Changes Cycles and Shapes Digital Konscht vum Yuko Suzuki

D'Wierk Changes Cycles and Shapes Digital Konscht vum Designer Yuko Suzuki ass en héich geschätzten Gewënner vum prestigiéisen 2025 A' Design Award an Gold an der Wettbewerbskategorie Generativt, Algorithmesch, Parametrescht a KI-ënnerstëtzt Design.

GoldGenerativ· 2025

Changes Cycles and Shapes Digital Konscht

vum Yuko Suzuki

Client: Feral File

A' Design Award an Gold Gewënner an der Kategorie Generativ

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Den Design

Iwwer Changes Cycles and Shapes Digital Konscht

Dëst Wierk erforscht d'Fro, Wat ass Molerei?, andeems et d'Zirkulatioun vu visuellen Ausdréck ausdréckt. Inspiréiert vu Iwwergäng an de Gemoler vum Mondrian, baséiert et op engem Komponentediagramm vun der Molerei, wou d'Form sech tëscht figurativ an abstrakt beweegt, an tëscht Kaméidi an Linearitéit - eng Iddi, déi op Faarf ugewandt gëtt. D'Wierk evozéiert den verännerleche Stand vun der digitaler Materialitéit a betount, datt d'Formen tëscht Verännerungen d'Essenz sinn. Andeems et Texturen integréiert, déi mat engem Baren gedréckt sinn, reflektéiert et d'Identitéit vum Kënschtler als Dréckmaker an digitaler Form.

D'Unerkennung

Iwwer den A' Design Award an Gold

Changes Cycles and Shapes Digital Konscht ass e Gewënner vum A' Design Award an Gold, enger héich prestigiéiser Unerkennung, déi un éischtklassesch, wonnerbar an erausragend Designe vergi gëtt. Gold-Gewënner si ganz innovativ, visionär a blendend glänzend Kreatiounen, déi d'Talent, d'Wäisheet an d'Fäegkeete vun hire Designer reflektéieren. Et gëtt erwaart, datt Changes Cycles and Shapes Digital Konscht eng héich gelueften, trendsetzend a monumental Erfindung ass, déi beispillosen Wäert liwwert. Dëst mam Gold ausgezeechent Design ass e spektakuläert, respektéiert Projet, dat d'Grenze vun der Konscht, der Wëssenschaft, vum Design an der Technologie erweidert. Changes Cycles and Shapes Digital Konscht erzeegt intensiv Wënsch, erweckt Leidenschaft, encouragéiert Kreativitéit a faszinéiert eis.

Hannert dem Design

Press Kit

Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.

Eenzegaarteg Eegeschaften: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensiounen & Verpackung: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tags: Generative Art, Coding
Produktiounstechnologie: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Design Erausfuerderung: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Fuerschung: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiratioun: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Projetdauer: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Operatiounsablaf: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Bildnoweis: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.