The Birth of a Book Pirtûk لەلایەن Urszula Giren

دیزاینی The Birth of a Book Pirtûk لەلایەن Urszula Giren خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2020 Xelata A' Design Award a Zêrîn لە پۆلی پێشبڕکێی Dîzayna Medyaya Çapkirî û Weşandî.

ZêrÇap· 2020

The Birth of a Book Pirtûk

لەلایەن Urszula Giren

کڕیار: Urszula Gireń

خەڵاتگری Xelata A' Design Award a Zêrîn لە پۆلی Çap

80,127

خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #97144

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی The Birth of a Book Pirtûk

Jidayikbûna Pirtûkê weşaneke çapkirî ye derbarê dîzayna pirtûkan li Polonyaya sedsala 16an. Pirtûk çapên kevn bi mezinahiya rastîn nîşan dide, da ku xwîner karibin formatên resen bibînin. Berga tozê rêbaza rêzkirinê (imposition) ya ku ji bo formata kevn a oktavoyê hatiye bikaranîn nîşan dide. Nîşankereke şerît a pirtûkê bilindahiyên pirtûkên folyo, kuarto û oktavoyê destnîşan dike. Nexşên darîn ên li ser rûpelên sernavê bi rengên berevajîkirî hatine çapkirin, ku matrîsên bi murekeba reş nixumandî tînin bîra mirov. Format 256 bi 320 mîlîmetre ye, bi 560 rûpel û nêzîkî 1200 wêneyan. Armanc ew e ku rêbazên çapkirinê yên Ronesansê ji bo xwînerên berfireh bêne ravekirin.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zêrîn

The Birth of a Book Pirtûk xelatgirê Xelata A' Design Award a Zêrîn e, nasîneke pir bi prestîj ku ji sêwiranên pola yekem, ecêb û berbiçav re tê dayîn. Xelatgirên Zêrînê afirandinên pir nûjen, dûrbîn û geş in, yên ku jêhatîbûn, şehrezayî û hêza sêwiranerên xwe nîşan didin. Tê hêvîkirin ku The Birth of a Book Pirtûk vedîtineke pir hatiye pesindan, trendsazker û mezin be ku nirxeke bêhempa peyda dike. Ev sêwirana bi Zêrînê serketî projeyeke ecêb û hêja ye ku sînorên huner, zanist, sêwiran û teknolojiyê fireh dike. The Birth of a Book Pirtûk daxwaza xurt çêdike, coşê şiyar dike, afirînerîyê teşwîq dike û me heyirî dihêle.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
قەبارە و پاکێج: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
تاگەکان: renaissance book, first roman typefaces, old prints, typography
تەکنەلۆژیای بەرهەمهێنان: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
هەڵەنگاندنی دیزاین: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
توێژینەوە: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
ئیلهام: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
ماوەی پڕۆژە: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
ڕێڕەوی کارکردن: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
کرێدیتی وێنەکان: Urszula Gireń / 2019