Zense Latabatra sy Seza nataon'i Louis Wai Yin Hung

Ny endrika Zense Latabatra sy Seza nataon'i Louis Wai Yin Hung dia mpandresy sarobidy amin'ny 2025 A' Design Award Volamena amin'ny Sokajin'ny Fifanintsanana Famolavolana Fanaka.

VolamenaFanaka· 2025

Zense Latabatra sy Seza

nataon'i Louis Wai Yin Hung

Mpanjifa: Iterative Studio

Mpandresy A' Design Award Volamena amin'ny Sokajy Fanaka

1,752,763

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #171037

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Zense Latabatra sy Seza

Zense dia latabatra mamadika endrika izay mampifangaro ny asa-tanana nentin-drazana Sinoa amin'ny fampiharana maoderina. Ny famolavolany dia mahatonga ny fizotry ny fanovana ho fihetsika ara-pivavahana, mampiasa ny fahatsapana dimy rehetra an'ny mpampiasa mba hifindra tsy misy olana eo amin'ny toerana fanoratana kaligrafia sy ny sehatra fanaovana fombafomba dite. Vita tanteraka amin'ny asa-tanana izy io, mikatsaka ny hamanipika ny hazo ho manify tsy mbola nisy toy izany amin'ny alalan'ny teknika mahay haingana ataon'ny mpanao asa-tanana, miantehitra amin'ny teknika famatorana hazo nentin-drazana ihany, tsy misy singa metaly mihitsy.

Ny Fankasitrahana

Momba ny A' Design Award Volamena

Nandresy ny A' Design Award Volamena ny famolavolana Zense Latabatra sy Seza, fankasitrahana malaza indrindra tsy refesi-mandidy omena ny famolavolana kilasy voalohany, mahagaga ary miavaka. Ny mpandresy Volamena dia famoronana vaovao indrindra, mahay mijery lavitra ary mamirapiratra mahafinaritra izay maneho ny fahamoramoran-tsaina, ny fahendrena ary ny fahaizan'ny mpamolavola azy. Andrasana ho fikarohana mahazo ankasitrahana indrindra, mitarika ny fironana ary tsangambato ny famolavolana Zense Latabatra sy Seza izay mamatsy sanda tsy mbola nisy toy izany. Ity famolavolana nandresy ny A' Design Award Volamena ity dia tetikasa mahavariana sy hajaina izay mahasoa be ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Zense Latabatra sy Seza dia mamorona fihetseham-po mafy momba ny faniriana, mamelona ny ahiahy, mamporisika ny fahaiza-mamorona ary mahasarika antsika.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Zense is both a furniture to ritual instrument. Its transforming structure—crafted from impossibly slender wood members—orchestrates tea ceremony and calligraphy while inscribing cultural memory into space. Every operational motion (wood sliding, joinery clicking) becomes ceremonial act of all 5 senses from touch, to sound; every use converts rooms into heritage vessels. The exoskeleton's artisanal precision enforces ritual deliberation, making tradition tactile through:
Refy & Fonosana: 1300mm x 550mm x 720mm. Fully handcrafted with (screwless) traditional wooden joinery techniques. Weight distribution of structures optimised to minimise profile of structural members into 30mmx30mm solid wood.
Marika: Handcrafted, table, chair, set, upcycled, wood, traditional, joinery, asian, culture
Teknolojia Famokarana: Handcrafted by master artisans using traditional Chinese joinery, the furniture set is composed of 553 upcycled timber components, each meticulously shaped to optimize weight distribution—resulting in a slender yet perfectly balanced structure. Analog iterations refined proportions without digital intervention, ensuring harmony between form and function. Magnets were discreetly chiseled into wooden housings, as the assembly relies entirely on wood-on-wood joinery, eliminating metal fasteners. Even its construction embodies ritual, merging vernacular craftsmanship with intentional, meditative precision.
Fanamby Endrika: This project faced the dual challenge of reviving ancient Chinese joinery while pushing wood’s structural limits to unprecedented thinness—all without modern engineering aids. nternally, we grappled with fading craftsmanship traditions. Material constraints demanded upcycled wood with unpredictable grain behavior, while the absence of metal fasteners required perfect joinery precision. Production hinged on master artisans capable of such handwork that relied on sensory intuition alone.
Fikarohana: This project pursued the minimal threshold dimensions of wooden members while retaining structural integrity, guided solely by craftsmen who discern strength through fingertips. Each slender element was refined not by engineering calculations, but through generations of tactile material intelligence. Practitioners tested these components, their ceremonial movements revealing where rigidity needed to yield to grace.
Aingam-panahy: Zense transforms Asian heritage into lived experience. This kinetic table merges tea ceremony and calligraphy through masterful woodcraft—its slender exoskeleton achieving structural elegance while enforcing ritual deliberation. Every interaction engages the senses, making tradition tactile rather than symbolic. Through material intelligence and embodied use, Zense bridges past and future, turning cultural memory into tangible, sensory encounters.
Faharetan'ny Tetikasa: The project started in 2018 and was exhibited most notably DesignInspire 2019 and SUPERDESIGN SHOW (Superstudio Pi - Via Tortona 27 - Milan) in 2022, amongst other venues in Hong Kong and China across 2022-2025.
Fizotr'asa: Zense begins as a serene writing surface, but with a simple lift, its wooden top rises and locks into place, transforming into a tea ceremony platform. There are no buttons or complicated mechanisms; just smooth, deliberate motions that mirror the care of traditional rituals themselves. This motion forces mindfulness, and addresses all 5 sense of the body. Every interaction—the weight of the moving parts, the satisfying click of alignment is designed to make the past feel present and purposeful.