Nippon Shinyaku Koku Biroja Telpas — Reiichi Ikeda

Darbs Nippon Shinyaku Koku Biroja Telpas, kura autors ir Reiichi Ikeda, ir augsti novērtēts un ļoti prestižās 2023 Bronzas balva A' Design Award ieguvējs kategorijā Interjera, tirdzniecības un izstāžu dizains.

BronzasInterjers· 2023

Nippon Shinyaku Koku Biroja Telpas

Autors: Reiichi Ikeda

Klients: Nippon Shinyaku Koku

Bronzas balva A' Design Award ieguvējs kategorijā Interjers

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Par Nippon Shinyaku Koku Biroja Telpas

Dizaineri izstrādāja brīvo adrešu telpu Nippon Shinyaku, farmācijas uzņēmuma, kura galvenā mītne atrodas Kioto prefektūrā, galvenajā mītnē. Tas bija paredzēts plašas vietas stūrī netālu no Nishioji stacijas, kur vairākas biroju ēkas atrodas blakus. Lai pieminētu uzņēmuma dibināšanas 100. gadadienu, projekts tika uzsākts 2019.gada beigās. Tomēr tas bija īslaicīgi jāpārtrauc jaunā koronavīrusa bezprecedenta izplatības dēļ. Tas beidzot tika pabeigts 2021. gada vasarā.

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Par Bronzas balva A' Design Award

Nippon Shinyaku Koku Biroja Telpas ir Bronzas balvas A' Design Award ieguvējs, ļoti prestiža atzinība, ko piešķir izciliem dizainiem, kas izceļas ar radošumu, atjautību un viedumu. Bronzas ieguvēji ir pietiekami prasmīgi un pārsteidzoši radoši darbi, kas apliecina to dizaineru plašo pieredzi, iztēli un izdarību. Sagaidāms, ka Nippon Shinyaku Koku Biroja Telpas būs augsti vērtēts, apbrīnots un cienīts priekšmets, ievērojami profesionāls un inovatīvs. Šis ar Bronzas balvu apbalvotais dizains iekļauj labāko praksi mākslā, zinātnē, dizainā un tehnoloģijās un izceļas ar uzmanību detaļām. Nippon Shinyaku Koku Biroja Telpas lieliski apmierina vajadzības, skar vēlmes, valdzina jūtas un piesaista zinātkāri.

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Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: We designed the free address space inside the headquarters of Nippon Shinyaku, a pharmaceutical company headquartered in Kyoto Prefecture.

It was planned for a corner of a vast site near Nishioji station, where several office buildings stand side by side.
To commemorate the 100th anniversary of the company’s founding, the project began in late 2019. However, it had to be stopped temporarily due to the unprecedented spread of the novel coronavirus. It was finally completed in the summer of 2021.
Izmēri un iepakojums: Area：369.8 square meters
Birkas: office, interior, japan, kyoto
Ražošanas tehnoloģija: Main finishing material
Floor: mortar base with magnetic tiles, mortar metal trowel holder
Walls: PB groundwork AEP, round pillars/mortar metal trowel holder, wall frame/ST assembly baking paint, curtain/lace fabric crease processing
Ceiling: Existing slab base AEP
Fixtures: Big table/legs/magashiro wood dyed finish, top plate/melamine veneer pasted (K-6305/Aica Kogyo), counter/exposed concrete finish
Lighting equipment: Brass custom-made pendant lighting (vao place)
Dizaina izaicinājums: While capturing the background of Kyoto, we aimed to create a place that is conscious of connecting the left behind interior to the outside, from the environmental conditions that the building does not face the public road as in the past.
Pētījums: 1.By inserting the same tiles as the outdoor tiles into the interior, the boundary points between the inside and outside are controlled by the design.
2. Based on the traditional Japanese concept of "continued room", we scattered frames that traced the outline of the fusuma.
3. Since all the buildings on the premises are reddish brown, the interior is also affected and the process of dyeing everywhere is expressed.
Iedvesma: Incorporating the idea of “tuzukima” in Japanese architecture, the steel frames that trace the outline of the fusuma are scattered along the span of the frame beam. It is not just a wall that seeks a function, but an open space that controls consciousness and aims to be "something that gently forms individual areas". I want you to spend your time in a place that fits you.
Projekta ilgums: Construction began in Kyoto on April 13, 2021 and was completed on July 27, 2021.
Darbības plūsma: First, we increased the boundary between the inside and outside by incorporating diagonal lines ub the form of a V-shape for the glass walls, which previously ran parallel. Then, we made the boundary area between the inside and outside ambiguous by taking the floor tiles, which had originally been designed for an outside environment, and allowing them to overflow into the inside space, even biting into the V-shaped glass walls.

What’s more, the process of repeated expansion throughout the company’s long history turned the exterior of the building a reddish-brown. This view of the site and its colors express the ongoing process in this change in color, as though it is changing the building’s interior as well.

In order to categorize the scene, we incorporated the idea of the “tsuzukiai” present in the sukiya style of building. Thus, steel frames that trace the outlines of the fusuma (Japanese paper sliding doors) are scattered along the span of the skeleton beams. As such, these walls are not just function, like ensuring privacy or sound insulation. Rather, they aim to create an open space while controlling the consciousness of lookers on to emphasize the gentle form of the individual areas.

It is perfect for spending your time as you see fit.
Komandas dalībnieki: design/REIICHI IKEDA DESIGN Reiichi Ikeda
partner/Aji Architects Tomoko Nagahiro
lighting/Modulex Jun Ikeda
bgm/Espec Junji Ozono
curtain/fabricscape Kiyohiko Yamamoto
green/Bond Satoshi Tanii
art/Tokuhiro Kano
funiture/inter office Akio Hayashi
custom lighting/vaoplace Hirohumi Oba
interactive Satoshi Kamewaka
sign/kantaro Midori Hirota
Constructor/Kanazawa Contruction Hideki Kanazawa
Photographer/Yoshiro Masuda
Photographer：Yoshiro Masuda
Attēlu autori: Photographer：Yoshiro Masuda