Chao WenによるWild Rhythm 展示ホールは、インテリア空間・展示デザインコンペティションカテゴリーにおける非常に権威ある2020 A' Design Award 銀賞の優れた受賞作品です。

銀インテリア· 2020

Wild Rhythm 展示ホール

デザイナー： Chao Wen

クライアント: Jade Simple Design

インテリアカテゴリーのA' Design Award 銀賞受賞者

17,527

認証済み受賞者

#94921の受賞ステータスを認証

サイトを訪問 A' Design Awardで見るプレスリリース受賞バッジ

カラー

デザイン

Wild Rhythm 展示ホールについて

「Wild Rhythm(ワイルド・リズム)」は、中国・重慶に位置する展示ホールである。240平方メートルのインテリア空間は、ギャラリー、バー、生活空間としても機能する。セメント、スチール、塗料を主要素材とし、全体を通してシンプルな伝統工法を採用している。天井高に余裕のある箇所には2階を増設し、既存の構造柱を囲むように螺旋階段を設けた。バーの上部には収納室を配し、有効面積を拡大している。本デザインは空間を建築の基本要素へと還元し、不要な装飾と無駄を削ぎ落としている。

受賞

A' Design Award 銀賞について

Wild Rhythm 展示ホールは、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Wild Rhythm 展示ホールは、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Wild Rhythm 展示ホールは、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: Compared with the traditional household exhibition hall, designers are not rigidly placing each simulation cell in the space. And at the beginning of the design, their product positioning is like its brand name, meaning growing wildly, they don't have the limitation of the product line, giving more freedom to the space. In the space, you can regard it as an exhibition hall, and you can also regard it as a gallery, a bar, even a residential accommodation.
寸法とパッケージ: The project covers 240 square meters. The biggest advantage of the original space is that its story height is relatively high, but a large column in the middle of the original building destroys the integrity of the original space. In addition to the construction of the second floor, designers also built a scenario spiral stair around the original structural column, and set up the storage room through the empty high relationship on the bar, increasing its layering sense and actual use space.
タグ: Interior, New Life Exhibition Hall, Modern, Simple, Pure, Art, Life Aesthetics, Ideal Residence
製造技術: Just because this is a pure space, all design intents are derived from basic demands of life, so in the aspect of material usage, designers will return to the essence of architecture as far as possible. Then cement, steel and paint are the materials they use the most, the craft is also as simple and traditional as possible. All the planning is just for returning to the most basic building level so as to reduce unnecessary waste and superposition.
デザインの課題: Although some space of the building is relatively high, we cannot carry out construction of the second floor in the whole space due to the influence of beam mesh, smoke exhaust and fire fighting equipment. And the space that can be built is separated by piecemeal. So we made full use of the complex spatial foundation, and we have created a variety of spatial forms in a relatively limited space through the setting of stairs, thus creating conditions for the later construction of atmosphere.
リサーチ: In the commercial society, and even the whole society, there is a surplus of consumption, which virtually produces a great waste of resources. And people who live in the environment seem to have slowly forgotten the essence of life. Therefore, designers hope that the pure space can arouse people's rethinking of life. Finally, the space becomes basic and simple, the decoration and the architecture are integrated, and the design and selection of the furniture are also based on actual use.
インスピレーション: The inspiration originates from the residential living environment of designers' childhood, because of shortage of material, all parts of families are derived from the basic needs of life. With the development of economy and the accumulation of material, people begin to tend to be exaggerated and wasteful. So, designers hope the furniture are the products from thinking about the practical aspects, and the space also returns to the most basic requirements from the perspective of buildings.
プロジェクト期間: The project started in September 2018 in Chongqing and finished in July 2019 in Chongqing.
オペレーションフロー: Pure is the most fundamental reason of finishing the project completely. From the beginning of the design, designers integrated the decoration with the building, which effectively ensured that the project was not affected too much in the implementation process. Thus, ensured a perfect realization of the design intention.
特許: Copyrights belong to Chao Wen, 2019.
チームメンバー: Chao Wen
画像クレジット: Image #1: Photographer In Space, Storage Area and Display Area, 2019.
Image #2: Photographer In Space, Chair Exhibition Area, 2019.
Image #3: Photographer In Space, Bedroom Display Area, 2019.
Image #4: Photographer In Space, Hand-made Activity Space, 2019.
Image #5: Photographer In Space, Bar Area, 2019.