Sali ad argumentum
Tamsa Arca Nummaria ab Jose Roca

Opus Tamsa Arca Nummaria a designatore Jose Roca est victor maxime honoratus praemii praestigiosissimi 2020 Praemium A' Design Award Aeneum in Categoria Certaminis Designatio Supellectilis.


AesSupellex· 2020

Tamsa Arca Nummaria

a Jose Roca

Cliens: Jose Roca Studio

Victor praemii Praemium A' Design Award Aeneum in Categoria Supellex

16,684

Victor Praemii Verificatus

Verifica Statum Praemii pro #90752

Colores

Designum

De Tamsa Arca Nummaria

Tamsa est arca nummaria domui destinata. Tamsa duabus partibus constat, vaso quod nummos condit et patina quae operculi vice fungitur. Patina tribus magnetibus neodymii in loco tenetur et reponi potest ut species operis mutetur. Vas ex argilla nigra opaca factum est, patina vero ex chalybe balneo electrolytico tincto, quod speciem similem orichalco praebet. Tegumentum gummeum intus in vaso positum opus a nummis cadentibus tuetur. Magnitudo tota est 250 mm per 250 mm per 90 mm. Forma fabulam El Dorado ritumque oblationis cultus Muiscae revocat.

Agnitio

De Praemium A' Design Award Aeneum

Tamsa Arca Nummaria victor est Praemii A' Design Award Aeneum, honoris multum aestimati formis egregiis, creandi ingenio, sollertia et acumine insignibus dati. Victores Aenei opera perita et mire creandi sunt, quae experientiam, imaginationem et solertiam auctorum suorum confirmant. Exspectatur Tamsa Arca Nummaria rem multum aestimatam, admiratam et carissimam, notabiliter professionalem et novam fore. Haec forma Aeneo victa optimas consuetudines artis, scientiae, formandi rationis et technologiae amplectitur et in cura minutiarum excellit. Tamsa Arca Nummaria necessitates egregie explet, cupiditates tangit, sensus capit et curiositatem allicit.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares
Tamsa's main purpose is to serve as a case for those coins we collect in our day by day journey in the most elegant and display full way. While most of the money banks are made to hide their purpose, Tamsa becomes a center piece that encourage the owner to make an offering to his savings.
Dimensiones et Involucrum
The main dimensions for this project are: 250 mm x 250 mm x 90 mm, decomposed into two main components, the base that is made out of black matte clay which dimensions are 244 mm x 244 mm x 80 mm, and a dish made out of steel with an electrolytic bath that give the brass finish, it's dimensions are 250 mm x 250 mm x 60 mm.
Notulae
elegant, savings, offering, collect, essential, decorative, contemporary, home, ceramic, interior
Technologia Productionis
Tamsa's main material are clay and galvanized steel with a electrolytic bath that give it's brass alike finish for its two main elements (the dish and the vase). But in addition this project count with other two additional elements that appeal more to the function, one of these is the rubber cover inside the vase, set there to protect the product from the coins that will be falling in, and second, a set of three neodymium magnets that help to fit the dish with the vase, making the product more safe in its manipulation.
Provocatio Designandi
The main challenges in the development of Tamsa was defining the best way to abstract and represent many concepts of a culture that merge with myths and bring them together into a timeless context with a piece that results intuitive and meaningful to the user.
Investigatio
To develop Tamsa, the main focus was to create a product inspired in one of South America most important pre Columbian cultures, the Muiscas, yet transcendent in a way that can be placed in any context and still be understood in its meaning and function. Analyzing multiple aspects of their culture, myths, legends and traditions through comparison tables was determined that the El Dorado legend could be the best reference to start working. With the help of focus groups and checking on traditional manufacturing methods Tamsa was born.
Inspiratio
Tamsa means offering in Chibcha, a South American tribe that had a ritual where the heir to the throne got covered in gold and emeralds to then get washed in the guatavita lagoon as an offer to the gods. The Spanish conqueror Gonzalo Jimenez de Quesada was the first to witness this, giving origin to the El Dorado legend, a city covered in gold. Tamsa is a memory between the ritual and the myth that recreate that act of offering for a better future in the most elegant way.
Duratio Operis
This is a project that starter as an idea back in May 2018, was left as a simple sketch until June 2019 when the prototyping started after multiple tests, back and forwards, the product is starting production by October 2019.
Cursus Operationis
Tamsa consists of two parts, the vase where the money is stored and the dish that works as a lid that protect the valuables. This second is secured with a magnetic system that allow to reposition it over the vase to create different aspects of the same product depending on the environment where is placed.
Membra Turmae
Jose Roca
Agnitiones Imaginum
Jose Roca Studio, 2019.

Patrocinatum

Explora Ultra Designers.org

Inveni producta, servitia et occasiones a sociis nostris publicitariis.

Bonum Designatum Magna Agnitione Dignum Est

A' Design Award est praemium internationale, a iudicibus collatum, bono designato tributum. Participa in A' Design Award ut occasionem obtineas meritocraticam agnitionem acquirendi, famam, praestigium et publicitatem pro opere tuo. Nomina opus tuum ad A' Design Award et pro pretioso praemio A' Design Prize certa.

Nomina