Grace Omah Panggonan dening Satoshi Kurosaki

Karya Grace Omah Panggonan dening Satoshi Kurosaki minangka pemenang sing diajeni banget saka A' Design Award Emas 2025 sing bergengsi ing Kategori Kompetisi Desain Arsitektur, Bangunan lan Struktur.

EmasArsitektur· 2025

Grace Omah Panggonan

dening Satoshi Kurosaki

Klien: APOLLO Architects & Associates Co., Ltd.

Pemenang A' Design Award Emas ing Kategori Arsitektur

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Babagan Grace Omah Panggonan

Grace punika omah alit kanthi rangka kayu kanggo kulawarga tiyang tiga ing lahan pinggir kali ing pinggiran kutha Tokyo. Omah punika dirancang kangge gaya urip nyambut damel saking griya. Panggenan panyimpenan, piranti pawon lan fitur fungsional sanesipun dipunbangun ing tembok kangge ningkataken kesatuan lan kesinambungan ing ruang ingkang dawa lan ciyut. Kamar-kamar pribadi manggen ing lantai sepisan, dene lantai kaping kalih awujud satunggal ruang mbukak ing sangisoripun payon gable kanthi usuk ingkang katingal lan pepadhang boten langsung. Balkon ngajeng ingkang kakaca kanthi tritisan ingkang jero dados transisi antawisipun nyambut damel lan istirahat.

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Babagan A' Design Award Emas

Grace Omah Panggonan menang A' Design Award Emas, pangenalan sing prestisius banget sing diparingake marang desain kelas siji, nggumunake lan unggul. Pemenang Emas iku ciptaan sing inovatif banget, visioner lan sumunar nggumunake sing nggambarake kejeniusan, kawicaksanan lan kaprigelan para desainer. Grace Omah Panggonan dikarepake dadi panemuan sing dipuji banget, pelopor tren lan monumental sing nyedhiyakake nilai sing durung tau ana. Desain sing menang A' Design Award Emas iki iku proyek sing nggumunake lan dihormati sing paring manfaat gedhe lan nyurung maju wates seni, sains, desain lan teknologi. Grace Omah Panggonan nuwuhake perasaan kekarepan sing kuwat, nggugah semangat, nyengkuyung kreativitas lan narik kawigaten kita.

Ing Mburi Desain

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Kredit, anggota tim lan detail teknis sing diwenehake dening desainer.

Sifat Unik: A key design challenge was assimilating contradictory elements such as work/leisure, interior/exterior, and private/public in order to achieve that harmonious lifestyle within a limited space. In contrast to private areas such as the master bedroom and child’s bedroom on the first floor, the second floor consists of a single open room. The front balcony, a glassed-in intermediary space with deep eaves, plays an especially important role in transitioning between work and leisure. The furniture on the balcony has a similar aesthetic to that inside the house, which creates a sense of continuity, while the one-way glass blocks visibility from the road but lets in natural scenery, resulting in a uniquely comfortable atmosphere.
Ukuran & Kemasan: Principal Use : Private housing
Structure : Timber
Site Area: 133.70m2
Total Floor Area : 106.16m2（49.69m2 /1F, 56.47m2 /2F)
Tag: GRACE, APOLLO Architects & Associates, House, Residence, Residencial,Architecture, Japan
Teknologi Produksi: Exterior Finish : Galvalume, Elastic Lysince Spray
Floor : Tile Flooring, Walnut Flooring
Wall : Wallpaper
Ceiling : Wallpaper, Spruce Pine Fir (SPF), Lauan Plywood, Walnut Lighting : LED
Riset: Enclosing all functional elements within wall storage units allowed us to eliminate the visual noise of excess objects and enhance concentration on work. Meanwhile, the exposed rafters of the gable roof with indirect lighting set into them make this second-floor space both unusual and relaxing. Perhaps this design approach, which takes smallness not as a minus but as a plus in terms of coziness and comfort, will be even more sought after in the post-Covid 19 era.
Inspirasi: This small wood-framed residence for a family of three takes advantage of the riverside views from its lot on the outskirts of Tokyo. Designed to cater to a work-from-home lifestyle, the storage, kitchen appliances, and other functional features are built into the walls to enhance unity and continuity in the long, narrow space. The result is a home where daily life coexists comfortably with work.
Durasi Proyek: Design Period : March 2019 - August 2019
Construction Period : December 2019 - March 2021
Anggota Tim: Satoshi Kurosaki
Kredit Gambar: Photography : Masao Nishikawa
Videographer : Seiya Aoki