Embrace Mural Khusus Papan dening Supernova Art Embassy

Karya Embrace Mural Khusus Papan dening Supernova Art Embassy minangka pemenang sing diajeni banget saka A' Design Award Wesi 2021 sing bergengsi ing Kategori Kompetisi Desain Seni Rupa lan Instalasi Seni.

WesiSeni Rupa· 2021

Embrace Mural Khusus Papan

dening Supernova Art Embassy

Klien: Memorandum Project

Pemenang A' Design Award Wesi ing Kategori Seni Rupa

14,896

Pemenang Penghargaan Terverifikasi

Verifikasi Status Penghargaan kanggo #121349

Kunjungi Situs Deleng ing A' Design Award Siaran Pers Lencana Penghargaan

Warna

Desaine

Babagan Embrace Mural Khusus Papan

Teks Buku: Embrace minangka mural khusus papan sing digambar ing fasad bangunan ing Sterlitamak. Mural iki dhuwure 27 meter lan ambane 15 meter, kanthi permukaan sing dicet 405 meter persegi. Digunakake cet fasad lan roller cet, sarta lift fasad kanggo bisa nglukis ing dhuwuran. Karya seni iki mbutuhake wektu telung minggu. Crita sing ditampilake ngelingake sawijining prajurit saka divisi infantri Sterlitamak kaping 170, sing budhal menyang garis ngarep kanthi nggawa jam tangan saku perak lan janji bakal bali karo jam kasebut. Jasad lan jam kasebut ditemokake ing taun 2015 lan digawa mulih menyang bojone.

Pangakuan

Babagan A' Design Award Wesi

Embrace Mural Khusus Papan menang A' Design Award Wesi, pangenalan sing prestisius sing diparingake marang desain sing apik sing nyukupi kabutuhan profesional lan industri sing dikarepake saka ciptaan sing dirancang kanthi apik. Pemenang Wesi nuduhake katrampilan sing gedhe, spesialisasi sing dhuwur, pangerten ahli lan kapasitas kreatif para penciptane. Embrace Mural Khusus Papan dikarepake dadi ciptaan sing dihargai banget, dikagumi lan ditresnani sing praktis lan inovatif. Desain sing menang A' Design Award Wesi iki nggabungake praktik industri sing paling apik lan nduweni ciri teknis sing kompeten sing disambung karo kawruh lan bakat. Embrace Mural Khusus Papan diajeni amarga ketelitiane lan dirancang kanggo nyedhiyakake paningkatan kualitas urip sing mbiyantu ndadekake donya panggonan sing luwih apik.

Ing Mburi Desain

Kit Pers

Kredit, anggota tim lan detail teknis sing diwenehake dening desainer.

Sifat Unik: The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
Ukuran & Kemasan: Height 27 m, width 15 m, total artistic painting square 405 sq.m
Tag: mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
Teknologi Produksi: Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
Tantangan Desain: 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
Riset: Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
Inspirasi: The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
Durasi Proyek: The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
Alur Operasi: Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
Paten: Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
Anggota Tim: Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
Kredit Gambar: Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.