Tianjin Zarsion Ausstellungszenter vum RUF Architects

D'Wierk Tianjin Zarsion Ausstellungszenter vum Designer RUF Architects ass en héich geschätzten Gewënner vum prestigiéisen 2021 A' Design Award an Platin an der Wettbewerbskategorie Architektur, Gebai an Strukturdesign.

PlatinArchitektur· 2021

Tianjin Zarsion Ausstellungszenter

vum RUF Architects

Client: RUF Architects

A' Design Award an Platin Gewënner an der Kategorie Architektur

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Kuckt beim A' Design Award Pressemëtteelung Award Badge

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Den Design

Iwwer Tianjin Zarsion Ausstellungszenter

Tianjin Zarsion ass en Ausstellungszenter, dee laanscht en Niewefloss vum Yongding-Floss zu Tianjin, China, gebaut gouf. De Plang benotzt eng Waassertropfform, déi diagonal op de Site gesat ass, wat den Zougangswee vum Stadrand bis zum Entrée verlängert. Déif Daachiwwerhäng a grouss Glasflächen schafe e liicht Daach, dat schéngt ze schwiewen. D'Struktur ass haaptsächlech aus Holz, ergänzt duerch Stol, an 68 radial Rout-Kiefer-Träger bilden e prabbeliförmegt Bougerüst. Aacht bannenzeg Holzsailen erméiglechen eng breet Hal ouni Sailen. E blatförmegt Daachfënster ass esou dimensionéiert, datt d'Luucht am Interieur mëll a roueg bleift.

D'Unerkennung

Iwwer den A' Design Award an Platin

Tianjin Zarsion Ausstellungszenter ass e Gewënner vum A' Design Award an Platin, enger héich prestigiéiser Unerkennung, déi un wierklech aussergewéinlech, elegant a grandios Designe vergi gëtt. Platin-Gewënner si Wonner vun der Schafung, Zeegnisser vun de Grenze vun der intellektueller Kreativitéit a weisen déi onvergläichlech Professionalitéit an d'Genie vun hire Designer. Et gëtt erwaart, datt dës Designen déi bekanntst Wierker sinn, déi d'Ästhetik vun enger Epoch definéieren, zum Wuelbefanne vun der Gesellschaft bäidroen an d'Grenze vun der Konscht, der Wëssenschaft, vum Design an der Technologie erweideren. Tianjin Zarsion Ausstellungszenter weist en transzendent Niveau vun Exzellenz a mécht d'Welt mat senge wäertvollen Eegeschaften zu enger besserer Plaz. Tianjin Zarsion Ausstellungszenter ass e Wierk, dat den A' Design Award an Platin gewonne huet an dat Wënsch erwecht, inspiréiert, erfreet a grouss Freed schaaft.

Hannert dem Design

Press Kit

Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.

Eenzegaarteg Eegeschaften: Architects initially tried to use symbolic architectural language to establish a connection with the historical environment.

As to layout, water drop shape is placed diagonally into the site, which not only elongates the moving line from the city interface to the entrance, but also makes the shape more intuitive. The profound eaves overhang and large area glass applications create a directionless floating roof, which presents a charming tranquility with the swaying shadows of the trees.
Dimensiounen & Verpackung: The interior 8 wooden columns and the 3 diagonal wooden columns at the front make the structure realize the 34.0mx14.5m indoor column-free space and the 3.7m outdoor cantilever.

The smoke-gray aluminum-magnesium plates, ultra-white tempered glass, small faceted spruce suspended ceiling and leaf-shaped exterior outline create an honest expression of microscopic stress.
Tags: Innovative, New Experience, Polysemy, Community, Commercial, Dynamic, Architecture, Interaction
Produktiounstechnologie: The project’s structure went through three rounds of schemes, and final scheme is dominated by wood structure and supplemented by steel structure.

The concept of three rings is adopted. The roof uses the skylight and the beam columns to realize force conversion. The cornice is made of steel structure and the rest is made of wood structure to achieve perfect radiating effect.
Design Erausfuerderung: The project was completed in the form of wooden structure. The biggest challenge in the process of project implementation is the large span and overhang in the structure. After several rounds of structural tests, the final shape is umbrella-shaped spoke-type arched architecture scheme, which is formed by inner, middle and outer circular steel beams and 68 radial red pine beams.
Fuerschung: At the initial design stage, the external place is not clearly defined, and the relationship between the building and the place presents a sense of spontaneous floating. Along with the design development forwarded, metaphorical polysemy emerges. Architects use the cavities of roof sheathing and inclined beams as well as the cavities of main ring beams to hide all pipelines involving water, electricity, air conditioning and so on.
Inspiratioun: The project locates next to a meandering tributary of the Yongding River. In this vast expanse of grass, the external place is not clearly defined.

The design started with the roof, architects initially tried to use symbolic architectural language to establish a connection with the historical environment. This is like a crystal clear water drop quietly dissolves into the endless winding river. However, with the gradual development of the narrative, metaphorical polysemy emerges.
Projetdauer: The project started in July. 2019 in Tianjin Municipality, China and was completed in March 2020.
Operatiounsablaf: The building does not have a clear main entrance. Three exposed diagonal wooden posts are used to define the entrance space at the front.

To enter the exhibition space from the front, visitors will enter a lower transitional space under the eaves, and then gradually move to the space under the leaf-shaped skylight, which is covered with light. We deliberately control the interference of excessive direct light through the size of the skylight, so as to ensure the soft and quiet space atmosphere inside.
Teammemberen: RUF Architects
Lead Architect：Qian Mingbo
Design Team：Song Xinhua,Wu Meihong, Rao Zeming, Ji Changshuai
Bildnoweis: Photo Credits: Hu Yijie