The Japanese Forest Consequat ab Masaru Eguchi

Opus The Japanese Forest Consequat a designatore Masaru Eguchi est victor maxime honoratus praemii praestigiosissimi 2020 Praemium A' Design Award Argenteum in Categoria Certaminis Photographia.

ArgentumPhotographia· 2020

The Japanese Forest Consequat

a Masaru Eguchi

Cliens: Sunpono

Victor praemii Praemium A' Design Award Argenteum in Categoria Photographia

52,557

Victor Praemii Verificatus

Verifica Statum Praemii pro #95058

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De The Japanese Forest Consequat

Silva est Iaponica in Iaponica ad religionis ex perspective. Iaponica unus de antiquis religionibus Animism est. Animism credendi id non est, humanae creaturae, etiam anima (mineris, et artificialibus inuenitur, etc.) ut et invisibilia quae etiam est intentio. Hoc est similis consequat. Masaru Eguchi sagittam dirigens est aliquid quod facit sensu ad subiectum. Arbores, et herbam mineralibus sentire arbitrium vitae. In artificialibus enim naturae legat et ut diu sentire arbitrium. Iustus ut videre intacta natura futura nunc videbis scaenarum.

Agnitio

De Praemium A' Design Award Argenteum

The Japanese Forest Consequat victor est Praemii A' Design Award Argenteum, honoris eximie amplissimi formis summi generis, pulchris et conspicuis dati. Victores Argenti opera valde splendida et creandi ingenio praedita sunt, quae praestantem peritiam, talentum et acumen auctorum suorum ostendunt. Exspectatur The Japanese Forest Consequat opus mirabile, exemplare, valde professionale et penitus novum fore. Haec forma Argento victa inventum notabile et admiratum est, quod ad fines artis, scientiae, formandi rationis et technologiae promovendos confert. The Japanese Forest Consequat creatio est, quam multi invident, quae cupiditates excitat, sensus bonos affert et admirationem miraculumque movet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Dimensiones et Involucrum: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Notulae: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Technologia Productionis: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Provocatio Designandi: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Investigatio: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Inspiratio: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Duratio Operis: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Cursus Operationis: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Patentes: Copyright: Masaru Eguchi
Agnitiones Imaginum: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.