디자이너 Weiquan Long의 작품 Off Screen Audio 북 디자인은(는) 매우 권위 있는 2020 A' Design Award 철상의 인쇄 및 출판 미디어 디자인 부문에서 탁월한 수상작입니다.

철인쇄· 2020

Off Screen Audio 북 디자인

디자이너: Weiquan Long

클라이언트: Guangzhou zhengdian advertising co. LTD

인쇄 부문 A' Design Award 철상 수상작

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A' Design Award에서 보기 보도 자료 수상 배지

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디자인

Off Screen Audio 북 디자인 소개

『오프 스크린 오디오(Off Screen Audio)』는 중국 전통 희곡에서 영감을 받은 유화 작품들을 담은 책이다. 표지에는 레이저 타공 기법을 적용하여 희곡의 형상이 책의 표면에 그대로 드러나도록 했다. 제목 레터링은 점, 선, 면으로 구성되어 소리를 상징하는 기호를 이룬다. 판형은 190×210밀리미터이며, 가짜 하드커버 형식에 실 제본(록 와이어 제본) 방식을 적용했다. 외부 표지와 뒤표지에는 고밀도 회색 판지를 사용하고 무광 실버 열박 처리를 더했다. 이 디자인은 중국 전통 문화의 정신을 표현하는 것을 목표로 한다.

수상 인정

A' Design Award 철상 소개

Off Screen Audio 북 디자인, 이 작품은 A' Design Award 철상 수상작으로, 잘 디자인된 창작물에 기대되는 전문적·산업적 요건을 충족하는 좋은 디자인에 수여되는 권위 있는 인정입니다. 철상 수상작은 창작자의 뛰어난 기술, 높은 전문성, 전문가다운 이해, 창의적 역량을 보여 줍니다. Off Screen Audio 북 디자인, 이 작품은 높이 평가받고 감탄과 사랑을 받는 창작물로서 실용적이고 혁신적일 것으로 기대됩니다. 이 철상 수상 디자인은 업계 모범 사례를 통합하며 노하우와 재능으로 연결된 유능한 기술적 특성을 갖추고 있습니다. Off Screen Audio 북 디자인, 이 작품은 철저함으로 존중받으며 삶의 질을 개선하여 세상을 더 나은 곳으로 만들도록 디자인되었습니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: In the cover design, the technology of hollow out can directly reflect the world
of books and drama, highlight the theme of off screen sound, break the limitation of drama, cater to the essence of The Times, and create a specific symbol of off screen sound. Increased the aesthetic and artistic sense of books. The font design of off screen audio is an audio symbol composed of dots, lines and planes.
The work of "Sound Outside the Picture" uses a hollow-out process on the cover design. Through the mutual deposit of the theme of "Sound Outside the Picture" and the appearance of the drama, it can directly reflect the author's drama world, break the limitations of the drama, and cater to the spirit of the times Create a specific symbol with sound outside the painting. Increased the aesthetic and artistic sense of books.
치수 및 패키징: DIMENSION: 190mmX210mm
태그: Peng Xiao Hang、Opera paintings、Book Cover Design、Off-screen sound
생산 기술: Lock wire false hardcover
Outer cover back cover high density gray plate
Hot dumb silver
Activated hollow
Laser void
디자인 과제: The challenge comes from how to express the inner essence of Peng Xiao hang 's works and the Oriental feelings that urge him to work tirelessly.
연구: Through painting creation, Peng Xiao Hang expresses his love for drama, transplanting national freehand brushwork spirit into oil painting creation, and writing his Oriental feelings. Through the simplification of time and space in the process of creation, Peng Xiao hang makes the character unbending on the surface, but emphasizes the inner spirit. The character can be gone with the wind, but the soul is eternal.
영감: Opera elements are one of the important elements and components in Peng Xiao hang's works. His creation breaks through the description of the behavior of dramatic characters and wedge into their soul, breaks through the description of fragmental pictures and shows the eternal quality, and depicts the eternal texture at the core of his creation. The characters in the pictures are more abstract in common and symbolic of the spirit of traditional Chinese culture.
프로젝트 기간: Guangzhou, China, 2019
운영 흐름: "Sound outside the painting" Peng Xiaohang's work is a "Guangdong Freehand Oil Painting Society Nomination Exhibition" co-sponsored by Guangdong Freehand Oil Painting Society, New Southern Art, Guangdong Environmental Protection and Guangdong Fashion Brand Operation Group.
The opera element is one of the important elements and components in Peng Xiaohang's works. For him, drama is the epitome of oriental culture, permeating the vitality of the nation, containing oriental thoughts and humanistic feelings, which also inspired his thinking about life , Prompting him to express his love for drama with painting creation.
His heart is woven with oriental feelings, Chinese style is the appearance of his life, and oil painting is his tool for expressing emotions. Western oil painting is used to express the Chinese national spirit and culture. The rich traditional culture constitutes an inexhaustible art resource for the painter, and transplants the national freehand spirit into oil painting creation.
In recent years, his paintings have gradually reduced the depiction of character shapes, simplified the background, made the characters exist in non-specific spaces, emphasized the non-uniqueness of time, and increased the depth of time, making the symbol of the character not cause Time and space are limited.
In the process of his continuous creation, the painting language and form content are evolving. In this series of painting exhibition works, he let more people know the painter's unique painting language system and style, and how the painter uses painting To express the spiritual culture of the Chinese nation and the symbols of oriental civilization, to give the audience an experience of the dramatic world outside the painting.