بڕۆ بۆ ناوەڕۆک
Lunar Dinosaur Fantasy World بانگەشەی خۆیی لەلایەن Zhiwen Tang

دیزاینی Lunar Dinosaur Fantasy World بانگەشەی خۆیی لەلایەن Zhiwen Tang خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2024 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Grafîk, Wênesazî û Ragihandina Dîtbarî.


TuncGrafîk· 2024

Lunar Dinosaur Fantasy World بانگەشەی خۆیی

لەلایەن Zhiwen Tang

کڕیار: Zhiwen (Esther) Tang

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Grafîk

7,759

ڕەنگەکان

دیزاینەکە

دەربارەی Lunar Dinosaur Fantasy World بانگەشەی خۆیی

جیهانی فانتازیای دایناسۆری مانگی هونەر و زانست لە وێنەکاریدا تێکەڵ دەکات، کە تێیدا دایناسۆرەکان لە مانگدا نیشتەجێن. بە پشتبەستن بە لێکۆڵینەوەی وردی پالیۆنتۆلۆژی و ئەستێرەناسی، جیهانێک پێشکەش دەکات کە ئاشنا لەگەڵ فانتازیدا تێکەڵ دەکات. ئەم پرۆژەیە کە بۆ هەڵقوڵاندنی کنجکاوی لە مێشکی منداڵاندا داڕێژراوە، ناوەڕۆکی پەروەردەیی لەگەڵ چیرۆکگێڕانی داهێنەرانەدا یەکدەخات و گێڕانەوەیەکی بینراوی سەرنجڕاکێش پیشان دەدات کە کۆنین و دەرەکی زەوی لێکۆڵینەوە دەکات. وەک نموونەیەکی بەهێز لە ڕۆڵی دیزاین لە دەوڵەمەندکردنی پەروەردەدا دەوەستێت.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Lunar Dinosaur Fantasy World بانگەشەی خۆیی xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Lunar Dinosaur Fantasy World بانگەشەی خۆیی tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Lunar Dinosaur Fantasy World بانگەشەی خۆیی pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان
This work is particularly valuable to me because it questioned the concept that knowledge restricts imagination and displayed the possibility of creativity. Esther Tang's objective was to motivate individuals to maintain an open mind, be inventive and original, and value and believe in science.
قەبارە و پاکێج
Multiple Dimensions
8.50" x 13.00" & 10.00" x 20.00"
تاگەکان
Illustration, Visual Design, Children's Book, Children's Illustration
تەکنەلۆژیای بەرهەمهێنان
Digital Painting, Photoshop
هەڵەنگاندنی دیزاین
Lunar Dinosaur Fantasy World navigated a maze of creative and practical challenges. Internally, it balanced historical accuracy with imaginative storytelling and aimed to engage children by weaving in social themes relevant to science education. Externally, it contended with copyright laws, technological limitations, and the need for meticulous research within a tight budget. Leveraging advancements in digital art tools became a pivotal strategy, enabling the team to produce vibrant, educational content. Overcoming these hurdles required a collaborative, multidisciplinary approach, blending science, law, education, and digital creativity. This journey underscored the project's commitment to innovation, demonstrating how challenges can spark inventive solutions that enrich educational media.
توێژینەوە
Lunar Dinosaur Fantasy World serves as a pioneering exploration into the confluence of creativity, education, and science, aiming to ignite the imaginations of young minds through the fantastical concept of dinosaurs living on the moon. At its core, the research employs a qualitative and exploratory approach, seeking to understand and expand the creative and scientific horizons of children. The objective is clear: to foster a sense of wonder and curiosity about the universe and its ancient inhabitants, while subtly introducing the children to scientific principles. Through a combination of literature review and creative workshops, the project delves into existing knowledge of dinosaurs and space, using interviews with children and educators to gather insights and employing sketching and storyboarding as tools to bring imaginative concepts to life.

Participants, including children of varying ages and educators, play a crucial role in shaping the project's direction, providing valuable feedback that informs the creation of engaging and educational illustrations. These illustrations not only captivate the children's interest but also encourage them to question and explore the world around them, demonstrating the project's success in achieving its goals.

The results and insights gained from this endeavor highlight the transformative power of integrating educational content with creative storytelling, proving that learning can be both fun and impactful. In the broader context, the project underscores the potential for innovative educational tools in the business sector, advocates for the integration of creativity in science education within society, and inspires designers to pursue imaginative approaches in educational content delivery. Ultimately, the dinosaur series project exemplifies how imaginative storytelling and educational initiatives can work hand in hand to inspire future generations, encouraging them to explore, question, and understand the world in new and exciting ways.
ئیلهام
These project is inspired by a question my younger brother asked Esther, "Are there any people on the moon?". Knowing the answer, of course, she choose not to tell him the plain fact but to draw two diptychs of dinosaurs living on the moon. Esther wants to use these images to boost kids' imagination and creativity about the universe and dinosaurs before being taught with knowledge.
ماوەی پڕۆژە
This project was started in December 2021 in New York City and finished in May 2022 in New York City. It was exhibited in Beijing, China, 2023, for Yi Jie Illustration Exhibition, and won many awards such as Communication Arts 63rd and China Illustration Biennale, 2022.
ڕێڕەوی کارکردن
The combination of imaginative storytelling with interactive technology captivates audience, encouraging them to explore and learn. It performs better by leveraging the natural human tendency for exploration and discovery, thus fostering a love for science and creativity. They could explore their imagination through the visual experince of the illustration series.
کرێدیتی وێنەکان
All credits to Zhiwen (Esther) Tang

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