Changes Cycles and Shapes هونەری دیجیتاڵ لەلایەن Yuko Suzuki

دیزاینی Changes Cycles and Shapes هونەری دیجیتاڵ لەلایەن Yuko Suzuki خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2025 Xelata A' Design Award a Zêrîn لە پۆلی پێشبڕکێی Dîzayna Afirandî, Algorîtmîk, Parametrîk û bi Alîkariya AI-ê.

ZêrAfirandî· 2025

Changes Cycles and Shapes هونەری دیجیتاڵ

لەلایەن Yuko Suzuki

کڕیار: Feral File

خەڵاتگری Xelata A' Design Award a Zêrîn لە پۆلی Afirandî

210,079

خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #170864

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Changes Cycles and Shapes هونەری دیجیتاڵ

ئەم کارە پرسیاری "وێنەکێشی چییە؟" دەکۆڵێتەوە بە دەربڕینی سووڕانەوەی دەربڕینە بینراوەکان. ئیلهامگیراو لە گواستنەوەکانی تابلۆکانی مۆندریان، لەسەر دیاگرامێکی پێکهاتەیی وێنەکێشی دامەزراوە، کە تێیدا شێوە لە نێوان شێوەیی و ئەبستراکت دەجووڵێت و لە نێوان ژاوەژاوی و هێڵایەتی - بیرۆکەیەک کە بۆ ڕەنگ جێبەجێ کراوە. کارەکە دۆخی گۆڕانی مادەیەتی دیجیتاڵ زیندوو دەکاتەوە و جەخت لەسەر ئەوە دەکاتەوە کە شێوەکانی نێوان گۆڕانکارییەکان جەوهەری کارن. بە تێکەڵکردنی تێکستچەرەکانی چاپکراو بە بارێن، ناسنامەی هونەرمەند وەک چاپکار لە شێوەی دیجیتاڵدا ڕەنگ دەداتەوە.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zêrîn

Changes Cycles and Shapes هونەری دیجیتاڵ xelatgirê Xelata A' Design Award a Zêrîn e, nasîneke pir bi prestîj ku ji sêwiranên pola yekem, ecêb û berbiçav re tê dayîn. Xelatgirên Zêrînê afirandinên pir nûjen, dûrbîn û geş in, yên ku jêhatîbûn, şehrezayî û hêza sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Changes Cycles and Shapes هونەری دیجیتاڵ vedîtineke pir hatiye pesindan, trendsazker û mezin be ku nirxeke bêhempa peyda dike. Ev sêwirana bi Zêrînê serketî projeyeke ecêb û hêja ye ku sînorên huner, zanist, sêwiran û teknolojiyê fireh dike. Changes Cycles and Shapes هونەری دیجیتاڵ daxwaza xurt çêdike, coşê şiyar dike, afirînerîyê teşwîq dike û me heyirî dihêle.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
قەبارە و پاکێج: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
تاگەکان: Generative Art, Coding
تەکنەلۆژیای بەرهەمهێنان: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
هەڵەنگاندنی دیزاین: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
توێژینەوە: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
ئیلهام: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
ماوەی پڕۆژە: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
ڕێڕەوی کارکردن: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
کرێدیتی وێنەکان: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.