Tea Culture Aula Experientiae Culturae Theanae ab Shenzhen Horizon Space Design Co.,Ltd

Opus Tea Culture Aula Experientiae Culturae Theanae a designatore Shenzhen Horizon Space Design Co.,Ltd est victor maxime honoratus praemii praestigiosissimi 2021 Praemium A' Design Award Argenteum in Categoria Certaminis Designatio Interior.

ArgentumInterior· 2021

Tea Culture Aula Experientiae Culturae Theanae

a Shenzhen Horizon Space Design Co.,Ltd

Cliens: Shenzhen Horizon Space Design Co.,Ltd

Victor praemii Praemium A' Design Award Argenteum in Categoria Interior

13,401

Victor Praemii Verificatus

Verifica Statum Praemii pro #116924

Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Tea Culture Aula Experientiae Culturae Theanae

Cultura Theana est parva aula experientiae culturae theanae, ut placidum locum theae degustandae excogitata. Complura spatia horizontalia et verticalia in unam aream continuam coniunguntur, ubi visitatores libere ambulare, inter se convenire aut consistere et retro respicere possunt. Dispositio ex charta plicata inspirata est, et perspectivae mutationes inde ortae interiori et classicam quietem et modernam vivacitatem tribuunt. Reticula tenuia texturam superficiei chartae substituunt. Unumquodque spatium ad simplicem functionem redigitur, ut visitatores relaxari possint antequam thea apponatur.

Agnitio

De Praemium A' Design Award Argenteum

Tea Culture Aula Experientiae Culturae Theanae victor est Praemii A' Design Award Argenteum, honoris eximie amplissimi formis summi generis, pulchris et conspicuis dati. Victores Argenti opera valde splendida et creandi ingenio praedita sunt, quae praestantem peritiam, talentum et acumen auctorum suorum ostendunt. Exspectatur Tea Culture Aula Experientiae Culturae Theanae opus mirabile, exemplare, valde professionale et penitus novum fore. Haec forma Argento victa inventum notabile et admiratum est, quod ad fines artis, scientiae, formandi rationis et technologiae promovendos confert. Tea Culture Aula Experientiae Culturae Theanae creatio est, quam multi invident, quae cupiditates excitat, sensus bonos affert et admirationem miraculumque movet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Dimensiones et Involucrum: What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Notulae: Tea Culture Exploration Hall
Technologia Productionis: Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Inspiratio: When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Membra Turmae: Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu