The Last Blooming Qumaşên Pirfunctional لەلایەن Qixin Wu

دیزاینی The Last Blooming Qumaşên Pirfunctional لەلایەن Qixin Wu خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2023 Xelata A' Design Award a Hesinîn لە پۆلی پێشبڕکێی Dîzayna Tekstîl, Qumaş, Tevn, Motîf û Cilê.

HesinTekstîl· 2023

The Last Blooming Qumaşên Pirfunctional

لەلایەن Qixin Wu

کڕیار: EchoWu Design Studio

خەڵاتگری Xelata A' Design Award a Hesinîn لە پۆلی Tekstîl

37,954

خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #108758

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی The Last Blooming Qumaşên Pirfunctional

Ji bo têgihîştina tiştek bi mantiqê têkçûyî, ji bo veguheztina pênaseyek xuya tevlihev vedigere vekolînek hêsan a têkiliya di navbera destpêk û qedandinê de, kulîlkên mirî dibin materyalê sereke ji bo îfadekirina şînbûna zindî. Ew şîn dimînin û bedewiya dawîn nîşan didin. Dubarekirina aheng û motîfên jîndar zêdetir îfadeya potansiyel dide sêwiranê. Qumaşên du qat, jor şifon e û pişt pembû ye, dema ku ba tê guheztinê diafirîne. Dîtina zelal a chiffon beşdarî The Last Blooming balkêştir û razdartir dibe.

پێناسەکردن

دەربارەی Xelata A' Design Award a Hesinîn

The Last Blooming Qumaşên Pirfunctional xelatgirê Xelata A' Design Award a Hesinîn e, nasîneke bi prestîj ku ji sêwiranên baş re tê dayîn, yên ku pêdiviyên pîşeyî û pîşesaziyê yên ku ji afirandinên baş hatine sêwirandin têne hêvîkirin tînin cih. Xelatgirên Hesinînê jêhatîbûna mezin, pisporiya bilind, têgihiştina pisporî û kapasîteya afirîner a afirînerên xwe nîşan didin. Tê hêvîkirin ku The Last Blooming Qumaşên Pirfunctional afirandineke pir hatiye rêzgirtin, sitayişkirin û delal, pratîkî û nûjen be. Ev sêwirana bi Hesinînê serketî pratîkên çêtirîn ên pîşesaziyê yekgirtî dike û xwedî taybetmendiyên teknîkî yên jêhatî ye ku bi zanîn û jêhatîbûnê ve girêdayî ne. The Last Blooming Qumaşên Pirfunctional ji ber baldariya xwe tê rêzgirtin û hatiye sêwirandin da ku kalîteya jiyanê baştir bike û alîkariya çêtirkirina dinyayê bike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
قەبارە و پاکێج: High: 27 inches
Width: 45 inches
تاگەکان: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
تەکنەلۆژیای بەرهەمهێنان: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
هەڵەنگاندنی دیزاین: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
توێژینەوە: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
ئیلهام: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
ماوەی پڕۆژە: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
ڕێڕەوی کارکردن: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
پەتێنتەکان: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
کرێدیتی وێنەکان: Qixin Wu