Design Award 銀賞の優れた受賞作品です。

銀家具· 2020

Classic 書斎机

デザイナー： Wei Jingye and Wang Ziyu

クライアント: Lu Xun Academy of Fine Arts

家具カテゴリーのA' Design Award 銀賞受賞者

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A' Design Awardで見るプレスリリース受賞バッジ

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デザイン

Classic 書斎机について

「Classic」は、新中国様式でデザインされた書斎机です。中国伝統家具の翹頭案（両端が反り上がった机）の形式を取り入れ、反り上がった両端によって巻物などの物品が天板から落ちるのを防いでいます。素材には레ッドオークを用い、天板・座面・脚の接合部には鋳鉄を採用しました。下部の棚板が収納スペースを補います。金属部品はコンピュータ制御による機械加工で成形し、曲面部分は手作業で仕上げています。天板には中国伝統の板接ぎ（パネル接合）技法を用いています。

受賞

A' Design Award 銀賞について

Classic 書斎机は、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Classic 書斎机は、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Classic 書斎机は、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: In the design of this writing desk, combining the traditional Han dynasty writing desk with the Modern Metal Style, using red oak and the iron art, which not only has the classical charm of China, but also does not lose the modern sense of simplicity and succinctness, applying Chinese style to minimalism, is a bold attempt. With the charm of Chinese style furniture, meanwhile, it meets the needs of the stability of the furniture, traditional curved design adds a touch of dexterity.
寸法とパッケージ: 1420mm x 780mm x 780mm, 650mm x 450mm x 450mm, The shape of the metal part is realized by using modern NC technology, and the curved part of a metal part is shaped by hand by artisans, and the wooden part is shaped by machine cutting and grinding, the desk top uses the Chinese tradition the door plate type splicing technology, the Manual splicing completes the entire production process of the desk.
タグ: Writing desk, Chinese element, Iron art, Red oak, Simplicity
製造技術: The manufacturing process used modern CNC technology, solidworks software design, and CNC milling machine to achieve the form, some special forms are still made by traditional hand, the metal part and the solid wood part both have quite a part made by the artisan own hands, which embodies the spirit of ingenuity, and the importance of traditional craftsmanship. For modern life, it is still a valuable asset, some of the delicate structure still can not be replaced by machines.
デザインの課題: How to combine the new Chinese elements with the metal elements and the simple wind to show the functional comfort and the rationality of material use is the biggest challenge of this design. The second is the connection problem between the metal and the tabletop and legs as well as the chair face and legs.
リサーチ: In the traditional Chinese style furniture, the QiaoAn image is applied to the whole set of desks and chairs, and this image is used in the design, first, in order to perfectly embody the Chinese style elements in this set of furniture, therefore, I chose this image which can represent Chinese style office furniture. The other is that users can have a good user experience. The furniture is a combination of Red Oak and cast iron design, it is the second innovation to the new Chinese furniture.
インスピレーション: The overall design inspiration comes from the traditional Chinese furniture in the QiaoAn image. In ancient times, calligraphy and painting only mounted into a shaft, in order to prevent the painting falling, the initial image of the case, one is practical, the second is aesthetic. Using this image is to let the user have a good user experience while writing and painting to facilitate the placement of items as well as prevent items from falling.
プロジェクト期間: The design project began in January 2019 in Shenyang, was completed in June 2019, and was exhibited in the art museum of Shenyang Lu Xun Academy of Fine Arts in June 2019.
オペレーションフロー: When you sit on a chair working, the desk and chair in contact with the body having a small inclined surface, so that you do not feel pressured. Painting scroll pile up on the desk, because of its two-end QiaoAn image, will reduce the chance of falling. The lower part of the writing desk has a shelf similar to the lnterlayer, which not only adds utility, but also adds beauty to the product.
チームメンバー: Wei Jingye
Wang Ziyu
Cheng Hong
Zhang Yuxiao
Zhang Wenyang