Changing Perspectives Kiryara Sereke: Tîpnivîsa Jîngehî لەلایەن Haley Tebo

دیزاینی Changing Perspectives Kiryara Sereke: Tîpnivîsa Jîngehî لەلایەن Haley Tebo خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2020 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Grafîk, Wênesazî û Ragihandina Dîtbarî.

TuncGrafîk· 2020

Changing Perspectives Kiryara Sereke: Tîpnivîsa Jîngehî

لەلایەن Haley Tebo

کڕیار: Haley Tebo

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Grafîk

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #87839

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Changing Perspectives Kiryara Sereke: Tîpnivîsa Jîngehî

Deqa Pirtûkê: Guhertina Perspektîfan avakerinek tîpnivîsa jîngehî ye ku ji bo panelên şûşeyî yên avahiyeke hunerê ya zanîngehê hatiye çêkirin. Şêwazên tîpan ji vînîla moriya jêkirî ne û dema ku mirov derbas dibin, li gorî rêzek xwendinê rêz dibin. Peyam dikare ji her du aliyan ve were xwendin, ji ber vê yekê temaşevan disekinin û tevdigerin da ku deqê temam bikin. Her tîp bi qasî yek heta du pê bilind e, li gorî dûrahiya temaşevên guherbar e. Ronahiya ku di nav panelan re derbas dibe, şêwazên tîpan wekî sî û ronahiyên ronahiyê dubare dike. Ev avakirin mirovên li seranserê kampusê vedixwîne ku bi tîpnivîsê re bikevin têkiliyê.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Changing Perspectives Kiryara Sereke: Tîpnivîsa Jîngehî xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Changing Perspectives Kiryara Sereke: Tîpnivîsa Jîngehî tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Changing Perspectives Kiryara Sereke: Tîpnivîsa Jîngehî pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: This interactive installation compels the viewer to move in such a way to view the piece differently. As people walk by, the shapes align to form a message, which can be read walking from either direction. Installed on an art building at a university, the piece can be viewed from inside the gallery or across campus and draw people to it. The lighting also reflects the shapes of the typography in the form of shadows and reflections.
قەبارە و پاکێج: Each letter of the design is approximately 1-2 feet tall, varying with distance from the viewer.
تاگەکان: Environmental typography, interaction design, user experience, typography, graphic design,
تەکنەلۆژیای بەرهەمهێنان: Adobe software was used to create slides that were then projected onto the building. The projector was placed on a ladder at eye-height so it would be convenient for onlookers walking by to read. The shapes were traced with china marker then covered with frosted vinyl and cut out.
هەڵەنگاندنی دیزاین: After choosing an approved concept, we addressed the installation process. We could digitally cut out the letters, but they might not align correctly, or we could project it so the alignment was perfect, but would have to cut them by hand. After taping up a to-scale proof of the estimated warp we decided to project the letters because they did not align in the proof. The projection then needed to be done at night and required ladders, multiple extension cords, and for the fountain to be drained.
توێژینەوە: Researching existing projects inspired aspects of this design but also allowed it to be unique. Scouting local areas to find an optimal environment for the typography, we chose to install on campus for convenience and because of having a strong concept for the space, which included a well thought-out quote that could be read from either direction. The area was measured so a digital mockup could be done to scale. The design was very well received as people complimented it as it was being installed.
ئیلهام: Inspired by environmental typography installations that use perspective in a way that the words can only be read from one spot, we wanted to bring this somewhere where a lot of people could interact with typography. We were inspired by the potential we saw in the fountain in front of the our university's art building and the vertical glass panels above it. We used the dimensions of these panels to inform the choice of Helvetica Condensed and people walking from both directions to choose the quote.
ماوەی پڕۆژە: Research for this project started in late April 2019. Installation lasted for two weeks in May 2019.
ڕێڕەوی کارکردن: This installation is unique because it is put into movement as the viewer walks by, compelling them to pause and align themselves with the piece in order to read it. The space builds anticipation as the viewer must move themselves to read the next half of the message. The typography tells a story that parallels the environment it is in, achieving mutual enhancement of the design and the environment.
ئەندامانی تیم: Angeli Leong
کرێدیتی وێنەکان: Image #1 : Professor Wade Lough, 2019
Image #2 : Professor Wade Lough, 2019
Video Credits : Angeli Leong
Quote used is by Wayne Dyer