دیزاینی Beimu Naveroka Firoşgeha Sereke لەلایەن Huson خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2021 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Cihê Hundurîn û Pêşangehê.
TuncHundurîn· 2021
Beimu Naveroka Firoşgeha Sereke
لەلایەن Huson
کڕیار: Beimu Home
خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Hundurîn
خەڵاتگری پشتڕاستکراو
پشتڕاستکردنەوەی باری خەڵات بۆ #116018دیزاینەکە
دەربارەی Beimu Naveroka Firoşgeha Sereke
Beimu naverokek firoşgeha sereke ye li bajarê Dongguan a Çînê, ku rûberê wê 800 metre çargoşe ye. Sêwiran hêza pêşandana berheman kêm dike û balê dikêşe ser fezayê bi xwe, bi vî awayî mêvan bi taybetmendiya hundir tê girtin. Rûyê pêşiya avahiyê bi rêzikên hêsan dabeşî perçeyên reş û spî bûye. Li kêleka logoya marqeyê, pencereyek yekane ya bi rûberê 3.3 metre çargoşe hatiye vekirin, ku dîmenek hevbeş di navbera hundir û derve de çêdike. Reng û şînahiya sor û reş rêyek dirêj pêk tînin ku tevgerê hêdî dike. Maseyên û kursiyên bi pîvanên cuda gelek amadekariyan pêşkêş dikin ji bo civîn, vebêrî û axaftinê.
پێناسەکردن
دەربارەی Xelata A' Design Award a Tuncîn
Beimu Naveroka Firoşgeha Sereke xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Beimu Naveroka Firoşgeha Sereke tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Beimu Naveroka Firoşgeha Sereke pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.
لە پشت دیزاینەوە
کیتی چاپەمەنی
باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.
- تایبەتمەندییە تایبەتەکان
- The client of Beimu flagship store hopes to further improve its brand paradigm through space design strategy.
The creative logic of a designer consists of three parts: the change of business model and the manipulation of consumer psychology under the background of the era; the uniqueness and displeasure of cultural aesthetics in the context of globalization; and the gradual design refinement technology starting from concept to form - قەبارە و پاکێج
- The store is about 40M(L)*20M(W) and covers an area of 800 square meters.
- تاگەکان
- Flagship store, BEIMU Home, Commercial Exhibition, OD·O office
- تەکنەلۆژیای بەرهەمهێنان
- designers strive to create the symbol and spirit of the brand. Through the building facade, black and white color blocks are cut out with simple lines. Beside the highlighted brand logo, only a window of 3.3 square meters is opened to form a mutual peeping relationship inside and outside. The window plays the role of "soul and eye" and sends heartbeat signals to passers-by. Red and black construct a maze of time stagnation, guiding visitors to observe and pay attention to the strangeness after alienation. On the one hand, the deliberately elongated channel serves as the adjustment and transition of emotions, and on the other hand, it further strengthens the curiosity of the first-time visitors. Mirrors, stairs, and clever use of light all connect the feelings between people and space.
- هەڵەنگاندنی دیزاین
- Symbol and spirit communication of brand building
- توێژینەوە
- the creative logic of designers consists of three parts: the change of business model and the pinch of consumer psychology under the background of the great times, the uniqueness and unpleasure of cultural aesthetics in the context of globalization, and the gradual design refinement technology which begins with the concept of form.
- ئیلهام
- Designers advocate weakening products, emphasizing space, retaining visitors with the charm of space itself, and achieving stronger business interaction. The development of the Internet has transformed space into a new space of the dual world of reality and virtual. Therefore, the design of modern commercial space not only depends on pure aesthetic judgment, but also bears the responsibility of brand identity media.
- ماوەی پڕۆژە
- The project started in Dongguan in April 2020 and completed in September 2020, opening to the outside world.
- ڕێڕەوی کارکردن
- How to ease the antagonistic relationship between buyers and sellers is the focus of designers' thinking.
Provide multiple negotiation scenarios for visitors to choose from, the designer's purpose is to weaken the commercial characteristics of space. The combination of tables and chairs with different scales and styles shows that the space is not only a place for commercial negotiation, but also a clubhouse for old friends gathering, but also a place for leisure and rest for the surrounding residents. - ئەندامانی تیم
- HUSON
Zhou Yanjie
Yi Yongxian
Lin Wuyuan
Ye Bohui
Tang Xiaobo - کرێدیتی وێنەکان
- Picture#0000:photographer Ouyang yun,2020
Picture#0001:photographer Ouyang yun,2020
Picture#0002:photographer Ouyang yun,2020
Picture#0003:photographer Ouyang yun,2020
Picture#0004:photographer Ouyang yun,2020
سپۆنسەرکراو
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بەرهەمەکان، خزمەتگوزارییەکان و دەرفەتەکان لە هاوبەشە ڕیکلامییەکانمان بدۆزەرەوە.
زیاتر بگەڕێ
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