Alcyone Seza Seza nataon'i Tetsuo Shibata

Ny endrika Alcyone Seza Seza nataon'i Tetsuo Shibata dia mpandresy sarobidy amin'ny 2020 A' Design Award Vy amin'ny Sokajin'ny Fifanintsanana Famolavolana Fanaka.

VyFanaka· 2020

Alcyone Seza Seza

nataon'i Tetsuo Shibata

Mpanjifa: Tetsuo Shibata

Mpandresy A' Design Award Vy amin'ny Sokajy Fanaka

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Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #100970

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Alcyone Seza Seza

Ho azy, tanjona iray lehibe amin'ny fananganana endrika ity tetik'asa ity dia ny haneho ny toetran'ny olombelona sy ny endrika voajanahary araka izay azo atao. Mampiasa ny endrik'olombelona ho toy ny fanoharana ho an'ny posture tsara, ny fahalefahana ara-batana ary ny fomba fiaina mavitrika rehetra tadiavin'ny rehetra. Miaraka amin'ity vokatra ity, manampy izy amin'ny hetsika tsotra telo izay ataon'ireo olona mandritra ny andro fiasana: mipetraka sy mijoro, manodin-dàlana ny vatana ary manenjana ny lamosina amin'ny lamosina, noho izany dia manatsara ny fahasalamana sy mampitombo ny vokatra.

Ny Fankasitrahana

Momba ny A' Design Award Vy

Nandresy ny A' Design Award Vy ny famolavolana Alcyone Seza Seza, fankasitrahana malaza omena ny famolavolana tsara izay mahafeno ny fepetra ara-barotra sy ara-indostria andrasana amin'ny famoronana natao tsara. Ny mpandresy Vy dia mampiseho fahaiza-manao lehibe, fahaizana manokana ambony, fahatakarana manam-pahaizana ary fahaizana mamorona an'ireo mpamorona azy. Andrasana ho famoronana ankasitrahana be, ankafizina ary tiana izay azo ampiharina sady vaovao ny famolavolana Alcyone Seza Seza. Ity famolavolana nandresy ny A' Design Award Vy ity dia mampiray ny fomba fanao tsara indrindra amin'ny indostria ary manana toetra ara-teknika mahomby mifandray amin'ny fahalalana sy ny talenta. Ny famolavolana Alcyone Seza Seza dia hajaina noho ny fitandremany ary natao hanome fanatsarana ny kalitaon'ny fiainana izay manampy hahatonga ny tontolo ho toerana tsara kokoa.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: In designing this product, he was hoping to maintain a good posture, keep his legs moving and to be able to use it as a standing chair in his office and home. His challenge was to design it with a backrest that accommodates people of all height and that they can use as a regular chair at their existing work space. It was also important to him that the seat be raised and lowered and twisted sideways while being seated. This allows the users to exercise their lower body and hip muscle regularly.
Refy & Fonosana: Frame width at widest portion of base is 813 mm. Frame width at lower back is 432 mm. Frame depth at base from ankle section to back of base is 559 mm. Frame depth from ankle section to back of push bar is 483 mm. Height of frame is 1067 mm. Width of seat is 508 mm. Width of backrest at its widest is 343 mm. Height from bottom of seat to top of backrest is 584 mm. Lowest variable seat height at center of seat is 584 mm. Highest variable seat height at center of seat is 864 mm.
Marika: sit, stand, bend, twist, stretch
Teknolojia Famokarana: Because the seat of this product is in somewhat of an upright position, the challenge was to design the frame to support it and to make it height adjustable. The idea of using a twisting metal frame came to me gradually after I experimented with the bent basswood and found it difficult to bend without compromising its structural integrity. The sinuous curve of the metal base frame came out of the need to have enough space for a person to sit and stand and to hold the seat.
Fanamby Endrika: The hardest part of the design process was developing a mechanism that would allow the seat to move up and down for height adjustment. I did many detailed sketches showing the weight transfer path from the seat to flexible prongs to steel cable to conduits and to the curving metal frame. A three inch scale model I built was extremely useful in designing the details of this mechanism as well as the shape of the metal frame itself and in incorporating them both functionally and aesthetically.
Fikarohana: One important goal in coming up with the shape of this project was to simulate the quality and natural form of the human body as much as possible and to use the seat’s vertical and lateral movement as well as its performance to address some of the physical problems we all have while working at a desk. Much of my research involved talking to physical therapists, reading newspaper articles on health and science and books on both metals and plastics, and visiting local metal fabrication shops.
Aingam-panahy: Inspiration for this project comes directly from my own experience of having worked in an office for many years and the adverse effect that had on my health and body. It is clinically proven that sitting for a long period of time without moving can lead to many medical ailments such as round back, peripheral edema, and swayback. I wanted to design a new type of chair that people could use in the office and the home that would allow them to keep their bodies moving while working at their desks.
Faharetan'ny Tetikasa: I have worked at nights and on weekends on the design, a scale model, and a full-scale mock-up of this project since August 2018 in Baltimore, Maryland, finishing it in October 2019. Computer rendering of this project was started in late October 2019 and finished in late January 2020 in Baltimore.
Fizotr'asa: The main advantage of this product is that it can be used both as a standing chair by raising the seat and as a conventional chair by lowering the seat. This is possible due to the use of high memory foam inside the removable cushion. The middle portion of the seat shell is rounded to give extra foam depth so that when a person lowers the seat to sit down, the compressed foam creates their own individualized seat. To move it, simply tilt it backward until castors engage and push forward.