White Forest Erka Sereke: Dîzayna Navxweyî ya Niştecêbûnê لەلایەن Po Chuan Kao

دیزاینی White Forest Erka Sereke: Dîzayna Navxweyî ya Niştecêbûnê لەلایەن Po Chuan Kao خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2022 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Cihê Hundurîn û Pêşangehê.

TuncHundurîn· 2022

White Forest Erka Sereke: Dîzayna Navxweyî ya Niştecêbûnê

لەلایەن Po Chuan Kao

کڕیار: ACG Design International

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Hundurîn

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #127343

بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی White Forest Erka Sereke: Dîzayna Navxweyî ya Niştecêbûnê

Nivîsa Pirtûkê: Daristana Spî dîzayneke navxweyî ya niştecêbûnê ye ji bo xaniyekî nêzî 42 ping li Taichung. Plansaz têkeve dergehê, kitchenek, odeya xwarinê, odeya rûniştinê û odeya xebatê digire nav xwe, digel odeya cotê û serşokê ya sereke û odeyeke duyem a razanê û serşokek din. Dîwarên bêpêwîst hatin rakirin da ku plansaziya orijînal a xwar û bi zêde perçebûyî were rastkirin. Terrazoya boz li dergehê kitchen û odeya xwarinê bi hev ve girêdide. Mermer, neynik, kevçîkên (kaşên) camî û dareke darîn a rengkirî bîranîna kevir, kanî û kulîlkan tîne bîra mirov, dema ku bendên ronahiyê yên aluminyûm ronahiyeke nerasterast û nerm peyda dikin.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

White Forest Erka Sereke: Dîzayna Navxweyî ya Niştecêbûnê xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku White Forest Erka Sereke: Dîzayna Navxweyî ya Niştecêbûnê tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. White Forest Erka Sereke: Dîzayna Navxweyî ya Niştecêbûnê pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
قەبارە و پاکێج: The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
تاگەکان: flowers blooming, relaxing, silence and pure, pink
تەکنەلۆژیای بەرهەمهێنان: Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
هەڵەنگاندنی دیزاین: To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
توێژینەوە: To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
ئیلهام: The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
ماوەی پڕۆژە: The project finished in Jun 2021 in Taichung.
ڕێڕەوی کارکردن: Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
ئەندامانی تیم: PO-CHUAN KAO
کرێدیتی وێنەکان: ACG Design International