Changes Cycles and Shapes ສິລະປະດິຈິຕອນ ໂດຍ Yuko Suzuki

ຜົນງານ Changes Cycles and Shapes ສິລະປະດິຈິຕອນ ໂດຍ Yuko Suzuki ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2025 A' Design Award ລະດັບຄຳ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ການອອກແບບແບບກຳເນີດ, ອັນກໍຣິທຶມ, ພາຣາເມຕຣິກ ແລະ AI ຊ່ວຍ.

ຄຳແບບກຳເນີດ· 2025

Changes Cycles and Shapes ສິລະປະດິຈິຕອນ

ໂດຍ Yuko Suzuki

ລູກຄ້າ: Feral File

ຜູ້ຊະນະ A' Design Award ລະດັບຄຳ ໃນໝວດ ແບບກຳເນີດ

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ຜູ້ຊະນະລາງວັນທີ່ຢັ້ງຢືນແລ້ວ

ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #170864

ເຂົ້າເບິ່ງເວັບໄຊ ເບິ່ງທີ່ A' Design Award ຂ່າວເຜີຍແຜ່ ເຄື່ອງໝາຍລາງວັນ

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ການອອກແບບ

ກ່ຽວກັບ Changes Cycles and Shapes ສິລະປະດິຈິຕອນ

ວຽກງານນີ້ສຳຫຼວດຄຳຖາມວ່າ ຈິດຕະກຳແມ່ນຫຍັງ? ໂດຍການສະແດງອອກເຖິງການໝູນວຽນຂອງການສະແດງອອກທາງສາຍຕາ. ໄດ້ຮັບແຮງບັນດານໃຈຈາກການປ່ຽນແປງໃນຜົນງານຈິດຕະກຳຂອງ Mondrian, ມັນອີງໃສ່ແຜນຜັງອົງປະກອບຂອງຈິດຕະກຳ, ບ່ອນທີ່ຮູບຮ່າງເຄື່ອນຍ້າຍລະຫວ່າງແບບມີຮູບຮ່າງແລະແບບນາມມະທຳ, ແລະລະຫວ່າງການລົບກວນແລະລັກສະນະເສັ້ນ - ແນວຄວາມຄິດທີ່ນຳໄປໃຊ້ກັບສີ. ວຽກງານກະຕຸ້ນສະພາບການປ່ຽນແປງຂອງວັດຖຸດິຈິຕອນ, ເນັ້ນໃຫ້ເຫັນວ່າຮູບແບບທີ່ຢູ່ໃນລະຫວ່າງການປ່ຽນແປງແມ່ນແກ່ນສານ. ໂດຍການລວມເອົາໂຄງສ້າງພື້ນຜິວທີ່ພິມດ້ວຍບາເຣັນ, ມັນສະທ້ອນເຖິງເອກະລັກຂອງສິນລະປິນໃນຖານະເປັນຊ່າງພິມໃນຮູບແບບດິຈິຕອນ.

ການຮັບຮູ້

ກ່ຽວກັບ A' Design Award ລະດັບຄຳ

Changes Cycles and Shapes ສິລະປະດິຈິຕອນ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບຄຳ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງສຳລັບການອອກແບບຊັ້ນນຳ ທີ່ອັດສະຈັນ ແລະ ໂດດເດັ່ນ. ຜູ້ຊະນະລະດັບຄຳແມ່ນຜົນງານທີ່ມີນະວັດຕະກຳສູງ ມີວິໄສທັດ ແລະ ເຈີດຈ້າງົດງາມ ທີ່ສະທ້ອນພອນສະຫວັນ ປັນຍາ ແລະ ຄວາມຊຳນານຂອງຜູ້ອອກແບບ. Changes Cycles and Shapes ສິລະປະດິຈິຕອນ ຖືກຄາດວ່າຈະເປັນການປະດິດທີ່ໄດ້ຮັບການຍ້ອງຍໍສູງ ສ້າງແນວໂນ້ມ ແລະ ມອບຄຸນຄ່າທີ່ບໍ່ເຄີຍມີມາກ່ອນ. ການອອກແບບທີ່ຊະນະລະດັບຄຳນີ້ແມ່ນໂຄງການທີ່ອັດສະຈັນ ແລະ ໄດ້ຮັບການຍົກຍ້ອງ ທີ່ຂະຫຍາຍຂອບເຂດຂອງສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ. Changes Cycles and Shapes ສິລະປະດິຈິຕອນ ສ້າງຄວາມປາດຖະໜາທີ່ເຂັ້ມຂຸ້ນ ປຸກຄວາມຫຼົງໄຫຼ ຊຸກຍູ້ຄວາມຄິດສ້າງສັນ ແລະ ດຶງດູດໃຈພວກເຮົາ.

ເບື້ອງຫຼັງການອອກແບບ

ຊຸດຂ່າວ

ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.

ຄຸນສົມບັດພິເສດ: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
ຂະໜາດ ແລະ ບັນຈຸພັນ: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
ແທັກ: Generative Art, Coding
ເຕັກໂນໂລຊີການຜະລິດ: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
ສິ່ງທ້າທາຍດ້ານການອອກແບບ: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
ການຄົ້ນຄວ້າ: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
ແຮງບັນດານໃຈ: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
ໄລຍະເວລາໂຄງການ: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
ຂັ້ນຕອນການດຳເນີນງານ: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
ເຄຣດິດຮູບພາບ: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.