Rhythm Skulptūru instalāciju sērija — Zhuoyun Xiao

Darbs Rhythm Skulptūru instalāciju sērija, kura autors ir Zhuoyun Xiao, ir augsti novērtēts un ļoti prestižās 2025 Dzelzs balva A' Design Award ieguvējs kategorijā Tēlotājmākslas un mākslas instalāciju dizains.

DzelzsTēlotājmāksla· 2025

Rhythm Skulptūru instalāciju sērija

Autors: Zhuoyun Xiao

Klients: Zhuoyun Xiao

Dzelzs balva A' Design Award ieguvējs kategorijā Tēlotājmāksla

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Par Rhythm Skulptūru instalāciju sērija

Ritms ir skulptūru instalāciju sērija, kas dejas kustības pārvērš statiskās formās. Sērija veidota no piecām ķirškoka daļām ar augstumu 150, 200, 250, 300 un 350 milimetri, un pilns komplekts aizņem 600 x 800 x 300 milimetru telpu. Melni, balti un sarkani akcenti iezīmē pārejas punktus. Koks ir izgriezts ar augstu precizitāti, rokām pulēts un apstrādāts ar nekaitīgiem, netoksiskiem pārklājumiem. Dažādie augstumi un noteiktais izvietojuma attālums rada vizuālu ritmu. Skatītāji apstaigā darbu, lai izsekotu kustības sekvencei.

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Rhythm Skulptūru instalāciju sērija ir Dzelzs balvas A' Design Award ieguvējs, prestiža atzinība, ko piešķir labiem dizainiem, kas atbilst profesionālajām un rūpnieciskajām prasībām, kādas sagaidāmas no labi izstrādātiem darbiem. Dzelzs ieguvēji parāda to radītāju lielo prasmi, augsto specializāciju, ekspertu izpratni un radošo spēju. Sagaidāms, ka Rhythm Skulptūru instalāciju sērija būs augsti vērtēts, apbrīnots un cienīts darbs, praktisks un inovatīvs. Šis ar Dzelzs balvu apbalvotais dizains integrē nozares labāko praksi un tam ir kompetentas tehniskās īpašības, kas saistītas ar zinātību un talantu. Rhythm Skulptūru instalāciju sērija tiek cienīts par rūpību un ir izstrādāts, lai uzlabotu dzīves kvalitāti un palīdzētu padarīt pasauli labāku.

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Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: "Rhythm" transforms dance movements into five cherry wood sculptures. The series captures clown performance dynamics through exaggerated forms and strategic spatial arrangement. Using black, white, and red color accents, these varying-height sculptures (150-350mm) create visual cadence. The work translates abstract body movements into tangible forms, merging traditional performance art with contemporary visual expression.
Izmēri un iepakojums: Set dimensions: 600mm×800mm×300mm (complete installation of five pieces)
Individual heights: 150mm, 200mm, 250mm, 300mm, 350mm
Material: Cherry wood
Color system: CMYK (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0)
Finish: Hand-polished surface with specialized wood treatments
Weight: Approximately 4.5kg for complete set
Installation configuration: Sequential arrangement with specified spacing (120mm between pieces)
Environmental standards: Non-toxic finishes, sustainable harvested wood.
Birkas: Grotesque Aesthetics, Dance Visualization, Cherry Wood Installation, Rhythmic Form, Visual Movement, Clown Performance, Deconstructed Motion, Dynamic Sculpture, Spatial Sequence, Color Contrast
Ražošanas tehnoloģija: Cherry wood crafted through precision cutting and hand-finishing. Five distinct sculptural elements (150-350mm) form a complete set (600×800×300mm). Used deconstruction methodology to translate clown movements into static forms. CMYK color system (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0) applied through specialized wood treatment. Spatial arrangement creates visual rhythm through varying heights and geometric relationships.
Dizaina izaicinājums: The primary challenge was translating dynamic clown movements into static wooden forms while preserving rhythmic essence. Historical perspectives on grotesque aesthetics required careful integration with contemporary design language. Social perspectives on clown performance interpretation varied widely, necessitating extensive research to identify universal movement patterns. Material limitations of cherry wood demanded precise calculations to achieve proper balance while maintaining visual fluidity across the five-piece sequence. Technical difficulties emerged in achieving gradual height transitions (150-350mm) that conveyed motion. The color scheme implementation required multiple prototypes to determine optimal placement of black and red accents against natural wood to emphasize transitional moments without overwhelming the subtle form language.
Pētījums: The research explores grotesque aesthetics in dance movement visualization. It aims to decode rhythmic patterns in clown performances, translating them into visual language. Using deconstruction and reconstruction methods with digital media analysis of body movement trajectories, five cherry wood pieces of varying heights (150-350mm) were created with a black-white-red color scheme. The work dynamizes static elements through exaggerated forms, strong color contrasts, and dramatic arrangements that reinterpret traditional performance art. This research breaks visual language boundaries, demonstrates innovative fusion of traditional and modern art, and offers new approaches for public space art installations.
Iedvesma: Inspired by the rhythmic movements in dance performances, particularly the exaggerated expressions of clowns. Research focused on transforming dynamic movement into static forms while preserving energetic qualities. The project explores the intersection of traditional performance art and contemporary sculpture, using wood as a medium to capture fluidity and tension in physical space.
Projekta ilgums: The project "Rhythm" was created by Zhuoyun Xiao at Nanjing University of the Arts, China, between 2023 and 2024.
Darbības plūsma: Viewers circle the installation to discover how each piece captures a distinct dance moment. Varying heights create visual rhythm, guiding the eye through the sequence. Black and red accents mark transition points. The arrangement transforms static forms into perceived motion, engaging viewers in completing the dance sequence mentally. Spatial relationships between pieces amplify the dynamic quality of frozen movement.
Attēlu autori: Images#All: Designer and photographer Zhuoyun Xiao, Rhythm Installation View, 2024.