Karya Porous Manifold Japanese Tearoom dening Ryumei Fujiki and Yukiko Sato minangka pemenang sing diajeni banget saka A' Design Award Perak 2019 sing bergengsi ing Kategori Kompetisi Desain Seni Rupa lan Instalasi Seni.
PerakSeni Rupa· 2019
Porous Manifold Japanese Tearoom
dening Ryumei Fujiki and Yukiko Sato
Klien: F.A.D.S + Fujiki Studio, KOU::ARC
Pemenang A' Design Award Perak ing Kategori Seni Rupa
Pemenang Penghargaan Terverifikasi
Verifikasi Status Penghargaan kanggo #72501Desaine
Babagan Porous Manifold Japanese Tearoom
Iki minangka ruang teh Jepang sementara sing dipamerake ing Echigo-tsumari Art Triennale 2018 lan nduweni struktur bersarang kanthi rong tatami sing dipasang ing kothak sepuluh kaki. Ing pameran iki, para arsitek didhawuhi nanggapi tema babagan carane ngatasi konsep ruang homogen sing dominan ing abad kaping 20. Balung kasebut dirancang kanthi nggunakake pola acak sing diarani Divisi Voronoi kanggo ngrusak ruang homogen. Lan iki ngajokaken sing arsitektur karo nomer akeh bolongan apa bisa dibukak lan ditutup minangka needed kanggo komunikasi karo njaba kaya bab urip.
Pangakuan
Babagan A' Design Award Perak
Porous Manifold Japanese Tearoom menang A' Design Award Perak, pangenalan sing prestisius banget sing diparingake marang desain tingkat dhuwur, endah lan nggumunake. Pemenang Perak iku karya sing sumunar banget lan kreatif banget sing nggambarake kaprigelan, bakat lan kaweruh para desainer. Porous Manifold Japanese Tearoom dikarepake dadi karya sing nggumunake, conto teladan, profesional banget lan inovatif banget. Desain sing menang A' Design Award Perak iki iku panemuan sing luar biasa banget lan dikagumi sing paring manfaat lan nyurung maju wates seni, sains, desain lan teknologi. Porous Manifold Japanese Tearoom iku ciptaan sing akeh sing ngirenake sing nggugah kekarepan, nggawa perasaan positif lan nuwuhake gumun lan kagum.
Ing Mburi Desain
Kit Pers
Kredit, anggota tim lan detail teknis sing diwenehake dening desainer.
- Sifat Unik
- This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things. - Ukuran & Kemasan
- Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan. - Tag
- Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
- Teknologi Produksi
- It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
- Tantangan Desain
- Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture. - Riset
- Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION). - Inspirasi
- Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. - Durasi Proyek
- This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. - Alur Operasi
- As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people. - Paten
- F.A.D.S + Fujiki Studio, KOU::ARC
- Anggota Tim
- ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto - Kredit Gambar
- Masahiro Hoshida, Fujiki Studio, KOU::ARC
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