Geometry of Fiction Anulus ab Nazanin Saranjampour and Mahdi SheykhRezaee

Opus Geometry of Fiction Anulus a designatore Nazanin Saranjampour and Mahdi SheykhRezaee est victor maxime honoratus praemii praestigiosissimi 2022 Praemium A' Design Award Ferreum in Categoria Certaminis Designatio Ornamentorum.

FerrumOrnamenta· 2022

Geometry of Fiction Anulus

a Nazanin Saranjampour and Mahdi SheykhRezaee

Cliens: Nazanin Saranjampour

Victor praemii Praemium A' Design Award Ferreum in Categoria Ornamenta

15,094

Victor Praemii Verificatus

Verifica Statum Praemii pro #139979

Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Geometry of Fiction Anulus

Geometria Fictionis est ornamentorum argenteorum collectio trium anulorum. Formae ab architectura antiqui Balnei Golshan in Yazd, Persia, inspiratae sunt. Methodus experimentalis adhibita est: formae primariae, ut cubi et cylindri, in programmate tridimensionali cum geometria inversa balnei coniunctae sunt, plus quam ducentas quinquaginta formas novas gignentes. Paucae deinde formae ad anulos electae sunt. Opera digitaliter modulata, resina impressa et in argento fusa sunt. Tres anuli tamquam par, coniuncti vel singuli gestari possunt.

Agnitio

De Praemium A' Design Award Ferreum

Geometry of Fiction Anulus victor est Praemii A' Design Award Ferreum, honoris amplissimi formis bonis dati, quae postulatis professionalibus et industrialibus ab creationibus bene formatis exspectatis satisfaciunt. Victores Ferrei magnam peritiam, altam specializationem, intellectum periti et facultatem creandi auctorum suorum ostendunt. Exspectatur Geometry of Fiction Anulus creationem multum aestimatam, admiratam et carissimam, practicam et novam fore. Haec forma Ferreo victa optimas industriae consuetudines integrat et proprietates technicas idoneas, cum scientia et talento coniunctas, habet. Geometry of Fiction Anulus ob diligentiam suam honoratur et ad vitae qualitatem emendandam formatum est, ut mundum meliorem reddere iuvet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: There are three stages to this experimental design process. In the first phase of the method, some primary shapes such as cubes, cylinders, and other shapes were transformed in 3d software using Rhino. Second, the designer created the antithesis of the Golshan bathhouse's form; the mass space was reversed to empty using an experimental method.Finally, the three-dimensional collision of the primary forms with the reverse geometry of the Golshan bath resulted in the creation of more than 250 new shapes in the following stage. Finally, the designer chose a few of the best shapes to create rings by evaluating them. The use of 3D computer software has enabled the visualization of new forms that would not have been possible otherwise.
Dimensiones et Involucrum: This silver jewelry set consists of three pieces of the ring. The pieces in this collection are 28, 20, and 2 grams in weight, respectively. These three rings can be worn as a set, in a double combination, or independently. These rings have been designed to be as ergonomic as possible, so there are no problems with the fingers when wearing them.
Notulae: Jewelry, Experimental Design, Speculative Design, Golshan Bathhouse, Ring
Technologia Productionis: The shape of the rings is very complex due to their delicate and precise angles, and conventional manual jewelry production methods are not suitable for their production. Therefore, this jewelry collection was first modeled using 3D modeling software and then printed from resin material. And then, they were made of silver metal by the micro fusion casting method.
Provocatio Designandi: The most critical design feature of this jewelrycollection is the aesthetic, which reflects the visual characteristics of the source of inspiration and has unpredictable forms due to its experimental design method. There are two significant obstacles to overcome when designing such a project: 1. Each piece's weight should be kept under control. 2. Take into account the ergonomics of the user's hands and fingers. Heavy forms were removed to optimize the result in design development and evaluation as forms inconsistent with hand anthropometry. Finally, the forms were lightened so that they could be easily worn.
Investigatio: Since old artifacts have always been a source of inspiration for designers, this jewelry collection was born out of research and study into the roots of Iraniandesign, which are found in Persian architecture, to create new Persian forms. Is it possible to be inspired by a monument without getting a repetitive and predictable result? That was the starting point for the design. This collection's design process is speculative and employs an experimental design method developed by the designer. Iranian design has essential characteristics such as balance, two-dimensional order, and many details; the researcher expected these characteristics to appear in a newer aesthetic and represent Persian thoughts, so ideationbegan, leading to the production of over 250 experimental forms of origin. They re-created the above-mentioned Iranian features in Persian design.
Inspiratio: The historic Golshan Bathhouse in Yazd served as the project's primary source of inspiration. The Iranian architecture of the Golshan Bathouse is typical of Qajar-period Iran, and the structure's geometry demonstrates many aspects of Iranian art. This collection has created new ring forms due to formal alternatives to Golshan bathhouse geometry. Roofs, corridors, and pools have visual elements that can be seen in the shapes of the rings indirectly in the details of this collection's pieces.
Duratio Operis: April 2021-November 2021 Tehran, IRAN
Cursus Operationis: Persian architecture is rich in meaningful concepts that can inspire a great deal of creativity when translated into modern language. Jewelry is the meeting point of art and design, and it can be used to convey a message in the same way that a medium can. This jewelry collection has been able to demonstrate the complexity of Iranian art. One of the most appealing aspects of this collection is that it can be viewed from various perspectives and represent a new form; it can also be worn from any angle without looking the same. This feature delights the user every time she wears it.
Membra Turmae: Mohammadmahdi Sheykh rezaee