Zig Zag Andalana Firavaka Maoderina nataon'i Mayte Ossorio Domecq

Ny endrika Zig Zag Andalana Firavaka Maoderina nataon'i Mayte Ossorio Domecq dia mpandresy sarobidy amin'ny 2025 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Firavaka.

VarahinaFiravaka· 2025

Zig Zag Andalana Firavaka Maoderina

nataon'i Mayte Ossorio Domecq

Mpanjifa: Mayte Domecq

Mpandresy A' Design Award Varahina amin'ny Sokajy Firavaka

21,546

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #171308

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Zig Zag Andalana Firavaka Maoderina

Avy amin'ny Mahitsy mankany amin'ny Mikoriana: Ny Zig Zag Maka Endrika. Ity tetikasa fikarohana ampiharina ity dia mandinika ny fiovana ny tsipika mahitsy ho lasa mikoriana amin'ny alalan'ny fizaràna. Ny tanjona dia ny hamolavola rojo matanjaka sy mahasarika ny maso sady mampihena ny fampiasana akora ary manatsara ny fahombiazan'ny rafitra. Ny fomba fiasa dia mifototra amin'ny fanandramana mivantana, izay nanaovana fitsapana teknika fanapahana sy fanolanana samihafa mba hahazoana ny hafangarahana sy ny endrika tadiavina.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Zig Zag Andalana Firavaka Maoderina, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Zig Zag Andalana Firavaka Maoderina. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Zig Zag Andalana Firavaka Maoderina dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: From straight to curved: the Zig Zag takes shape. Morphological transformation and body adaptation through transversal, equidistant, and rhythmic linear cuts. Each piece starts from double layered, overlapping leather rectangles that, through specific cuts, create distinct visual and functional rhythms depending on their placement, necklaces, bracelets, or earrings. This, along with the reuse of remnants, optimizes resources and maximizes material exploration.
Refy & Fonosana: Double glued leather, in different colors and textures, pastel, metallic and basic.
Earrings w 3mm d 20mm h 65 mm. Necklace mini w 3mm d 25mm h 480mm. Necklace big w 3mm d 60mm h 540mm. Necklace 8 w 3mm d 30mm h 900mm. Bracelet w 3mm d 60mm h 220mm. Packaging is custom cardboard with outer loop, brand label, card and heart.
Marika: from straight to curve, morphological transformation, jewelry, sustainability, body adaptation
Teknolojia Famokarana: Double layer cowhide leather, bonded together.
Manufacturing, handcrafted using hole punch tools.
Cutting dies are used for all necklace bodies, shaping straight edges into curves through repetitive, equidistant transverse cuts. This method minimizes material use, ensures optimal body adaptation, maximizes efficiency, and creates unique differentiation between pieces through variations in the cuts.
Fanamby Endrika: For the Zig Zag line, the challenge was to create a bold necklace without relying on large leather surfaces, using mostly small remnants. The key was generating curvature after cutting, transforming a 22 cm x 6 cm rectangle, the one used for the bracelet, into a striking piece. Equidistant cuts were tested to determine how close they could get to the edge for flexibility without risking breakage. Unlike a single cut piece, this method required precision to maximize material use while ensuring structural integrity.
Fikarohana: From straight to curved: the Zig Zag takes shape. This is an applied research project aimed at transforming a straight line into a curve through cross sections. The goal was to create a strong necklace while minimizing material use. The methodology involved direct experimentation with the material. The result was remarkable, not only was the design immediately accepted, but it also received a clearly positive response. It is sold in Germany, Turkey, and Argentina.
Aingam-panahy: When covering a notebook, rigid paper finds its flexibility through precise, cuts it folds, adapts, and embraces the shape without losing structure. That same principle guides the Zig Zag line. A firm lined rectangle transforms through strategic cuts that allow it to fall gracefully, as if the material were learning to move. Thus, what was once static becomes fluid, geometry adapts to the body, and air becomes part of the design.
Faharetan'ny Tetikasa: The proyect started in January 2019 with the bracelet, january 2022 and finished in July 2022, the hole line in Bs As Argentina.
Fizotr'asa: Designed for comfort and easy wear, these pieces can be put on without assistance. Ideal for daily use, they have the right weight to prevent strain. Their material ensures silent movement. Both necklaces and the bracelet feature metal cufflinks for secure fastening. The bracelet has two adjustable positions. The earrings use standard stainless steel posts that fit seamlessly into the earlobes.
Patanta: Awarded the Sello del Buen diseño Argentino 2024 (Seal of Good Argentine Design 2024) #5429
Mpikambana ao amin'ny Ekipa: Mayte Ossorio Domecq
Loharanon-tsary: Image #No 1 : Photographer Edgardo Delfino Model Sergio Calegoya
Image #No 2 : Photographer Edgardo Delfino model Mayte Ossorio Domecq
Image #No 3 : Photographer Edgardo Delfino
Image #No 4 : Photographer Edgardo Delfino
Image #No 5 : Photographer Edgardo Delfino