Earth Worker Instalācijas māksla — Yu Liang Chen

Darbs Earth Worker Instalācijas māksla, kura autors ir Yu Liang Chen, ir augsti novērtēts un ļoti prestižās 2021 Dzelzs balva A' Design Award ieguvējs kategorijā Tēlotājmākslas un mākslas instalāciju dizains.

DzelzsTēlotājmāksla· 2021

Earth Worker Instalācijas māksla

Autors: Yu Liang Chen

Klients: NewLocal Art Studio

Dzelzs balva A' Design Award ieguvējs kategorijā Tēlotājmāksla

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Krāsas

Dizains

Par Earth Worker Instalācijas māksla

Zemes Strādnieks ir ārtelpu mākslas instalācija, kas izvietota mitrājā Pingtungas apgabalā, Taivānā. Daļēji reālistiskā cilvēka figūra stāv ūdenī kā milzis, kurš rada visu dzīvo. Viena ķermeņa puse skatās lejup uz zemi, otra – augšup uz debesīm. Galvenais materiāls ir stiklšķiedras stiegrots cements, kas uzklāts uz metāla rāmja un veidota putuplasta serdes. Suku apdarē klātā cementa javas virsma atstāta neapstrādāta, bez pievienotas krāsas vai plankumiem. Instalācija atsaucas uz vietējo vēsturi un Makadao tautas kultūru.

Atzinība

Par Dzelzs balva A' Design Award

Earth Worker Instalācijas māksla ir Dzelzs balvas A' Design Award ieguvējs, prestiža atzinība, ko piešķir labiem dizainiem, kas atbilst profesionālajām un rūpnieciskajām prasībām, kādas sagaidāmas no labi izstrādātiem darbiem. Dzelzs ieguvēji parāda to radītāju lielo prasmi, augsto specializāciju, ekspertu izpratni un radošo spēju. Sagaidāms, ka Earth Worker Instalācijas māksla būs augsti vērtēts, apbrīnots un cienīts darbs, praktisks un inovatīvs. Šis ar Dzelzs balvu apbalvotais dizains integrē nozares labāko praksi un tam ir kompetentas tehniskās īpašības, kas saistītas ar zinātību un talantu. Earth Worker Instalācijas māksla tiek cienīts par rūpību un ir izstrādāts, lai uzlabotu dzīves kvalitāti un palīdzētu padarīt pasauli labāku.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: The designer metaphors the earth worker as a giant coming from afar, stopping in the wetland to create all living things, using semi-representative human shapes to express local stories through the body, movement, and temperament. In order to bring out the local elements of Taiwan, through long-term interviews and field investigations, to understand the local history and culture, based on the idea of the aboriginal peoples of Macadao that were once a matriarchal society in the local coastal area, and then set up the legendary story of "The Mother Earth".
Izmēri un iepakojums: The designer first sculpts the styrofoam to complete the outline of the prototype, then uses all kinds of metal components as the bone material, covering the overall shape to make it more stable, so as to continue the sculpture work of the surface material. Since the main material of the project is on the surface, the construction needs to consider the hardening time of the cement, and sculpt in stages, and set various seams and edges. How to keep the humidity during the production process to slow down the hardening speed of the cement is required.
Birkas: Installation art, Earth Worker, natural, harmonious, local history, stories
Ražošanas tehnoloģija: This project uses GlassFiber Reinforced Cement as the main material and uses low-alkali cement mortar to add glass fiber filaments. The exterior design mainly uses cement mortar as the brush texture, without unnecessary patches or color processing, and uses the simple and rough material characteristics to emphasize the sensibility of the project and the natural environment of the wetland.
Dizaina izaicinājums: The overall project needs to include geology, weight, average force, strong gusts, earthquakes, and other climatic factors into the structural calculations. Depending on the data, the marine engineering foundation steel piles are used to design the water foundation. The project of hanging on the water is divided into upper and lower parts due to the weight of the work and the restriction of the equipment, using subtle joining methods, and the joint is set as part of the appearance, without excessive on-site processing or modification.
Pētījums: The semi-representative humanoid device is like a giant standing in the water, using both hands to create all things on the earth, and the stem buds growing on the hand symbolize "all things". Both sides of the body shape have their own meaning, one overlooking the earth, the other one looks up at the sky, and there is a gate for gestation in his body. All the life of all souls comes out from the gate, and on the other hand is the naughty creature "human" who jumps out of the gate, who is the protagonist of the plot.
Iedvesma: The inspiration originally came from the first impression during the first meeting with the local environment. It is hoped that the project will combine the wetland environment and connect the water, woods, and sky to create a natural and harmonious picture. It integrates into the aboriginal culture of the local Macadao tribe, evokes a sense of visual impact with the "Earth Worker", and also brings out the local history and stories.
Projekta ilgums: The project was completed in December 2020 in Pingtung County, Taiwan.
Darbības plūsma: In addition to implying the mother of the earth, the work also symbolizes "broaden the horizon", which means "everyone is his own creator, and you are the center of your own world." When starting a new stage or dream in life, it is like the gesture of the "Earth Worker", with both feet deeply rooted in the earth and hands deeply cultivating life. The result of the dream is not a secular achievement or the end of happiness, but a "proof of bringing up the courage to change." The designer looks forward to paying tribute to people working hard in society through the project.
Komandas dalībnieki: Yu-Liang Chen
Attēlu autori: Yu-Ching Huang