دیزاینی Zig Tabure لەلایەن Jules S. Jaffe خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2020 Xelata A' Design Award a Hesinîn لە پۆلی پێشبڕکێی Dîzayna Mobîlyayê.

HesinMobîlya· 2020

Zig Tabure

لەلایەن Jules S. Jaffe

کڕیار: Jules S. Jaffe

خەڵاتگری Xelata A' Design Award a Hesinîn لە پۆلی Mobîlya

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بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Zig Tabure

Sêwiran ji xwestina nîşandana taybetmendiyên bêhempa yên darê di çarçoweya pirsgirêkên teknîkî yên ku hem bedewî û hem jî fonksiyonê hewce dike de îlhama xwe digire. Ji Jules S. Jaffe re, ev dijwariya sêwirana mobîlya ye. Pirsgirêka li vir peydakirina aramî û hêzê bû ku di sêwirana paşîn de hestek sivikî û tengezariyê bicîh bîne. Stûna encamî xwedan hêzek nimûne ye lê di heman demê de hestek sivik û aramiyê jî heye ku geometrî, vedigere ji Pythagoreans ku sêwiran jê re ye.

پێناسەکردن

دەربارەی Xelata A' Design Award a Hesinîn

Zig Tabure xelatgirê Xelata A' Design Award a Hesinîn e, nasîneke bi prestîj ku ji sêwiranên baş re tê dayîn, yên ku pêdiviyên pîşeyî û pîşesaziyê yên ku ji afirandinên baş hatine sêwirandin têne hêvîkirin tînin cih. Xelatgirên Hesinînê jêhatîbûna mezin, pisporiya bilind, têgihiştina pisporî û kapasîteya afirîner a afirînerên xwe nîşan didin. Tê hêvîkirin ku Zig Tabure afirandineke pir hatiye rêzgirtin, sitayişkirin û delal, pratîkî û nûjen be. Ev sêwirana bi Hesinînê serketî pratîkên çêtirîn ên pîşesaziyê yekgirtî dike û xwedî taybetmendiyên teknîkî yên jêhatî ye ku bi zanîn û jêhatîbûnê ve girêdayî ne. Zig Tabure ji ber baldariya xwe tê rêzgirtin û hatiye sêwirandin da ku kalîteya jiyanê baştir bike û alîkariya çêtirkirina dinyayê bike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: The stool employs a unique triple mitered joint that did not exist before. The challenge here was to provide enough stability and strength to accommodate a feeling of lightness and tension in the final design.
قەبارە و پاکێج: 505 x 185 x 180
تاگەکان: stool, chair, sitting device
تەکنەلۆژیای بەرهەمهێنان: The design was realized in maple because it has the requisite capability to be accurately cut without worrying about splintering. This is actually version 4.2 that took place over 2 years with a variety of materials (oak) and a variety of machining techniques. Ultimately, a set of table saw fixtures that were precisely measured and inclined were used to have the surface meet with extremely high accuracy. The challenge with any cantilever is strength and stability. Hence the large mating surfaces. There are no screws or any other metal parts used in construction. Only wood. Purity of materials was a prime consideration.
هەڵەنگاندنی دیزاین: The continuous challenge of creating functional items that are also aesthetically pleasing is a constant challenge. Research in form, function and the engineering needed to accomplish the mutual goals of fulfilling those aspirations is a constant pursuit. Ancient concepts related to the golden triangle and its harmony with human perception is related to the construction of this stool as it incorporates a triangular structure that also needs to be extremely stable. The final realization was an exercise in precise and multi-dimensional angles.
توێژینەوە: As with all projects the tension between good design and stability and strength in construction is paramount. In this case, many of the preliminary designs, when constructed cracked under the weight of the sitter. In addition, since the surface between the base and the supporting rod and the supporting rod and the seat are not orthogonal, it took a great deal of geometric reasoning to make those top and bottom surfaces parallel, as in any design close to this.
ئیلهام: Overall the stool is an homage to Gerrit Rietveld. However it incorporates a Zen-like feeling of peacefulness and rest but with the tension of a cantilever. Hence, it uses contrasting elements to achieve its unique design. The stool inspires sitting upright in a meditative position and is also excellent for artists such as guitarists and cellists to use as it has no protruding parts and the base retracts from the seat edge. It is very stable but allows freedom of movement.
ماوەی پڕۆژە: The project took 2 years to execute in a workshop in La Jolla, CA, USA.
ڕێڕەوی کارکردن: Simply sit on it.
پەتێنتەکان: None
ئەندامانی تیم: Jules S. Jaffe (only)
کرێدیتی وێنەکان: Image # 1: Jules S. Jaffe, 2019.
Optional image #2 Jules S. Jaffe, 2019.