Naai-Jung ShihによるMoon テーブルライトは、3Dプリンティングフォーム・製品デザインコンペティションカテゴリーにおける非常に権威ある2020 A' Design Award 銀賞の優れた受賞作品です。

銀3Dプリンティング· 2020

Moon テーブルライト

デザイナー： Naai-Jung Shih

クライアント: Naai-Jung Shih

3DプリンティングカテゴリーのA' Design Award 銀賞受賞者

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カラー

デザイン

Moon テーブルライトについて

このライトは、朝から夜まで、作業スペースの人々に同行するのにアクティブな役割を果たします。作業環境を考慮して設計されています。ワイヤは、ラップトップコンピュータまたはパワーバンクに接続できます。月の形は、ステンレス製のフレームで作られた地形の画像から上昇するアイコンとして、円の4分の3で構成されていました。月の表面パターンは、宇宙プロジェクトの着陸ガイドを思い出させます。設定は、昼間の彫刻と夜の仕事の緊張を和らげる照明装置のように見えます。

受賞

A' Design Award 銀賞について

Moon テーブルライトは、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Moon テーブルライトは、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Moon テーブルライトは、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: A light should be designed with people working devices in mind. It needs to play an active role today as a companion from morning to the night. The solution is a sculpture in the daylight and a light device that ease the tense of work at night. This light can be connected to laptop. The metaphor of moon was made by linear pattern that was used as a landing guide of Apollo project. The shape of moon is made of three quarters of circle as a rising icon from a terrain made of stainless frame.
寸法とパッケージ: The entire set is about 37 by 33 by 19 cm in width, height, and depth. The materials are photosensitive resin for the moon and stainless steel for the supporting frame.
タグ: table light, desktop installation, moon, symbolic texture, 3C devices
製造技術: The source of light is made of LED strip that allocates on the peripheral ring. The stainless frame was collected from a flea market. The moon was made by applying a thicken function to a thin layer of surface. The curvature was modified by a mathematic equation. This shift of design paradigm offers me a great freedom in opening up a whole new set of vocabulary during the creation process. The complicated pattern can only be made by 3D printer. It makes me believe there is a strong connection between the order of mathematics and the aesthetics of a moon icon.
デザインの課題: The combination of the two layers of pattern changes from different viewing angles. The most challenging part was to create a visual depth and in the meantime allowed partial visual penetration. Uniform thickness was applied. The plate or disk is about 28 mm thick in the center and gradually grows to 35 mm on the edge. It is covered by a skin 8 mm thick. The thickness and the space in the middle create a sense of depth that changes the micro expression of the surface. The final thickness of components was also adjusted with light transmitted without potential damage to the structure in 3D printing.
リサーチ: Researches were made to the image of a moon and how a table light should fit in today working space. The alternation of thin gap and media openings has to be maintained in order to guide a flow of focus along the surface. Researches were also made to the textures of the frame that creates a contrast effect with the photosensitive resin. The thickness of pattern was also studied in order to create a depth effect without enlarging the opening. The aesthetic consideration was applied to make a working space more human.
インスピレーション: This design was inspired by the moon. Moon is both aesthetic and philosophical to the symbolization of human imagination. The composition of this light can be considered as the moon rising from a mountain or the sea as it departs from the surface to light up surroundings in the air.
プロジェクト期間: This project started as early as 2018 in Taipei. Various types of configuration were explored in several on-and-off tests before s particular setting was determined. The specific set was finalized in 2019. The duration of last presentation was about two months of intensive works.
オペレーションフロー: The light performances as an installation in daylight. It illuminates as a table light when night arrives. The skin acts as an interface. People can see through the double layers to interact with background with enhanced depth. The convex and concave sides of design represent the surface and underground parts of the moon. The light is turned on or off using a USB hub with buttons to control four devices. It can be connected to a power plug or even a notebook computer. People work next to this light can use it to charge a mobile phone. People gather around this light can share this hub and the light as well.
画像クレジット: #1: Photographer Naai-Jung Shih, Designing and Photographing, 2019.
#2: Photographer Naai-Jung Shih, Designing and Photographing, 2019.
#3: Photographer Naai-Jung Shih, Designing and Photographing, 2019.
#4: Photographer Naai-Jung Shih, Designing and Photographing, 2019.
#5: Photographer Naai-Jung Shih, Designing and Photographing, 2019.