Crossing Walls Domus, Officina ab Satoshi Fujinaka

Opus Crossing Walls Domus, Officina a designatore Satoshi Fujinaka est victor maxime honoratus praemii praestigiosissimi 2026 Praemium A' Design Award Aeneum in Categoria Certaminis Architectura.

AesArchitectura· 2026

Crossing Walls Domus, Officina

a Satoshi Fujinaka

Cliens: Daijiro Yoshihara

Victor praemii Praemium A' Design Award Aeneum in Categoria Architectura

8,046

Victor Praemii Verificatus

Verifica Statum Praemii pro #174571

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Crossing Walls Domus, Officina

Crossing Walls aedificium est quod officinam in tabulato inferiore cum domicilio in tabulato superiore coniungit. Tres parietes in formam litterae L flexi et separantur et inter se implicantur, formaque cubi diffringitur ut spatia aperta et clausa creentur. Parietes moderatam necessitudinem cum locis circumiacentibus servant, lucem et aerem intrare sinentes dum secretum custoditur. Loca fenestrarum ita disponuntur ut lux solis, onus caloris atque prospectus exteriores temperentur. Vacuum caelo apertum interiora cum exterioribus coniungit. Structura rationem aedificandi ligneam Iaponicam tralaticiam sequitur, reticulo nongentorum decem millimetrorum disposita, quae materiam parcit et aperta relinquitur.

Agnitio

De Praemium A' Design Award Aeneum

Crossing Walls Domus, Officina victor est Praemii A' Design Award Aeneum, honoris multum aestimati formis egregiis, creandi ingenio, sollertia et acumine insignibus dati. Victores Aenei opera perita et mire creandi sunt, quae experientiam, imaginationem et solertiam auctorum suorum confirmant. Exspectatur Crossing Walls Domus, Officina rem multum aestimatam, admiratam et carissimam, notabiliter professionalem et novam fore. Haec forma Aeneo victa optimas consuetudines artis, scientiae, formandi rationis et technologiae amplectitur et in cura minutiarum excellit. Crossing Walls Domus, Officina necessitates egregie explet, cupiditates tangit, sensus capit et curiositatem allicit.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: We will try to solve the problem by manipulating the wall so that the office on the first floor and the life on the second floor, communication and privacy, can be compatible with each other.
The cube is disassembled and the three L shaped walls separate and intertwine with each other.
These three L shaped walls manipulate the open and closed spaces and maintain a moderate relationship with their surroundings.
Light and wind enter the building and begin to vaguely connect it to the outside.
Dimensiones et Involucrum: wooden Site area 176.34㎡ Total Floor area 138.37㎡ The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
Notulae: House , Oficce , Japan , Walls , Wood
Technologia Productionis: The building uses a standard Japanese wooden structure with a span of 910 mm.
Most building materials in Japan follow this module, resulting in significant material and energy savings.
The wooden structure is shown in a cosmetic manner to pursue beauty and rationality.
Provocatio Designandi: While keeping the space needed by the client within a limited area and budget,
While considering the position of sunlight and adjusting the position of windows to control the heat load,
The window arrangement is planned to control the external line of sight and to create an ambiguous connection with the outside.
Investigatio: The research for this project is divided into two themes.
The first is a study of how to maximize the natural environment and required space on a limited site area.
The second is to consider total cost management and cost management of each material within a limited budget.
How to solve these two themes in architecture is both an interesting and difficult challenge.
Inspiratio: The planned site is a borderline location where new places and old places mix.
By opening the walls to the outside, the office tried to create appropriate and diverse relationships to maintain the community and revitalize the city.
The living space blends with the exterior space through the gaps in the walls while ensuring privacy and bringing light into the interior.
And by creating a void to the sky, the entire building breathes and releases its spirit to the sky.
Duratio Operis: Design began in Hiroshima in 2022 and construction was completed in December 2024.
Cursus Operationis: This building was planned as a boundary between the newly developed environment in the newly rezoned area and the old shopping area, where the old and the new mix.
The project was planned to solve the problem of how to realize an architecture that allows people to feel close to nature while ensuring privacy, while reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself in such a location.
Membra Turmae: Satoshi Fujinaka
Agnitiones Imaginum: Photo , Kenji Masunaga