Gradual Change of the Circle Sculptura ab Ying Hsi Liao

Opus Gradual Change of the Circle Sculptura a designatore Ying Hsi Liao est victor maxime honoratus praemii praestigiosissimi 2023 Praemium A' Design Award Ferreum in Categoria Certaminis Ars Pulchra.

FerrumArs Pulchra· 2023

Gradual Change of the Circle Sculptura

a Ying Hsi Liao

Cliens: Gradual Change of the Circle

Victor praemii Praemium A' Design Award Ferreum in Categoria Ars Pulchra

12,588

Victor Praemii Verificatus

Verifica Statum Praemii pro #142538

Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Gradual Change of the Circle Sculptura

Gradualis Mutatio Circuli est sculptura ab evolutione vitae in terra inspirata. Opus praecipue ex acie inoxidabili confectum est, et bractea titanii colores aureos et argenteos cum specie technologica praebet. Forma rotunda vultum matris revocat, et etiam semina, gemmas, et conchas significat. Lineae secundum arcum exteriorem undas in litore referunt. Superficies interior concava adspectum caeli reflectit. Forma primum ope computatri effecta est, deinde manu perfecta. Exemplaria ante productionem confecta tribus dimensionibus ex materiis recyclabilibus impressa sunt, ut fragmenta minuerentur.

Agnitio

De Praemium A' Design Award Ferreum

Gradual Change of the Circle Sculptura victor est Praemii A' Design Award Ferreum, honoris amplissimi formis bonis dati, quae postulatis professionalibus et industrialibus ab creationibus bene formatis exspectatis satisfaciunt. Victores Ferrei magnam peritiam, altam specializationem, intellectum periti et facultatem creandi auctorum suorum ostendunt. Exspectatur Gradual Change of the Circle Sculptura creationem multum aestimatam, admiratam et carissimam, practicam et novam fore. Haec forma Ferreo victa optimas industriae consuetudines integrat et proprietates technicas idoneas, cum scientia et talento coniunctas, habet. Gradual Change of the Circle Sculptura ob diligentiam suam honoratur et ad vitae qualitatem emendandam formatum est, ut mundum meliorem reddere iuvet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: The work is mainly made of stainless steel, and the titanium plating technique makes the art piece in the color scheme of cash and silver, demonstrating a technological and futuristic vibe. The rounded shape of the piece is a replica of a mother's face, representing her love like the sun and the moon, which protect her day and night.
Dimensiones et Involucrum: Width 110cm x Depth 120cm x Height 120cm
Notulae: Installation, Art, Creative, Design, Innovation
Technologia Productionis: Moreover, it also conveys the image of life that never ends. The lines outside the arc are similar to the waves of the sea lapping on the beach, recording the time of the ebb and flow of the tide.
Provocatio Designandi: The pre production of the artwork was constructed using reusable earth as the material, and the model was printed out with corn-friendly materials through the technology of 3D printing by scanning. By means of an environmentally friendly production process and the use of recyclable materials, the project reduces waste of resources and pollution, thus realizing an earth friendly environment.
Investigatio: The overall appearance of the work resembles a nautilus or a seashell and the image of Tai Chi. The physical transformation following the mental condition produces different forms or symbols from one person to another. The idea is firstly executed and shaped by a computer with accuracy and precision as the essential reference index and before long made by hand, under highly technical skills demanding process.
Inspiratio: The earth's biosphere: genes, individuals, groups, species, communities, and landscapes have evolved over thousands of years. This artwork is an abstract conceptual approach to the appearance of seeds, buds, shells, mothers, and other imagery, creating an imaginative installation.
Duratio Operis: The market launch was in 2019.
Cursus Operationis: All the rivers run into the sea, yet the sea is not full. This passage is a motto of King Solomon in the Old Testament, and it is embodied in part of this work, reflecting the view of the sky through the inner concave curved surface.
Agnitiones Imaginum: Huachengarts Co., Ltd.