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Tong Xu

ChinaInterieur

Interviewe mat Tong Xu

Liest d'Interviewe mat Tong Xu: entdeckt hir Philosophie, hire kreative Prozess an hir ausgezeechent Aarbecht.

Designer-Profil

Mir hu verschidden Interviewe mat Tong Xu.

Si si nëmmen op Englesch publizéiert a ginn hei drënner an der Originalsproch gewisen.

Englesch Säit opmaachen

Designer vum Dag Interview

3 Froen

I am an architect by profession and have been engaged in architectural and interior/exterior environmental design for thirty years.

Could you please tell us about your experience as a designer, artist, architect or creator?

I am an architect by profession and have been engaged in architectural and interior/exterior environmental design for thirty years. My career has spanned across real estate development companies, construction groups, architectural design institutes, design firms, and decoration companies. The rich professional experience and role transitions have allowed me to naturally adopt a client-oriented approach and consider problems from the client's perspective. This has enabled me not only to delve deeply into designs that align with the clients' operational thinking but also to stay one step ahead, earning the trust of numerous clients. Many of these clients have become my close friends. One of my most well-known works from my younger days was designing thirty-five Starbucks coffee shops when they entered China. Even today, the headquarters in Seattle considers these stores as some of their best-designed outlets during that period.

What are your advices to designers who are at the beginning of their career?

a. It is essential to follow through the implementation process of your design work, as it can lead to significant improvement in terms of technical craftsmanship, understanding, and confidence. Remember that you cannot evade design responsibility for any unsuccessful implementation.

b. The design process is a struggle within yourself; any excessive description or forced association that deviates from the leading design concept should be firmly discarded, no matter how brilliant the creativity may be.

c. Designers should allocate time to observe the world and engage in cultural exchanges; traveling and reading are equally important. New media forms cannot replace your firsthand experiences because those belong to others. Only by experiencing things personally can they become your own, allowing you to speak in your own language rather than someone else's - something your clients will notice.

How do you know if a product or project is well designed? How do you define good design?

My understanding of design is that, in essence, design serves operations and is a packaging tool for operations. Good design creates things that belong to customers, including operators and consumers. Many designers are simply expressing their own self-awareness, with a constant logic no matter what project they are working on. This approach to design has strong limitations. I pursue the diversification of design logic, lower my ego, and prioritize means over ends.

Design Legend Interview

6 Froen

I am an architect by profession and have been engaged in architectural and interior/exterior environmental design for thirty years.

Could you please tell us a bit about your design background and education?

I am an architect by profession and have been engaged in architectural and interior/exterior environmental design for thirty years. My career has spanned across real estate development companies, construction groups, architectural design institutes, design firms, and decoration companies. The rich professional experience and role transitions have allowed me to naturally adopt a client-oriented approach and consider problems from the client's perspective. This has enabled me not only to delve deeply into designs that align with the clients' operational thinking but also to stay one step ahead, earning the trust of numerous clients. Many of these clients have become my close friends. One of my most well-known works from my younger days was designing thirty-five Starbucks coffee shops when they entered China. Even today, the headquarters in Seattle considers these stores as some of their best-designed outlets during that period.

What should young designers do to become a design legend like you?

a. It is essential to follow through the implementation process of your design work, as it can lead to significant improvement in terms of technical craftsmanship, understanding, and confidence. Remember that you cannot evade design responsibility for any unsuccessful implementation.

b. The design process is a struggle within yourself; any excessive description or forced association that deviates from the leading design concept should be firmly discarded, no matter how brilliant the creativity may be.

c. Designers should allocate time to observe the world and engage in cultural exchanges; traveling and reading are equally important. New media forms cannot replace your firsthand experiences because those belong to others. Only by experiencing things personally can they become your own, allowing you to speak in your own language rather than someone else's - something your clients will notice.

What makes a good design a really good design, how do you evaluate good design?

My understanding of design is that, in essence, design serves operations and is a packaging tool for operations. Good design creates things that belong to customers, including operators and consumers. Many designers are simply expressing their own self-awareness, with a constant logic no matter what project they are working on. This approach to design has strong limitations. I pursue the diversification of design logic, lower my ego, and prioritize means over ends.

What is the value of good design? Why should everyone invest in good design?

Design is an important part of comprehensive competitiveness, and even the first competitiveness when products are designed at the same time. The designer is the enabler of the soul of the environment, holding the magic touch to transform the decay into a magic touch. When everyone can only see the present, you must be able to see poetry and distance. This ability to see into the future is the value of design.

What is your secret recipe of success in design, what is your secret ingredient?

An excellent designer should be a lifelong learner, observing and learning and taking in nutrients anytime and anywhere. When you absorb enough, creativity will spill over; When you create enough value for others, you must also realize your own value.

What is your life motto as a designer?

Travel ten thousand miles, read ten thousand books

Designer Interview

5 Froen

I am an architect by profession and have been engaged in architectural and interior/exterior environmental design for thirty years.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

I am an architect by profession and have been engaged in architectural and interior/exterior environmental design for thirty years. My career has spanned across real estate development companies, construction groups, architectural design institutes, design firms, and decoration companies. The rich professional experience and role transitions have allowed me to naturally adopt a client-oriented approach and consider problems from the client's perspective. This has enabled me not only to delve deeply into designs that align with the clients' operational thinking but also to stay one step ahead, earning the trust of numerous clients. Many of these clients have become my close friends. One of my most well-known works from my younger days was designing thirty-five Starbucks coffee shops when they entered China. Even today, the headquarters in Seattle considers these stores as some of their best-designed outlets during that period.

When judging a design as good or bad, which aspects do you consider first?

My understanding of design is that, in essence, design serves operations and is a packaging tool for operations. Good design creates things that belong to customers, including operators and consumers. Many designers are simply expressing their own self-awareness, with a constant logic no matter what project they are working on. This approach to design has strong limitations. I pursue the diversification of design logic, lower my ego, and prioritize means over ends.

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

The design industry is a blend of rationality and romance, requiring both idealistic sentiments and rigorous engineering technical means. The arrival of inspiration requires overcoming huge starting resistance, and when your practical experience is insufficient, inspiration and creativity are mostly reduced to mere daydreams; but when you have accumulated rich experience through numerous battles and have reached a point of bursting forth with wisdom, inspiration flows like a spring, unceasingly.

Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

a. It is essential to follow through the implementation process of your design work, as it can lead to significant improvement in terms of technical craftsmanship, understanding, and confidence. Remember that you cannot evade design responsibility for any unsuccessful implementation.

b. The design process is a struggle within yourself; any excessive description or forced association that deviates from the leading design concept should be firmly discarded, no matter how brilliant the creativity may be.

c. Designers should allocate time to observe the world and engage in cultural exchanges; traveling and reading are equally important. New media forms cannot replace your firsthand experiences because those belong to others. Only by experiencing things personally can they become your own, allowing you to speak in your own language rather than someone else's - something your clients will notice.

How can people contact you?

Email:xxuutong@qq.com

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