Andaman Kūrorta interjera dizains — Kyan Foo

Darbs Andaman Kūrorta interjera dizains, kura autors ir Kyan Foo, ir augsti novērtēts un ļoti prestižās 2024 Dzelzs balva A' Design Award ieguvējs kategorijā Interjera, tirdzniecības un izstāžu dizains.

DzelzsInterjers· 2024

Andaman Kūrorta interjera dizains

Autors: Kyan Foo

Klients: Forte Design Partners

Dzelzs balva A' Design Award ieguvējs kategorijā Interjers

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Krāsas

Dizains

Par Andaman Kūrorta interjera dizains

Andaman ir kūrorta interjers, kas atrodas Sinčanā (Xinchang). Dizainā izmantota Hui stila arhitektūrai raksturīgā melnbaltā palete, atsaucoties uz Jiangnan tušas glezniecību. Interjers aizņem 1128 kvadrātmetrus trīsstāvu ēkā. Sabiedriskās funkcijas izvietotas pirmajā stāvā, bet viesu numuri – augšējos stāvos, tādējādi nodalot aktīvās un klusās zonas. Pirmajā stāvā atrodas reģistratūras bārs, uzgaidīšanas un brokastu zona ar grīdas līdz griestiem stiklojumu, kā arī restorāns. Mikrocements telpām piešķir vienkāršu faktūru. Katrs augšējā stāva numurs veidots atšķirīgā tematikā.

Atzinība

Par Dzelzs balva A' Design Award

Andaman Kūrorta interjera dizains ir Dzelzs balvas A' Design Award ieguvējs, prestiža atzinība, ko piešķir labiem dizainiem, kas atbilst profesionālajām un rūpnieciskajām prasībām, kādas sagaidāmas no labi izstrādātiem darbiem. Dzelzs ieguvēji parāda to radītāju lielo prasmi, augsto specializāciju, ekspertu izpratni un radošo spēju. Sagaidāms, ka Andaman Kūrorta interjera dizains būs augsti vērtēts, apbrīnots un cienīts darbs, praktisks un inovatīvs. Šis ar Dzelzs balvu apbalvotais dizains integrē nozares labāko praksi un tam ir kompetentas tehniskās īpašības, kas saistītas ar zinātību un talantu. Andaman Kūrorta interjera dizains tiek cienīts par rūpību un ir izstrādāts, lai uzlabotu dzīves kvalitāti un palīdzētu padarīt pasauli labāku.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: The overall resort adopts black and white colors of Hui-style architecture to present the charm of Jiangnan ink painting. The interior space involves the public area on the first floor and the accommodation area on the second floor, achieving dynamic and static separation. The public area on the first floor presents the form of vacation life, and the reception function is carried out with the theme of Boutique, fully meeting the needs of multi-functions. The second and third floors have different themes to give each room a unique experience. Different themes are suitable for different room types to fully meet the requirements of various tourists.
Izmēri un iepakojums: The ground building has three floors and covers an area of 376 square meters.
The interior design area is 1128 square meters;
Features: Hotel accommodation.
Birkas: Nature, Abstraction, Jiangnan style, Art, Localism
Ražošanas tehnoloģija: The original building, built of traditional mortar and cement before the renovation. After renovation, color paint was deliberately used to distinguish the exterior wall from the surrounding buildings.The interior design uses microcement paint to reflect the simple texture, so that the outdoor nature can be used as a backdrop. Moreover, designers try to to integrate the social area of the guest room with a kitchen to create enough space for family and friends gathering.
Dizaina izaicinājums: The client wanted to bring the cosmopolitan and international atmosphere to the project, so they hired different high-quality overseas firms to participate in the design and construction period. One of the challenges was the coordination of the various design partners working across time zones, such as adjusting time zones and videotaping the construction process. The beneficial effect is that the resort does reflect the backgrounds and styles of designers from different countries.
Pētījums: The whole research process is oriented by geographical environment, the project conducts research and connects it to design. Specifically speaking, observe the light and shadow effect produced by natural light in different time periods and the atmosphere expressed, visualize the building through modeling, and simulate different human behavior flow lines and light and shadow effects to collect data and analyze them one by one.
Iedvesma: The design is inspired by the surrounding environment, which refers to the Nineteen Peaks Scenic Area in Xinchang and the self-built houses with a rural style. The resort integrates with the Jiangnan style and the surrounding environment to become a part of the local context. The interior design is inspired by the natural mountains, water and stones of the Nineteen Peaks Scenic Area, the natural environment of the scenic area is brought into the space through the application of materials and abstract techniques, and then the overall space texture is enhanced by the embellishment of artworks.
Projekta ilgums: The project started in February 2022 in Xinchang and finished in October 2022 in Xinchang.
Darbības plūsma: Two sets of traffic flow lines are designed, with the front and rear sections used to organize traffic for internal staff and external customers. The external flow line extends from the lobby to the front section, where people can see the checkin bar. The waiting and breakfast area on the left adopt floor-to-ceiling glass design, which is spacious and unblocked; the special restaurant on the right is cut off by the art wall and floor-to-ceiling glass, which ensure the visual effect and privacy requirements. Internal staff access the rear section through the back door, which has lounge, toilet, elevator, stairwell, etc.
Komandas dalībnieki: Design Director: Kyan Foo
Interior Design: Yuzi Zhou
Visual Design: Sophia Rou
Attēlu autori: Image #1-5: Photographer Zhongyi Fan, 2023.