Karya Shade Griya dening Satoshi Fujinaka minangka pemenang sing diajeni banget saka A' Design Award Perunggu 2024 sing bergengsi ing Kategori Kompetisi Desain Arsitektur, Bangunan lan Struktur.

PerungguArsitektur· 2024

Shade Griya

dening Satoshi Fujinaka

Klien: Satoshi Fujinaka

Pemenang A' Design Award Perunggu ing Kategori Arsitektur

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Pemenang Penghargaan Terverifikasi

Verifikasi Status Penghargaan kanggo #151927

Kunjungi Situs Deleng ing A' Design Award Siaran Pers Lencana Penghargaan

Warna

Desaine

Babagan Shade Griya

Bukakna pikiran sampeyan tumrap kaendahan alam sing tansah owah, sauntara, nanging kuat. Mulane, tembok gedhe lan cilik dibangun ing sisih tangga teparo kanggo ngalangi tekanan saka omahe tangga, lan tembok kasebut dilengkungake mudhun dadi payon kanggo nggawe ruang urip ing ngisor. Urutan sing nuntun saka dalan ngarep menyang interior menehi rasa sambung karo alam. Massa lan padhange ruang makan lan ruang tamu disetel supaya kontraksi lan ekspansi ruang kasebut kanthi alami narik kawigatene pamirsa menyang langit ing antarane rong payon.

Pangakuan

Babagan A' Design Award Perunggu

Shade Griya menang A' Design Award Perunggu, pangenalan sing prestisius banget sing diparingake marang desain sing luar biasa sing dicirikake dening kreativitas, kapinteran lan kaweruh sing landhep. Pemenang Perunggu iku artefak sing trampil banget lan kreatif banget sing mbuktekake pengalaman sing jembar, imajinasi lan kapinteran para desainer. Shade Griya dikarepake dadi barang sing dihargai banget, dikagumi lan ditresnani, profesional lan inovatif banget. Desain sing menang A' Design Award Perunggu iki ngemot praktik sing paling apik ing seni, sains, desain lan teknologi, lan apik banget ing perhatiane marang rincian. Shade Griya nyukupi kabutuhan kanthi apik, nutul kekarepan, ngaya rasa lan narik rasa pengin weruh.

Ing Mburi Desain

Kit Pers

Kredit, anggota tim lan detail teknis sing diwenehake dening desainer.

Sifat Unik: In order to avoid pressure from the neighboring land, a large and small wall was built on the adjacent side of the site to block the view, and the wall was folded down to form a roof under which living space was created.The dining room is located 1m down from the entrance to minimize the ceiling height and brightness. The living room, one meter up from the dining room, has a high ceiling and a large opening.The contraction of the space naturally directs the eye to the sky between the two roofs.
Ukuran & Kemasan: Structural system : wooden
Site area : 201.38㎡
Total Floor area : 97.72㎡
The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
Tag: House , Residential , Japan , Roof , Wood
Teknologi Produksi: Taking advantage of the difference in elevation of the site, a portion of the building is below ground level FL-1.0m , and the RC construction is used for that portion and the foundation, while the superstructure is made of wood, a traditional Japanese construction method.By burying the first floor underground, the overall height can be reduced and height restrictions can be met. In terms of design, the height of the left and right roofs are closer to each other, so that the sky is more visible in the gap between them.
Tantangan Desain: Limited floor space and a limited budget, while still providing the space the family needs,The position of sunlight was calculated and the window positions were adjusted to control the heat load, while a large window was installed on the north side to provide a large visual view of the sky.Cost control was planned by the client, who partially self-built the building and researched low-cost materials while maintaining the design.
Riset: The research for this project falls into two themes.The first is a study of how to maximize the natural environment within a limited site area to secure the space requested.The second is a study of total cost management and cost management of each material in a budget that is not plentiful.In architecture, how to clear these two themes is both the most exciting and difficult part.
Inspirasi: The site was surrounded by neighboring houses, making it difficult to be open to the surrounding environment. However, the site is 1.5 m higher than the front road, and as we climbed the ramp from the road to the site, we felt a pleasant breeze and a strong sense of awareness of the sky.Therefore, I thought about how the ubiquitous natural environment of the sky could be felt as a part of daily life and reflected in the hearts and minds of the people living there, enriching their lives.
Durasi Proyek: Design for the project began in Iwakuni in April 2018 and construction was completed in December 2019.
Alur Operasi: The house is located in a corner of an old-fashioned housing complex where houses are densely packed together, which is unique to Japan.The plan was designed to address the issue of how to create a house that can coexist with its surroundings and feel close to the natural environment, while also reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself.
Kredit Gambar: Photo:Kenji Masunaga