Elsewhere ຊຸດເຄື່ອງໃຊ້ໂຕະອາຫານ ໂດຍ Yuhua Li

ຜົນງານ Elsewhere ຊຸດເຄື່ອງໃຊ້ໂຕະອາຫານ ໂດຍ Yuhua Li ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2024 A' Design Award ລະດັບທອງສຳລິດ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ການອອກແບບເຄື່ອງອົບ, ເຄື່ອງໂຕະ, ເຄື່ອງດື່ມ ແລະ ເຄື່ອງຄົວ.

ທອງສຳລິດເຄື່ອງຄົວ· 2024

Elsewhere ຊຸດເຄື່ອງໃຊ້ໂຕະອາຫານ

ໂດຍ Yuhua Li

ລູກຄ້າ: Ke Tong

ຜູ້ຊະນະ A' Design Award ລະດັບທອງສຳລິດ ໃນໝວດ ເຄື່ອງຄົວ

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ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #157088

ເບິ່ງທີ່ A' Design Award ຂ່າວເຜີຍແຜ່ ເຄື່ອງໝາຍລາງວັນ

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ການອອກແບບ

ກ່ຽວກັບ Elsewhere ຊຸດເຄື່ອງໃຊ້ໂຕະອາຫານ

Elsewhere ແມ່ນຊຸດເຄື່ອງໃຊ້ໂຕະອາຫານທີ່ເຮັດຈາກເຄື່ອງເຄືອບພໍສເລນ ຊຶ່ງປະສົມປະສານລະຫວ່າງສິລະປະການດື່ມຊາ ແລະ ດອກໄມ້ເຂົ້າກັນ. ຊຸດນີ້ປະກອບດ້ວຍ ແຈກັນ, ໝໍ້ຊາ, ກະປ໋ອງໃສ່ຊາ, ຈອກ ແລະ ຈານຮອງຈອກ. ແຕ່ລະຊິ້ນເຮັດຈາກເຄື່ອງເຄືອບກະດູກ (bone china) ໂດຍວິທີການຫລໍ່ແບບ slip casting ແລະ ຜ່ານການເຜົາເຖິງສີ່ຄັ້ງ. ນ້ຳເຄືອບສີຂາວແບບບໍ່ມັນເງົາເຮັດໃຫ້ຜິວໜ້າມີພື້ນຜິວຄ້າຍງາຊ້າງ. ຮູບຊົງທີ່ຖືກຫຍໍ້ເຂົ້າພ້ອມກັບຮອຍຕັດນ້ອຍໆເຜີຍໃຫ້ເຫັນຊັ້ນໃນ, ສ້າງຄວາມແຕກຕ່າງລະຫວ່າງພື້ນທີ່ແໜ້ນທຶບ ແລະ ພື້ນທີ່ຫວ່າງເປົ່າ. ຮູບຊົງໂດຍລວມອີງຕາມແບບເຄື່ອງເຄືອບຈີນຄລາສສິກ ໃນຂະນະທີ່ຮອຍຕັດເຫລົ່ານັ້ນທຳລາຍຄວາມສົມມາດ ເພື່ອສະທ້ອນເຖິງພື້ນທີ່ພາຍໃນພື້ນທີ່.

ການຮັບຮູ້

ກ່ຽວກັບ A' Design Award ລະດັບທອງສຳລິດ

Elsewhere ຊຸດເຄື່ອງໃຊ້ໂຕະອາຫານ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບທອງສຳລິດ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງສຳລັບການອອກແບບທີ່ໂດດເດັ່ນ ເຊິ່ງມີລັກສະນະເດັ່ນດ້ວຍຄວາມຄິດສ້າງສັນ ຄວາມຫຼັກແຫຼມ ແລະ ຄວາມຄົມຄາຍ. ຜູ້ຊະນະລະດັບທອງສຳລິດແມ່ນຜົນງານທີ່ມີທັກສະພຽງພໍ ແລະ ສ້າງສັນຢ່າງໂດດເດັ່ນ ທີ່ຢືນຢັນປະສົບການອັນກວ້າງຂວາງ ຈິນຕະນາການ ແລະ ຄວາມສາມາດຂອງຜູ້ອອກແບບ. Elsewhere ຊຸດເຄື່ອງໃຊ້ໂຕະອາຫານ ຖືກຄາດວ່າຈະເປັນສິ່ງຂອງທີ່ໄດ້ຮັບການຍົກຍ້ອງສູງ ໜ້າຊົມເຊີຍ ແລະ ເປັນທີ່ຮັກແພງ ທີ່ເປັນມືອາຊີບ ແລະ ມີນະວັດຕະກຳຢ່າງໂດດເດັ່ນ. ການອອກແບບທີ່ຊະນະລະດັບທອງສຳລິດນີ້ນຳໃຊ້ວິທີປະຕິບັດທີ່ດີທີ່ສຸດໃນດ້ານສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ ແລະ ດີເລີດໃນການເອົາໃຈໃສ່ລາຍລະອຽດ. Elsewhere ຊຸດເຄື່ອງໃຊ້ໂຕະອາຫານ ຕອບສະໜອງຄວາມຕ້ອງການຢ່າງດີເລີດ ສຳຜັດຄວາມປາດຖະໜາ ດຶງດູດຄວາມຮູ້ສຶກ ແລະ ກະຕຸ້ນຄວາມຢາກຮູ້ຢາກເຫັນ.

ເບື້ອງຫຼັງການອອກແບບ

ຊຸດຂ່າວ

ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.

ຄຸນສົມບັດພິເສດ: Elsewhere is a porcelain tableware set that blends tea and floral art. It draws from the Chinese aesthetics and philosophy, but also subverts them with a daring design. The pieces have a white finish and an indented design with small cut-outs showing an inner layer. The cut-outs contrast the solid and the void, the perfect and the imperfect, the real and the imaginary. They lure the user to discover the hidden beauty and meaning of the objects, and to flee from the dull reality to a different world. Elsewhere is not just a functional and elegant tableware set, but also a poetic and symbolic expression of the human condition.
ຂະໜາດ ແລະ ບັນຈຸພັນ: vase:150 mm x 150 mm x 250 mm; teapot: 170mm x 120 mm x 130 mm; tea container: 110 mm x 100 mm x 110 mm; cup: 120 mm x 70 mm x 60 mm; cup plate: 130 mm x 130 mm x 15 mm.
ແທັກ: Chinese Tea Ceremony, Ikebana, Bone china, Aesthetics in life, Ceramic design
ເຕັກໂນໂລຊີການຜະລິດ: This design is made of bone china using the slip casting technique. It went through four firings: the first one was a high-temperature sintering, the second one was a medium-temperature glazing, the third one was a low-temperature decalcomania, and the fourth one was a low-temperature silver plating. Unlike ordinary bone china glazes, the design chooses to use a non-glossy white glaze with the intention of displaying a kind of ivory texture, and an indented design with small cut-outs revealing an inner layer. The cut-outs contrast the solid and the void, the perfect and the imperfect, the real and the imaginary. Wish to express the theme of elsewhere, a space within a space, a solid nothingness, a reality that is cut off. It drew inspiration from the Chinese traditional aesthetics and philosophy, but also challenged them with a bold and innovative design.
ສິ່ງທ້າທາຍດ້ານການອອກແບບ: The hardest part of this design were
1. To create a design that matched the Chinese traditional aesthetics and philosophy, but also challenged them.
2. To do in-depth user research to understand the needs, preferences, and experiences of tea and floral art lovers from different cultural backgrounds.
3. To use materials and techniques that suited my design concept and theme.
4. To balance functionality and aesthetics, as well as tradition and innovation.
ການຄົ້ນຄວ້າ: Elsewhere is a design research to create a porcelain tableware set that combines tea and floral art, drawing from and subverting the Chinese aesthetics and philosophy. I used a mixed-methods approach with 40 participants from different cultural backgrounds. The results showed that my design was appreciated by both groups, as it enhanced their tea and floral art experience, and created a sense of ritual and elegance. It offers a new way of enjoying tea and floral art.
ແຮງບັນດານໃຈ: Elsewhere is a fable, a space within a space, a solid nothingness, a reality that is cut off. It is a faithful reproduction of classic Chinese porcelain shapes, embodying the Confucian aesthetics of dignity, fullness, steadiness, and calmness. But Elsewhere also breaks perfection - a part of perfection is cut off, revealing the content of the entity, which is: a person looking away from this world, towards a hard pot or the emptiness in it. The cut-off part is the soul out of the body.
ໄລຍະເວລາໂຄງການ: The project started in May 2015 in Nanjing and finished in March 2016 in Nanjing.
ຂັ້ນຕອນການດຳເນີນງານ: This object is a set of porcelain tableware that can be operated by pouring hot water into the teapot and the vase, and adding tea leaves and flowers. The object transforms by creating a visual and aromatic contrast between the tea and the floral art, and by revealing the inner layer of the pieces through the small cut-outs. The interaction happens by inviting the user to appreciate the beauty and meaning of the objects, and to enjoy the tea and the floral art. The key frames are the moments when the user pours the water, adds the tea leaves and the flowers, and sees the inner layer of the pieces. This object deals a better result by adding a sense of ritual and elegance to the normal functionality of the tableware, and by making the tea and the floral art more decorative. It performs better by expressing the theme of elsewhere, a space within a space, a solid nothingness, a reality that is cut off.