دیزاینی Jinglan Bay Art Navenda Firotanê لەلایەن Nic Lee خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2024 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Cihê Hundurîn û Pêşangehê.
ZîvHundurîn· 2024
Jinglan Bay Art Navenda Firotanê
لەلایەن Nic Lee
کڕیار: China Resources Land South China Guangxi Co.
خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Hundurîn
خەڵاتگری پشتڕاستکراو
پشتڕاستکردنەوەی باری خەڵات بۆ #152974دیزاینەکە
دەربارەی Jinglan Bay Art Navenda Firotanê
Jinglan Bay Art navenda firotanê ye ku li Liuzhou, herêmeke çiyayî ya bi avên xwehr, hatiye avakirin. Hundirê wê 1705 metre çargoşe ye û beşên pêşwazî, firotan, pêşangeh, medyaya dîjîtal û VIP dihewîne. Li şûna ku dîmenê xwezayî bi şêweyan were kopîkirin, ronahî û sî hatine bikaranîn da ku çiyayên bilind û avên kûr bidin xuyakirin. Terrazzoya reş wek neynikê hatiye şûştin û biriqandin, ji ber vê yekê dîmenê derve û livîna serdanvanan tê de tê dîtin. Kevirê xam li deriyê ketinê kûrahiya newalekê diafirîne. Materyalên din mermerê neqişandî, boyaxa mîneral, dara reş û darberû ne.
پێناسەکردن
دەربارەی Xelata A' Design Award a Zîvîn
Jinglan Bay Art Navenda Firotanê xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Jinglan Bay Art Navenda Firotanê karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Jinglan Bay Art Navenda Firotanê afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.
لە پشت دیزاینەوە
کیتی چاپەمەنی
باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.
- تایبەتمەندییە تایبەتەکان
- The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
- قەبارە و پاکێج
- Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak - تاگەکان
- sales center, landscape, museum, indoor architecture, interior design
- تەکنەلۆژیای بەرهەمهێنان
- In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
- هەڵەنگاندنی دیزاین
- By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
- توێژینەوە
- Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
- ئیلهام
- The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
- ماوەی پڕۆژە
- The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
- ڕێڕەوی کارکردن
- Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
- کرێدیتی وێنەکان
- Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
سپۆنسەرکراو
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