Transition Dîzayna Pêşangehê لەلایەن Shuhei Matsuyama

دیزاینی Transition Dîzayna Pêşangehê لەلایەن Shuhei Matsuyama خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2026 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Çalakî û Bûyerê.

TuncÇalakî· 2026

Transition Dîzayna Pêşangehê

لەلایەن Shuhei Matsuyama

کڕیار: enigma Inc.

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Çalakî

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پشتڕاستکردنەوەی باری خەڵات بۆ #175008

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Transition Dîzayna Pêşangehê

Transition pêşangeheke kulîlkan e ku kevneşopiya 1400-salî ya rêzkirina kulîlkan a Japonî, ku bi navê ikebana tê naskirin, di çarçoveyeke hemdem de pêşkêş dike. Sêwirana vekirî dîwarê paşîn tune ye, ji ber vê yekê ziyaretvan bi azadî digerin û her rêzkirinê ji gelek aliyan ve dibînin, ne tenê ji pêşiyê ve. Ronahiya rojê ya xwezayî û ronahîkirina bersivdar di dirêjahiya rojê de diguherin, ji ber vê yekê cih û kulîlkên zindî bi berdewamî diguherin. Pedestalên modular ji rezîna vezîvirandî bi çapkirina 3D hatine çêkirin û dikarin werin hilweşandin û ji nû ve werin bikaranîn. Erda rast û bêasteng hemû deveran gihîştbar dihêle.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Transition Dîzayna Pêşangehê xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Transition Dîzayna Pêşangehê tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Transition Dîzayna Pêşangehê pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: An immersive flower exhibition engaging all five senses, tracing 1,400 years of ikebana and the kado philosophy of the life of flowers. Fresh floral works, shifting sunlight, and responsive lighting continuously transform both space and experience. A wall-less, open configuration overturns traditional frontal ikebana viewing, inviting active participation and enabling unrepeatable, time-based engagement with floral art.
قەبارە و پاکێج: Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility.Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility.
تاگەکان: Ikebana, Exhibition Design, Floral Art, Japanese Culture, Immersive Experience, Sustainable Design, Inclusive Design, Expo 2025, Contemporary Art, Spatial Design
تەکنەلۆژیای بەرهەمهێنان: The exhibition structure was realized using recyclable resin-based 3D-printed pedestals, minimizing waste and enabling modular reuse for future installations. The lighting design incorporated responsive LED systems to simulate natural transitions. Spatial modeling and daylight simulation were conducted using Unreal Engine to test sun paths and visual conditions, allowing for precise environmental calibration. Materials include wood, recycled steel, and living floral elements.
هەڵەنگاندنی دیزاین: Traditional ikebana shows erected one-off timber walls and fixtures, then scrapped them. We challenged that legacy, adopting a reusable system that slashes physical build. Pedestals are 3-D-printed from recyclable resin, designed for quick disassembly, transport, and redeployment, cutting material use and waste. With level floors and wide clearances, the fully barrier-free layout marries sustainability to inclusive design.
توێژینەوە: In this show we discarded the rear wall once mandatory for classical ikebana and used self-standing fixtures, letting visitors wander freely. Single-use timber walls became reusable, 3-D-printed units of recycled resin, proving ikebana can travel to sites once impossible. Surveys showed 90 % of attendees were first-time ikebana viewers, revealing new audiences. Energized by this success, we are already planning the next “new-generation” flower exhibition.
ئیلهام: Ikebana is a centuries-old tradition that unites time-based and spatial art. To honor this duality, we removed the rear wall once deemed essential, shaping a fluid gallery where changing daylight, responsive lighting, and living flowers mingle in shifting layers. Visitors roam freely, viewing each arrangement from many angles while bespoke Unreal-Engine simulations refined sun paths and sightless, letting space and work animate each other.
ماوەی پڕۆژە: The project started on April 13, 2025, and concluded on April 20, 2025. It was exhibited at the “Gallery EAST” of Expo 2025 Osaka, Kansai.
ڕێڕەوی کارکردن: Visitors freely move through the open, wall-less gallery, exploring ikebana arrangements from multiple angles. Natural and dynamic lighting interact with fresh flowers, creating constantly shifting scenes. This spatial and sensory engagement encourages personal interpretation, breaking from the static, front-facing norms of classical ikebana.
پەتێنتەکان: Copyrights belong to Ikenobo Society of Floral Art, 2025.
ئەندامانی تیم: Creative Director / Art Director / Planner: Shuhei Matsuyama
Technical Director / Engineer: Koki Kaminoura
Project Director: Kenji Suina
Spatial Design Director: Kazuhiro Itagaki
Designer (130): Daina Kato
Engineer (130): Kenta Iguchi
Promotion Director: Satomi Tamai
Research Director: Tsubasa Kuri
Researcher: Tomoya Shimojo
Promotion Planner: Mako Fujimoto
کرێدیتی وێنەکان: Image #1-#5: Photographer Kamiya Ryo、Transition: The Origin of Ikebana、 2025.
Video Credits: Videographer Mizuno Kai、 Transition: The Origin of Ikebana、 2025.