Clay Moulded Sêwirana Navxweyî ya Şanoyê لەلایەن Marius Mateika

دیزاینی Clay Moulded Sêwirana Navxweyî ya Şanoyê لەلایەن Marius Mateika خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2025 Xelata A' Design Award a Zêrîn لە پۆلی پێشبڕکێی Dîzayna Cihê Hundurîn û Pêşangehê.

ZêrHundurîn· 2025

Clay Moulded Sêwirana Navxweyî ya Şanoyê

لەلایەن Marius Mateika

کڕیار: Mama architects

خەڵاتگری Xelata A' Design Award a Zêrîn لە پۆلی Hundurîn

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سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Clay Moulded Sêwirana Navxweyî ya Şanoyê

Clay Moulded sêwirana navxweyî ya şanoyeke muzîkal e li Klaipeda, Lîtvanyayê. Herî dîwar û banan dipêçe, û zêdetirî 30 ton ji vê madeyê bi destan hatiye sepandin. Nexşa hola sereke berdewam e û ji aliyekî cihê heta aliyê din dirêj dibe. Ji bo vê projeyê pêvajoyeke pêçandinê ya heft qonaxî hate pêşxistin, ku tê de reşandin, nexşandin, hişkkirin, firçekirin, cilakirin û parastin cih digirin. Dîwar û ban dikarin vebin û bigirin da ku vegera dengan kontrol bikin, bi vî awayî cih li gorî konser, şano û civînan xwe diguncîne. Salona temaşevanan cih dide 700 kesan.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zêrîn

Clay Moulded Sêwirana Navxweyî ya Şanoyê xelatgirê Xelata A' Design Award a Zêrîn e, nasîneke pir bi prestîj ku ji sêwiranên pola yekem, ecêb û berbiçav re tê dayîn. Xelatgirên Zêrînê afirandinên pir nûjen, dûrbîn û geş in, yên ku jêhatîbûn, şehrezayî û hêza sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Clay Moulded Sêwirana Navxweyî ya Şanoyê vedîtineke pir hatiye pesindan, trendsazker û mezin be ku nirxeke bêhempa peyda dike. Ev sêwirana bi Zêrînê serketî projeyeke ecêb û hêja ye ku sînorên huner, zanist, sêwiran û teknolojiyê fireh dike. Clay Moulded Sêwirana Navxweyî ya Şanoyê daxwaza xurt çêdike, coşê şiyar dike, afirînerîyê teşwîq dike û me heyirî dihêle.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
قەبارە و پاکێج: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
تاگەکان: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
تەکنەلۆژیای بەرهەمهێنان: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
هەڵەنگاندنی دیزاین: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
توێژینەوە: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
ئیلهام: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
ماوەی پڕۆژە: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
ڕێڕەوی کارکردن: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
ئەندامانی تیم: Architects: Marius Mateika
کرێدیتی وێنەکان: Photographer: Leonas Garbačauskas