ຜົນງານ Optics and Chromatics ໂປດເຕີການວາງສະແດງ ໂດຍ Timea Andoka ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2018 A' Design Award ລະດັບເງິນ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ການອອກແບບກຣາຟິກ, ພາບປະກອບ ແລະ ການສື່ສານດ້ວຍພາບ.
ເງິນກຣາຟິກ· 2018
Optics and Chromatics ໂປດເຕີການວາງສະແດງ
ໂດຍ Timea Andoka
ລູກຄ້າ: Timea Andorka
ຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ໃນໝວດ ກຣາຟິກ
ຜູ້ຊະນະລາງວັນທີ່ຢັ້ງຢືນແລ້ວ
ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #58492ການອອກແບບ
ກ່ຽວກັບ Optics and Chromatics ໂປດເຕີການວາງສະແດງ
ຫົວຂໍ້ Optics ແລະ Chromatic ໝາຍ ເຖິງການໂຕ້ວາທີລະຫວ່າງ Goethe ແລະ Newton ກ່ຽວກັບລັກສະນະຂອງສີສັນ. ການໂຕ້ວາທີນີ້ແມ່ນສະແດງອອກໂດຍການປະທະກັນຂອງສອງສ່ວນປະກອບຂອງຕົວ ໜັງ ສື: ໜຶ່ງ ແມ່ນການຄິດໄລ່, ເລຂາຄະນິດ, ໂດຍມີສັນຍາລັກແຫຼມ, ອີກອັນ ໜຶ່ງ ແມ່ນອາໄສການຫຼີ້ນທີ່ປະທັບໃຈຂອງເງົາທີ່ມີສີສັນ. ໃນປີ 2014 ການອອກແບບນີ້ເຮັດ ໜ້າ ທີ່ປົກຫຸ້ມຂອງ Pantone Plus Series Covers Artist.
ການຮັບຮູ້
ກ່ຽວກັບ A' Design Award ລະດັບເງິນ
Optics and Chromatics ໂປດເຕີການວາງສະແດງ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງເປັນພິເສດສຳລັບການອອກແບບຊັ້ນສູງ ທີ່ງົດງາມ ແລະ ປະທັບໃຈ. ຜູ້ຊະນະລະດັບເງິນແມ່ນຜົນງານທີ່ເຈີດຈ້າ ແລະ ສ້າງສັນຫຼາຍ ທີ່ສະແດງເຖິງຄວາມຊຳນານ ພອນສະຫວັນ ແລະ ຄວາມຄົມຄາຍຂອງຜູ້ອອກແບບ. Optics and Chromatics ໂປດເຕີການວາງສະແດງ ຖືກຄາດວ່າຈະເປັນຜົນງານແບບຢ່າງ ທີ່ເປັນມືອາຊີບຢ່າງຍິ່ງ ແລະ ມີນະວັດຕະກຳທີ່ເລິກເຊິ່ງ. ການອອກແບບທີ່ຊະນະລະດັບເງິນນີ້ແມ່ນການປະດິດທີ່ໂດດເດັ່ນ ແລະ ໄດ້ຮັບການຍົກຍ້ອງ ທີ່ປະກອບສ່ວນຂະຫຍາຍຂອບເຂດຂອງສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ. Optics and Chromatics ໂປດເຕີການວາງສະແດງ ເປັນຜົນງານທີ່ຫຼາຍຄົນອິດສາ ປຸກຄວາມປາດຖະໜາ ນຳຄວາມຮູ້ສຶກທາງບວກ ແລະ ກໍ່ໃຫ້ເກີດຄວາມອັດສະຈັນໃຈ.
ເບື້ອງຫຼັງການອອກແບບ
ຊຸດຂ່າວ
ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.
- ຄຸນສົມບັດພິເສດ
- The title Optics and Chromatics refers to the debate between Goethe and Newton on the nature of colours. This debate is represented by the clash of the two letterform compositions, one is calculated, geometric, with sharp contours, the other relies on the impressionistic play of colourful shadows. In 2014 this design served as the cover for Pantone Plus Series Artist Covers. The Pantone Formula Guide and Pantone Solid Chips feature covers showcasing works of art from my project, Optics and Chromatics. (creative manager and designer at Pantone by Timothy Heyer, director of creative marketing at Pantone by Karen Lantelme)
- ຂະໜາດ ແລະ ບັນຈຸພັນ
- original poster size: 70×100 cm
- ແທັກ
- chromatics, optics, Goethe, light, colour, shadow, experimental typography, crafts
- ເຕັກໂນໂລຊີການຜະລິດ
- paper, coloured plastic sheet, light, shadow
- ສິ່ງທ້າທາຍດ້ານການອອກແບບ
- Two new font-designs had to be invented to express the nature of the polemy on colour theory. The two types of letter consist of different materials and form: one is made of paper and shadow, the other is of coloured foil and light. The symmetrical, geometric shapes of the white paper and the sharp shadows in the hard light make the word ’optics’ legible. The word ’cromatics’ is built from coloured foil sheets that create colourful, intertangled beams in different angles of light.
- ການຄົ້ນຄວ້າ
- It is essential to know in detail the polemy on colour theory between Newton and Goethe when analyzing the relationship between light, shadow and colour. I consider Goethe’s Theory of Colours as one of the basic pieces of work when studying colour experience: it highlights the fact that the colour vision is a greatly changeful, resilient and impressionistic factor, thus not possible to give a description by some exact mathematical formulas – at least not in an adequate manner. The poster enters this several-century-long scientific debate with the resources of contemporary experimental typography. The project’s afterlife shows the timeliness of this inspection: Pantone published its first Limited-edition Artist Covers with this piece of work in 2014.
- ແຮງບັນດານໃຈ
- Goethe's Theory of Colours appeared in 1810. On the occasion of the bicentennial anniversary of the book the Society of Hungarian Graphic Designers and Typographers announces an international design competition entitled Goetheorie. The title of poster Optics and Chromatics refers to a place where Goethe points out that unlike Newton he is not so much interested in the science of sight (Optics) but rather in the theory of colours (Chromatics). He wants to demonstrate the way we actually experience colours, and not the way we are supposed to experience them according to the laws of mathematics.
- ໄລຍະເວລາໂຄງການ
- The poster was made at Budapest, Hungary, 2010.
It was exhibited at Design Terminal, Budapest, Hungary, 05 November 2010 – 09 January 2011, Donau Buro, Ulm, Germany, 04 July – 13 July 2014 and The World Paper Products, Jeonju, South Korea, 20 – 28 February 2017 - ຂັ້ນຕອນການດຳເນີນງານ
- Numerous photos have been taken of the two letterform compositions for the project. Changing the perspective and the light conditions meant plenty of possibilities for the visualization. The two pictures that were finally chosen for the poster are the ones which – complementing each other – accentuate the most the difference between the two colour theories.
- ສິດທິບັດ
- all images © Tímea Andorka, 2017
- ສະມາຊິກທີມ
- Art director, graphic design, type design and paper craft: Tímea Andorka
- ເຄຣດິດຮູບພາບ
- all images © Tímea Andorka, 2017
ໂຄສະນາ
ສຳຫຼວດນອກເໜືອຈາກ Designers.org
ຄົ້ນພົບຜະລິດຕະພັນ, ບໍລິການ ແລະ ໂອກາດຈາກຄູ່ຮ່ວມໂຄສະນາຂອງພວກເຮົາ.
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