Ryumei Fujiki and Yukiko Sato의 Porous Manifold 일본식 다실

디자이너 Ryumei Fujiki and Yukiko Sato의 작품 Porous Manifold 일본식 다실은(는) 매우 권위 있는 2019 A' Design Award 은상의 순수 예술 및 예술 설치 디자인 부문에서 탁월한 수상작입니다.

은순수 예술· 2019

Porous Manifold 일본식 다실

디자이너: Ryumei Fujiki and Yukiko Sato

클라이언트: F.A.D.S + Fujiki Studio, KOU::ARC

순수 예술 부문 A' Design Award 은상 수상작

41,472

인증된 수상작

#72501 수상 상태 인증하기

사이트 방문 A' Design Award에서 보기 보도 자료 수상 배지

색상

디자인

Porous Manifold 일본식 다실 소개

Echigo-tsumari Art Triennale 2018에 전시된 임시 일본식 다실로 10평방피트에 2개의 다다미 공간이 내장된 중첩 구조를 가지고 있습니다. 이번 전시에서 건축가들은 20세기에 지배적이었던 동질적 공간의 개념을 어떻게 극복할 것인가라는 주제로 응답해 달라는 요청을 받았다. 스켈레톤은 균질한 공간을 왜곡하기 위해 보로노이 디비전(Voronoi Division)이라는 무작위 패턴을 사용하여 설계되었습니다. 그리고 필요에 따라 열고 닫을 수 있는 많은 수의 구멍을 가진 건축은 마치 생물처럼 외부와 소통할 수 있도록 제안되었다.

수상 인정

A' Design Award 은상 소개

Porous Manifold 일본식 다실, 이 작품은 A' Design Award 은상 수상작으로, 최상급이며 아름답고 인상적인 디자인에 수여되는 비범하게 권위 있는 인정입니다. 은상 수상작은 대단히 뛰어나고 매우 창의적인 작품으로, 디자이너의 탁월한 전문 지식, 재능, 통찰력을 보여 줍니다. Porous Manifold 일본식 다실, 이 작품은 훌륭한 대표작으로서 매우 전문적이고 깊이 있게 혁신적일 것으로 기대됩니다. 이 은상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 데 이바지하는 주목할 만하고 찬사를 받는 발명품입니다. Porous Manifold 일본식 다실, 이 작품은 모두가 부러워하는 창작물로서 욕망을 일깨우고 긍정적인 감정을 불러오며 경탄과 경이로움을 불러일으킵니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
치수 및 패키징: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
태그: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
생산 기술: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
디자인 과제: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
연구: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
영감: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
프로젝트 기간: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
운영 흐름: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
특허: F.A.D.S + Fujiki Studio, KOU::ARC
팀원: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
이미지 출처: Masahiro Hoshida, Fujiki Studio, KOU::ARC