Chair of Soul Kursî لەلایەن Wen Jenq Cherng

دیزاینی Chair of Soul Kursî لەلایەن Wen Jenq Cherng خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2020 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Mobîlyayê.

TuncMobîlya· 2020

Chair of Soul Kursî

لەلایەن Wen Jenq Cherng

کڕیار: Cherng's Work

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Mobîlya

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #91651

بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Chair of Soul Kursî

Kursiyê Giyanê kursiyekê ye ku bo piştgirîkirina laş di rewşeke rakirî û bêhnfireh de hatiye sêwirandin. Bilindahiya rûniştgehê, piştgira di navçala navîn de û destgirêk giraniya beşê jorîn ê laş hildigirin. Piştgira hinekî xemilandî şeklê laş dişopîne û tengasiya di milan, stû, navçala navîn û endaman de kêm dike. Mobîlyaya kevneşopî ya Serdema Ming bingehê pîlanê ji bo pêkhateyên hêsan peyda dike. Dara ebonî ya ji Sulawesî pêkhateya sereke pêk tîne, digel piyên lûleyên mis û rûniştgehek çermê Nappa yê mor. Girêdanên mortîze û tenonê beşan bi hev ve girê didin, û pêkhateyeke qeydî piyan bi rûniştgehê ve girêdide.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Chair of Soul Kursî xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Chair of Soul Kursî tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Chair of Soul Kursî pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
قەبارە و پاکێج: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
تاگەکان: Product, Chair, Health, Oriental, Furniture
تەکنەلۆژیای بەرهەمهێنان: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
هەڵەنگاندنی دیزاین: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
توێژینەوە: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
ئیلهام: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
ماوەی پڕۆژە: The project started in December 2016 and finished in December 2018.
ڕێڕەوی کارکردن: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
ئەندامانی تیم: Designer: Wen-Jenq Cherng