Suwen Gucjiņa — Shanghai Yitong Cultural Communication Co.,Ltd.

Darbs Suwen Gucjiņa, kura autors ir Shanghai Yitong Cultural Communication Co.,Ltd., ir augsti novērtēts un ļoti prestižās 2026 Bronzas balva A' Design Award ieguvējs kategorijā Mūzikas instrumentu dizains.

BronzasMūzikas instruments· 2026

Suwen Gucjiņa

Autors: Shanghai Yitong Cultural Communication Co.,Ltd.

Klients: Shanghai Yitong Cultural Communucation Co.,Ltd.

Bronzas balva A' Design Award ieguvējs kategorijā Mūzikas instruments

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Krāsas

Dizains

Par Suwen Gucjiņa

Suwen ir gucjiņa — tradicionāls ķīniešu stīgu instruments, kas pārinterpretēts mūsdienu spēlei. Forma seko Tanu dinastijas ciņam, kas glabājas Horjudži templī. Rezonanses dēlis izgatavots no izturēta ciedra vai paulonijas koka, bet aizmugure — no katalpas. Pamatslānis apvieno brieža ragu pelnus un neapstrādātu laku. Akustiski projektētais iekšējais dobums piešķir kompaktajam korpusam pilna izmēra instrumenta skanējumu un skaļumu. Matēta graudainas faktūras lakas apdare veido sausu, neslīdošu virsmu. Paplašināts stīgu stiprinājums instrumenta astes daļā atvieglo pirkstu kustības iesācējiem un spēlētājiem ar mazākām rokām.

Atzinība

Par Bronzas balva A' Design Award

Suwen Gucjiņa ir Bronzas balvas A' Design Award ieguvējs, ļoti prestiža atzinība, ko piešķir izciliem dizainiem, kas izceļas ar radošumu, atjautību un viedumu. Bronzas ieguvēji ir pietiekami prasmīgi un pārsteidzoši radoši darbi, kas apliecina to dizaineru plašo pieredzi, iztēli un izdarību. Sagaidāms, ka Suwen Gucjiņa būs augsti vērtēts, apbrīnots un cienīts priekšmets, ievērojami profesionāls un inovatīvs. Šis ar Bronzas balvu apbalvotais dizains iekļauj labāko praksi mākslā, zinātnē, dizainā un tehnoloģijās un izceļas ar uzmanību detaļām. Suwen Gucjiņa lieliski apmierina vajadzības, skar vēlmes, valdzina jūtas un piesaista zinātkāri.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
Izmēri un iepakojums: 1100mm*150mm*45mm
Birkas: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
Ražošanas tehnoloģija: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
Dizaina izaicinājums: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
Pētījums: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
Iedvesma: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
Projekta ilgums: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
Darbības plūsma: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
Komandas dalībnieki: Ding Liang