Porous Manifold Japāņu Tējnīca — Ryumei Fujiki and Yukiko Sato

Darbs Porous Manifold Japāņu Tējnīca, kura autors ir Ryumei Fujiki and Yukiko Sato, ir augsti novērtēts un ļoti prestižās 2019 Sudraba balva A' Design Award ieguvējs kategorijā Tēlotājmākslas un mākslas instalāciju dizains.

SudrabaTēlotājmāksla· 2019

Porous Manifold Japāņu Tējnīca

Autors: Ryumei Fujiki and Yukiko Sato

Klients: F.A.D.S + Fujiki Studio, KOU::ARC

Sudraba balva A' Design Award ieguvējs kategorijā Tēlotājmāksla

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Krāsas

Dizains

Par Porous Manifold Japāņu Tējnīca

Šī ir pagaidu japāņu tējnīca, kas tiek izstādīta 2018.gada Echigo-tsumari mākslas triennālē, un tai ir ligzdota struktūra ar divu tatami vietu, kas iestrādāta desmit pēdu kvadrātā. Šajā izstādē arhitekti tika aicināti atsaukties uz tēmu, kā pārvarēt 20. gadsimtā dominējošo viendabīgas telpas koncepciju. Skelets tika izveidots, izmantojot nejaušu modeli, ko sauca par Voronoi divīziju, lai izkropļotu viendabīgu telpu. Un tika ierosināts, ka arhitektūra ar lielu skaitu caurumu, ko var atvērt un aizvērt pēc vajadzības, lai sazinātos ar ārpusi kā dzīva būtne.

Atzinība

Par Sudraba balva A' Design Award

Porous Manifold Japāņu Tējnīca ir Sudraba balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir augstākās klases, krāšņiem un iespaidīgiem dizainiem. Sudraba ieguvēji ir ārkārtīgi spožas un ļoti radošas izpausmes, kas parāda to dizaineru izcilo kompetenci, talantu un asredzību. Sagaidāms, ka Porous Manifold Japāņu Tējnīca būs lielisks, paraugdarbs, ļoti profesionāls un dziļi inovatīvs. Šis ar Sudraba balvu apbalvotais dizains ir ievērojams, apbrīnots izgudrojums, kas palīdz paplašināt mākslas, zinātnes, dizaina un tehnoloģiju robežas. Porous Manifold Japāņu Tējnīca ir radījums, kam daudzi apskauž, kas modina vēlmes, rada pozitīvas izjūtas un raisa izbrīnu un apbrīnu.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Izmēri un iepakojums: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Birkas: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Ražošanas tehnoloģija: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Dizaina izaicinājums: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Pētījums: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Iedvesma: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Projekta ilgums: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Darbības plūsma: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patenti: F.A.D.S + Fujiki Studio, KOU::ARC
Komandas dalībnieki: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Attēlu autori: Masahiro Hoshida, Fujiki Studio, KOU::ARC